検索キーワード： 制作 "-- Kevin Wright --" 歴史・批評

Grand spécialiste de l'œuvre de J.R.R Tolkien, Ilan Ferry nous entraîne dans les entrailles de ce chef-d'œuvre pour révéler les références mythologiques qui abondent au fil des pages. Bien sûr, les liens entre les Elfes, les Orques, les Hobbits et toutes les autres créatures merveilleuses qui peuplent la Terre du Milieu avec les mythologies nordiques sont presque évidents. Mais à quoi font référence exactement les Mages Blancs et le terrible Sauron ? Pourquoi J.R.R Tolkien a-t-il imaginé son alphabet elfique et runique ?

Que serait un grand film sans son grand méchant ? Un mauvais film selon Jérémie Gallen, créateur de la chaîne YouTube Va te faire suivre. Si ces méchants nous fascinent autant, c'est peut-être parce qu'ils sont l'incarnation d'une partie de notre personnalité. La part la plus sombre et, par voie de conséquence, le symbole de notre humanité la plus imparfaite. Voldemort, Dark Vador, la Reine-sorcière… ne sont-ils pas les vraies stars de Harry Potter, Star Wars, ou Blanche-Neige et les Sept Nains ? Aussi effrayants soient-ils, ils suscitent notre empathie et font briller les héros de ces sagas !

¿Qué tienen ellas para dar de comer de su mano a auténticas fieras humanas? ¿Con qué poderosa luz los deslumbran hasta hacerles olvidarse de sí mismos? ¿Cómo esos dragones son sometidos por las que parecen llevarlos atados con un lazo de sutileza? Estas páginas buscan acercarse a ese secreto, conmovedor o perturbador, aunque para ello debamos primero descubrir las condiciones que producen unos monstruos con rostro humano, mezcla de terror y poesía, lo mejor y lo peor de la civilización.

It's A Wonderful Life has descriptive copy which is not yet available from the Publisher...

Un viaggio tra i grandi temi del cinema di ieri e di oggi in compagnia di una voce decisamente fuori dal coro. Una raccolta di saggi che uniscono la precisione del critico alla fantasia del romanziere e vincono la sfida di rimanere sempre, programmaticamente, "dalla parte del pubblico". Tutte le storie sono già state inventate così come tutti i codici dominanti, e non è stato il cinema a inventare e raccontare per primo.

Cuando el profesor Amit Ray quiso convencer a su decano para que le permitiera incluir "Los Simpson" en sus clases argumentó: "Las ideas ya no se escriben en papel. Se escriben en pantallas". Sobre todo en pantallas de televisión, cabría apostillar, ya que son las series de televisión, sobre todo las estadounidenses, las que han propiciado un debate y un diálogo a través de los medios de comunicación, en particular foros, webs y blogs de Internet, en el que se plantean cuestiones tan candentes como la reforma del sistema de pensiones ("El ala oeste de la Casa Blanca"), las relaciones entre padres e hijos ("Los Simpson").

One of the most sought-after celebrity titles of recent years, Des Lynam’s autobiography gives a frank and opinionated insight into the man behind the myth. Famously guarded about his private life, Des sets the record straight on all the stories that have been written about him, giving a...

The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published.

This study of Jaws (1975) examines how Steven Spielberg's breakout film not only redefined the thriller but also pioneered the summer blockbuster, cementing his reputation as a master filmmaker. Against the odds of a catastrophic location shoot, 27-year-old Spielberg delivered a film so effective that it became the highest-grossing movie of its time, transforming Hollywood's approach to event cinema.

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic.

Global entertainment has entered a new era where algorithms, data, and creator-driven platforms dictate success. The Algorithm Always Wins reveals how technology has permanently reshaped the business and creative engines of Hollywood, shifting power from studios to platforms and from gatekeepers to creators. Emmy-winning producer, lawyer, and investment banker Philip Alberstat takes readers behind the scenes of this transformation, showing how attention has become the world’s most valuable currency and how creators now operate as full-scale studios in their own right.

Stanley Kubrick hailed The Shining as 'the scariest horror film of all time' before its release in 1980. Though the film opened to poor reviews, it has since become one of the most admired horror films in cinema history. Exerting an enormous influence on popular culture, The Shining has spawned a vast array of interpretations and conspiracy theories. Roger Luckhurst's illuminating study explores the film's themes, tropes and resonances through a detailed analysis of sequences and performances.

Sofia Coppola’s Lost in Translation (2003) brings two Americans together in Tokyo, each experiencing a personal crisis. Both are distant — emotionally and spatially — from their spouses. They are lost until they develop an intimate connection. In the film’s poignant, famously ambiguous closing scene, they find each other, only to separate. In this close look at the multi-award-winning film, Suzanne Ferriss mirrors Lost in Translation’s structuring device of travel: her analysis takes the form of a trip, from planning to departure...

A legendary fusion of science fiction and horror, Ridley Scott's Alien (1979) is one of the most enduring films of modern cinema – its famously visceral scenes acting like a traumatic wound we seem compelled to revisit. Exploring the ways in which Alien compels us to think about otherness, Luckhurst demonstrates how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings about the fragility of humanity.

The Empire Strikes Back (1980), the second film in the original Star Wars trilogy, is often cited as the ‘best’ and most popular Star Wars movie. In her compelling study, Rebecca Harrison draws on previously unpublished archival research to reveal a variety of original and often surprising perspectives on the film, from the cast and crew who worked on its production through to the audiences who watched it in cinemas.

In this compelling study, Joshua Clover undertakes the task of decoding the film. Examining The Matrix's digital effects and how they were achieved, he shows how the film represents a melding of cinema and video games (the greatest commercial threat to have faced Hollywood since the advent of television) and achieves a hybrid kind of immersive entertainment. He also unpacks the movie's references to philosophy, showing how The Matrix ultimately expresses the crisis American culture faced at the end of the 1990s.

Guillermo del Toro's cult masterpiece, Pan's Labyrinth (2006), won a total of 76 awards and is one of the most commercially successful Spanish-language films ever made. Blending the world of monstrous fairytales with the actual horrors of post-Civil War Spain, the film's commingling of real and fantasy worlds speaks profoundly to our times. This study of Guillermo del Toro's cult masterpiece places 'Pan's Labyrinth' in its cultural and historical contexts, and provide an illuminating analysis of the film's techniques, themes and meanings.

Drawing on Daphne du Maurier's short story and contemporary newspaper reports of bird attacks in California, Alfred Hitchcock's The Birds (1963) featured Tippi Hedren in her first starring role. Camille Paglia's compelling study considers the film's aesthetic, technical and mythical qualities, and analyses its depiction of gender and family relations. A film about anxiety, sexual power and the violence of nature, it is quintessential Hitchcock.

In the golden age of American cinema, when Hollywood stood as a symbol of glamour, freedom, and creativity, a shadow descended over its bright lights. In the tense years following World War II, fear replaced trust, and suspicion replaced truth. The Cold War had begun—and in its early years, paranoia found a stage in Hollywood itself. Behind the Curtain takes listeners deep into one of the darkest chapters of American cultural history—a time when actors, writers, directors, and musicians were silenced, exiled, or destroyed by accusations that required no proof.

In her insightful study of this classic, Gayatri Chatterjee draws on new research in the Mehboob studio archive to outline the film's eventful production history, the ambitious vision of its director, and the performances of its stars. Rooted both in Hindu mythology and in the collective experience of a newly-independent nation-state on the brink of industrialisation and social change, this family melodrama inexorably towards tragedy and renewal.