検索キーワード： 制作 "-- Kevin Wright --" 歴史・批評

A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated

Scott Jordan (author) seized the opportunity to appear on ABC's Shark Tank and is remembered as being one of the most popular - and controversial - people to appear on the show. Shark Bites was created from his unique experiences, access to past show guests, and relationships in the entrepreneurial world. It includes dozens of controversial interviews with past Shark Tank entrepreneurs.

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.

In this candid and revealing audiobook, Mike Wallace tells the behind-the-scenes stories from his remarkable 60-year career. Here are intimate anecdotes, off-camera antics, never-before-told tales, and, most important, Wallace's insights about some unforgettable characters.

No art form is as instantly and continuously gratifying as film. When the houselights go down and the lion roars, we settle in to be shocked, frightened, elated, moved, and thrilled. We expect magic. While we're being exhilarated and terrified, our minds are also processing data of all sorts - visual, linguistic, auditory, spatial - to collaborate in the construction of meaning. Thomas C. Foster's Reading the Silver Screen will show movie buffs, students of film, and even aspiring screenwriters and directors how to become accomplished readers of this great medium.

Called the most promising artist of his generation, handsome, modest, and affectionate, Richard Dadd rubbed shoulders with the great luminaries of the Victorian Age. He grew up along the Medway with Charles Dickens and studied at the Royal Academy Schools under the brilliant and eccentric J. M. W. Turner. Based on Dadd’s tragic true story, Mad Richard follows the young artist as he develops his craft, contemplates the nature of art and fame - as he watches Dickens navigate those tricky waters - and ultimately finds himself imprisoned in Bedlam for murder, committed as criminally insane.

On the Frontlines of the Television War is the story of Yasutsune "Tony" Hirashiki's 10 years in Vietnam - beginning when he arrived in 1966 as a young freelancer with a 16mm camera but without a job or the slightest grasp of English and ending in the hectic fall of Saigon in 1975 when he was literally thrown on one of the last flights out. His memoir has all the exciting tales of peril, hardship, and close calls as the best of battle memoirs but it is primarily a story of very real and yet remarkable people: the soldiers, the reporters, and the photographers.

Daniel Day-Lewis is an actor regarded by many as the finest of his generation. His portrayal of cerebral-palsy sufferer Christy Brown in My Left Foot won him his first Oscar in 1990, and in 2008 another Oscar followed for his role in There Will Be Blood. His roles in The Age of Innocence, The Last of the Mohicans and In the Name of the Father further cemented his reputation as well as grossing millions at the box office, making Day-Lewis one of Hollywood's most bankable stars.

In his debut essay collection, Nicholas Belardes uses today’s pop culture and self-deprecating humor as a filter for discussing personal stories of family, writing, gender, art, and race. He dives into the Harry Potter play and discusses his cursed childhood home. He tells coming-of-age tales of Dungeons & Dragons and blames Stranger Things for jogging those hilarious memories.

The Pixar Touch is a lively chronicle of Pixar Animation Studios' history and evolution, and the "fraternity of geeks" who shaped it. With the help of visionary businessman Steve Jobs and animating genius John Lasseter, Pixar has become the gold standard of animated filmmaking, beginning with a short special effects shot made at Lucasfilm in 1982 all the way up through the landmark films Toy Story, Finding Nemo, Wall-E, and others.

ESPN began as an outrageous gamble with a lineup that included Australian Rules Football, rodeo, and a rinky-dinky clip show called Sports Center. Today the empire stretches far beyond television into radio, magazines, mobile phones, restaurants, video games and more, while ESPN's personalities have become global superstars to rival the sports icons they cover.

At once a pop culture icon, cult figure, and film industry outsider, master filmmaker David Lynch and his work defy easy definition. Dredged from his subconscious mind, Lynch's work is primed to act on our own subconscious, combining heightened, contradictory emotions into something familiar but inscrutable. No less than his art, Lynch's life also evades simple categorization, encompassing pursuits as a musician, painter, photographer, carpenter, entrepreneur, and vocal proponent of Transcendental Meditation.

Joss Whedon has much to teach his fans, as he unfurls epics of sacrifice and heroism for superheroes and ordinary people. Whedon offers lessons to improve the world and our roles within it. This book compares themes, motifs, and archetypes across all his works, teasing out the common threads and the messages within

Ever wish you could have your very own lightsaber like Luke Skywalker and Obi-Wan Kenobi? Or that you could fly through space at the speed of light like Han Solo and Poe Dameron? Well, those ideas aren't as outlandish as you think. In The Physics of Star Wars, you'll explore the mystical power of the Force using quantum mechanics, find out how much energy it would take for the Death Star or Starkiller Base to destroy a planet, and discover how we can potentially create our very own lightsabers.

Hollywood was built on beautiful and complicated matinee idols: James Dean and Marlon Brando are classic examples, but in the 1990s, the actor who embodied that archetype was River Phoenix. As the brightly colored 1980s wound down, a new crew of leading men began to appear on movie screens. Hailed for their acting prowess and admired for choosing meaty roles, actors such as Johnny Depp, Nicolas Cage, Keanu Reeves, and Brad Pitt were soon rocketing toward stardom while an unknown Leonardo DiCaprio prepared to make his acting debut. River Phoenix, however, stood in front of the pack.

In this adventure, which would have played well in one of his own films, Schmuel Goldfisz left the Warsaw ghetto in 1895. He walked 300 miles to the Oder River, where he paid someone to row him across, smuggling him out of the Russian empire into Germany, past border patrols to another long walk to Hamburg. The gleam in his eye was America, "a far-away country, a vision of paradise." Schmuel Goldfisz became Samuel Goldwyn, one of the producers who created the Hollywood film industry.

When he was 17 years old, Audie Murphy falsified his birth records so that he could enlist in the army and help defeat the Nazis. When he was 19, he single-handedly turned back the German army at the Battle of Colmar Pocket by climbing on top of a tank with a machine gun, a moment immortalized in the classic film To Hell and Back, starring Audie himself.

New York Times best-selling author, comedian, and actor Patton Oswalt shares his entertaining memoir about coming of age as a performer and writer in the late '90s while obsessively watching classic films at the legendary New Beverly Cinema in Los Angeles. Between 1995 and 1999, Patton Oswalt lived with an unshakeable addiction. It wasn't drugs, alcohol, or sex. It was film.

For 13 years, 22 series and 175 shows, Richard Porter was script editor of Top Gear, from the first faltering pilot episode in 2002 until the very last show presented by Jeremy Clarkson, Richard Hammond and James May in 2015. Along the way they destroyed cars, sparked diplomatic incidents, set fire to caravans, almost killed one of the presenters, and somehow transformed Top Gear from a shabby BBC Two motoring show into an Emmy-winning, record-breaking, planet-straddling behemoth.

To avoid fainting, keep repeating It's only a move ..only a movie ..only a movie ..only a movie If you grew up believing that Planet of the Apes told you all you needed to know about politics, that Slade in Flame was a savage exposé of the pop world, and that The Exorcist revealed the meaning of life, then you probably spent far too many of your formative years at the cinema. Just as likely, you soon would have realised that there was only one career open to you - you'd have to become a film critic.