検索キーワード： 歴史・批評

“A marvelous bombshell of a book, by one of our most formidably knowledgeable and insightful writers on film, it is filled with surprises and witty asides. Though Thomson is quick to pounce on the hypocrisies and historical omissions of some of these war movies, there is nothing compromised...

This is the first full-length biography of this mid-twentieth century multi-faceted star. One of the central tensions of Dale's life revolved around chasing the elusive work/family balance, making her story instantly relatable to women today. In addition to fame, Dale longed for a happy, stable, family life. Her roles of wife and mother became the foundation for her public persona: the smart, smiling, cheerful cowgirl. Unusual for the time were Dale Evans's attempts to control the trajectory of her career at a time when men dominated decision-making in the entertainment fields.

"Anatomía del crimen: Guía de la novela y el cine negros" es una completa guía del escritor de novela negra y, al mismo tiempo, teórico del género Mariano Sánchez Soler, quien ha diseccionado la narrativa criminal, sus orígenes, el salto a la literatura española y su relación con el cine nacional e internacional. Subjetivo, apasionado y visceral, su visión compone una guía completa de este tipo de novelas y películas.

Эльдар Александрович Рязанов—советский и российский кинорежиссёр, сценарист, актёр, поэт, драматург, телеведущий, педагог, продюсер. На страницах книги раскрывается внутренний мир известного режиссера. Эльдар Рязанов рассказывает о сути комедийного жанра, поднимает важные проблемы современного кинематографа и ТВ.

When it was finally released, Heaven's Gate failed so completely with reviewers and at the box office that it put legendary studio United Artists out of business and marked the end of Hollywood's auteur era. Or so the conventional wisdom goes. Charles Elton delves deeply into the making and aftermath of the movie and presents a surprisingly different view to that of Steven Bach, one of the executives responsible for Heaven's Gate, who wrote a scathing book about the film and solidified the widely held view that Cimino wounded the movie industry beyond repair.

From the #1 New York Times bestselling author of The Residence and First Women, the first ever authorized biography of the most famous movie star of the twentieth century, Elizabeth Taylor. No celebrity rivals Elizabeth Taylor’s glamour and guts or her level of fame. She was the last major...

With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. A celebration of the power of cinema and the hidden messages within media and culture, this collection of personal essays explores the women who inspired and confused a young film enthusiast.

This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark City expands with new chapters and a fresh collection of restored photos that...

The real story of Hollywood as told by such luminaries as Steven Spielberg, Frank Capra, Katharine Hepburn, Meryl Streep, Harold Lloyd, and nearly four hundred others, assembled from the American Film Institute’s treasure trove of interviews, reveals a fresh history of the American movie...

'This book took me right back to my formative years. It was as if I was back there on the sets, watching Ramu with his magic wand and a band of outsiders. A lot of nostalgia and a whole lot of perspective' - ANURAG KASHYAP 'An enchanting and detailed look at the making of one of the finest...

The Ultimate History of the '80s Teen Movie goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers, and where future superstars Sean, Demi, and Tom all got their big break. Music, comedy, and politics all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain relevant to all ages.

Authors John Dorney, Jessica Regan and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony and who won and why. Twenty films are reviewed in-depth, alongside 10 detailed 'making-of' accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinised to answer the ultimate question: 'did the Academy get it right?'

In the late 1960s and early 1970s, there were only three major television networks. And there was only one Harlan Ellison taking them all to task in a series of weekly essays he wrote for the countercultural, underground newspaper, the Los Angeles Free Press, a.k.a. “The Freep”. For nearly four years, he channel-surfed through the mire of ABC, CBS, and NBC, finding little of value but much to critique. No one offered a more astute analysis of the idiot box’s influence on American culture, or its effects on the intelligence and psyche of viewers.

“A read so riveting, it's not hard to imagine watching it unfold on Sunday nights.” —The Associated Press “An incisive account that is more than a rosy victory lap for one of TV’s most influential channels.” —Eric Deggans, NPR’s “Books We Love” “It’s Not TV proves to be a...

For years, the media has often poked fun at various marginalized individuals, damaging the impact that these people have on the world. And this is especially true for the media’s portrayal of autism. In the modern day, we like to believe that we are more socially aware and more accepting of people’s differences. Then we get singer-songwriter Sia’s film Music. What should have been a story focused on the nuances of autism spectrum disorder was instead a foray into the pseudo-whimsical world of misrepresentation and autistic stereotypes.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

In Vitagraph, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

Fascinante ensayo que recorre, no solo la representación del vudú en el cine, desde cintas emblemáticas como El corazón del ángel a La serpiente y el arco iris, sino también los propios orígenes, evolución, idiosincrasia y prácticas del vudú real, de la mano de uno de los mayores expertos en el tema. El texto principal está aderezado con críticas y ensayos sobre el tema de otros autores emblemáticos de la escena hispanohablante contemporánea.

This laugh-out-loud memoir takes listeners backstage and inside the writers' room of one of America's best-loved shows. With more than 17 million viewers and more than seventy Emmy nominations — including two wins for best comedy — Everybody Loves Raymond reigned supreme in television comedy for almost a decade. Phil Rosenthal was there at the beginning. United by a shared lifetime of family dysfunction, he and Ray Romano found endless material to keep the show fresh and funny for its entire run.