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Skyboat Media presents, paired together for the first time, both the novel and the play of The Evil Genius by Wilkie Collins. Although both versions of the story were written at the same time, the play has never before been published and was only ever performed once on the stage. In fact, it is almost entirely unknown and is otherwise unavailable.

Fifteen-year-old Esperance Darbois, the only daughter of philosophy professor François Darbois, is determined to become a woman of the stage. But becoming an actress will sully the respectability of the Darbois family, damage her marriage prospects, and harm her father’s distinguished reputation.

Lewis Dodd, a young, troubled composer, arrives at “Sanger’s Circus”, a wild gathering consisting of precocious children, a slovenly mistress, and an assortment of hangers-on in the Austrian Alps overseen by the eccentric Albert Sanger, a composer himself. Tessa, Sanger’s lively 14-year-old daughter, falls in love with their handsome visitor. After Albert’s death leaves Tessa and her siblings penniless, they must implore extended family members for assistance. Florence, Tessa’s 28-year-old cousin, graciously steps in to help and she falls in love with Lewis.

You already know Mr. Darcy—at least you think you do! The romantic hero of Pride and Prejudice, Darcy initially insults and ignores the witty heroine but eventually succumbs to her charms. It’s a classic enemies-to-lovers plot and one that has profoundly influenced our cultural ideas about courtship. But what if this classic isn’t just a grand romance but a horror novel about how scary love and marriage can be for women? In The Darcy Myth, literature scholar Rachel Feder unpacks Austen’s Gothic influences and how they have led us to a romantic ideal that is halfway to being a monster story.