検索キーワード： イングランド・アイルランド・スコットランド・ウェールズ

Marie Corelli is best known as a novelist, but was always a poet at heart, composing on her strongest passions, whether for love, nature, God, or country. This volume collects poems from across her bestselling books and across her career, curated by Brenda Vyver, her her 'companion' of 40 years, who she left everything to when she died, and who is buried alongside her in a twin grave. It is perhaps worth noting that Brenda drove much of Corelli's work, which ran heavy to erotic descriptions of women.

The tale of King Alfred, the Christian king who in 878AD battled a Viking invasion that had conquered the rest of England and burnt some cakes. He then became the last holdout of resistance against the invaders and forced the conversion of the Danish king Guthrum to Christianity after the battle of Ethandun.

While departing the first ball of the Season, dowager countess Persephone discovers there’s an intruder in her coach. She’s momentarily shocked, until she realizes she knows the man. They had briefly been lovers years ago. But how did he end up in her coach, apparently three sheets to the wind? Jack, Earl of Wilmington, is sure he was drugged during the ball, for what else could explain his splitting headache and loss of memory? But who put him in Lady Castlewait's coach? And why?

In this turbulent world, 'Stop the world I want to get off’ is a poetry collection to comfort and cheer you on as you navigate life’s challenges.

A wonderful and whimsical collection of short essays on everything from sketching on brown paper and building toy theatres to the nature of Englishness and faith.

In this L.A. Theatre Works original commission, playwright Jeanne Sakata has created a new audio adaptation of Frances Hodgson Burnett’s beloved classic. Mary Lennox is an orphaned 10-year-old who is sent to live with her uncle in his country house on the moors. Her new life is almost unbearable, but when she hears stories of the estate’s mysterious, abandoned garden she’s determined to discover its secrets.

In this L.A. Theatre Works original commission, playwright Jeanne Sakata has created a new audio adaptation of Frances Hodgson Burnett’s beloved classic. Mary Lennox is an orphaned 10-year-old who is sent to live with her uncle in his country house on the moors. Her new life is almost unbearable, but when she hears stories of the estate’s mysterious, abandoned garden she’s determined to discover its secrets.

Take a journey across country, explore the love, the hurt, the pain. In this poetic trip down shady lanes and beachside promenades, stay in identical hotel rooms, feel the tug of the sea, and witness shards of history and the jagged fangs of mystery.

Begun in 1797, when William was at the height of his poetic powers, The Grasmere and Alfoxden Journals provide invaluable insight into the daily lives of Dorothy and William Wordsworth, William’s friendship with Samuel Taylor Coleridge and the incidents that inspired some of his greatest poems. Richly immersive and intimately domestic, the Journals transport the listener to life in the Lake District 200 years ago as Dorothy describes the Lake District countryside, her garden and neighbours, keeping house, going on walks, and the people she meets along the way

Catherine Morland comes from a big family of modest means and has never had any aspirations to landing a Darcy or a Colonel Brandon as you might find in Austen's other novels. Catherine's family seems to be fairly unremarkable. She truly is the least likely of Austen's heroines to be in that role. She is naive as to what might actually happen when she's invited on a trip to Bath with a family friend. But others are more conniving. John and Isabella Thorpe have their own ideas and assumptions about Miss Morland and her expectations.

El corsario es, ante todo, un poema autobiográfico que narra las aventuras de un tal Conrad, un corsario rechazado por la sociedad -no así por las mujeres- debido a su comportamiento escandaloso. El poema inmediatamente atrajo la atención del público debido a la personalidad arrasadora de Byron, incluso algunos adeptos a la estadística afirman que se llegaron a vender diez mil copias durante su primer día en la calle.

Années 1980. Qui est Karin, la femme de Giles Barrington ? Espionne russe ou victime d'une conspiration dévastatrice ? Le mystère s'épaissit autour des familles Clifton et Barrington. Pendant ce temps, Harry Clifton, en fin de vie, se prépare à livrer son chef-d'œuvre littéraire tout en devant accepter la vente inévitable de l'empire maritime des Barrington. Et alors qu'Emma se voit proposer une place à la Chambre des Lords par Margaret Thatcher, sa petite-fille Jessica, est renvoyée de son école d'art.

The Keelie Hawk is a landmark collection from Kathleen Jamie, the current Makar (National Poet) of Scotland. For the first time, Kathleen Jamie has brought her astonishing lyric talent to the language of her homeland, with outstanding results. The Keelie Hawk is a deeply resonant collection written in Scots, with each poem accompanied by a translation into English.

The Death of Shakespeare is a novel of historical fiction that imagines how the plays attributed to William Shakespeare were written by Edward de Vere, the 17th Earl of Oxford, with occasional help from the Bard himself. William Shakespeare from Stratford-upon-Avon appeared in London in 1590 at the age of 26 and is believed by many to have begun writing the greatest plays the world has ever seen. There is no record of his education, if he had any.

Barbados, 1834. El amo de la plantación Providence reúne a sus esclavos y anuncia que el rey de Inglaterra ha decretado el fin de la esclavitud. Pero los gritos de alegría se apagan cuando les advierte que ya no son esclavos, sino aprendices. Nadie puede irse. Deberán trabajar para él durante seis años más. La libertad es solo otro nombre para la vida que siempre han vivido. Esa noche Rachel huye y se convierte en fugitiva. Comienza una búsqueda desesperada para encontrar a sus hijos, los cinco que sobrevivieron al nacimiento y fueron vendidos.

When the Duchess of Hinwick is found dead on her daughter’s wedding day, renowned sleuth Lord Edgington must prove his grandson's innocence by discovering the real killer’s plot. As he unravels the mystery of the murdered aristocrat, it becomes clear that even her own family are happy to see the back of her. With the bride’s ex-fiancé, a suspicious butler, and a plethora of plotting relatives among the suspects, how will the famous detective find the truth when just about everyone wanted the duplicitous woman dead?

This is a minute-by-minute depiction of a typical night at a legendary monthly house party known as 'The Wickedest'. Here, we meet a vivid cast of characters, young and old, all surfing a revelry steeped in camaraderie, community, desire and a spirit of jubilant defiance. A modern epic, The Wickedest explores the institution of shoobs or house parties and their vital role within working-class communities. The poems range from classical English sonnets to experimental forms and are immersively interwoven with text messages and ephemera.

Centred around two lyric poems on imminent fatherhood and the birth of a child, Signs, Music is a book about masculinity, fatherhood, and love. The speaker, looking backwards to his late father and forwards to his new son, prepares to become a parent for the first time. Meditating on the cognitive and emotional dissonances between the ‘hypothetical’ and the ‘real’ of becoming a father, this irreversible transition causes the poet’s ‘lines [to] lead towards my father (again!)’.

День, который мы празднуем — история, вышедшая из-под пера популярного американского новеллиста О. Генри (англ. O. Henry, 1862–1910). Попугай, бездумно повторяя заученные слова, заставил друзей вспомнить о днях лишений на банановых плантациях далекой Коста-Рики. Писатель также прославился благодаря рассказам "Фараон и хорал", "Сыщики", "Момент победы", "Закон и порядок", "День, который мы празднуем", "Тысяча долларов", "Багдадская птица" и "Орден золотого колечка".

In After You Were, I Am, charged moments from history collide with our own godless modern world. Read by the author, the recording is divided into three sections - ingenious rewritings of canonical prayers, dramatic monologues from the Pendle witch trials of 1612, and the divine tragedy of the Elizabethan magus John Dee - obsess over individual human characters and how our past informs (and informs on) our present.