検索キーワード： 制作 "-- Kevin Wright --" イングランド・アイルランド・スコットランド・ウェールズ

The story begins with two men discussing an impending marriage proposal. Algernon Moncrieff’s best friend, Ernest, has planned to propose to Algernon’s cousin but has secretly been living a double life. To some, he is named Jack Worthing, to some he is Ernest. His dual personas have different personalities - Ernest is a libertine, while Jack is a serious man. This deception makes Algernon wonder what may happen if he also adopts the Ernest persona

This collection of 64 short poems has become a classic work of children’s literature. The poems are written from the point of view of a child. The author brilliantly recaptures the magical world of childhood innocence, in which the most mundane of experiences can become a source of wonder.

The short story The District Doctor by Turgenev, written in 1848, is part of the "Sportsman's Sketches" cycle. It tells the tale of a hopeless love between a dying girl from a noble family and a humble county doctor. Other famous works, such as "Asya", "Fathers and Sons", "A Nest of Noblemen", "Biryuk", "On the Eve", "Mumu","Fire at Sea", "The Wayside Inn", "The Watch", "Three Portraits", "A Strange Story", "The Meeting", etc.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

"100 Best-Loved Poems" is a cherished anthology that brings together some of the most timeless and evocative works of poetry in the English language. This collection features a diverse array of poems from celebrated poets such as William Shakespeare, Emily Dickinson, Robert Frost, Edgar Allan Poe, and many others.

Totalmente revista e atualizada pelo autor–professor titular de Literatura Brasileira na USP–essa obra consagrada aos estudantes universitários, professores e pós-graduados, é tida como a melhor do gênero. Está divida em oito partes: Condição Colonial, Barroco, Arcádia e Ilustração, Romantismo, Realismo, Pré-Modernismo, Modernismo e Tendências Contemporâneas e História da Literatura Brasileira.

Don’t be intimidated by Shakespeare! These popular guides make the Bard’s plays accessible and enjoyable.

Georgiana Dudley, the 'Ice Duchess', has just emerged from mourning after a nine-year marriage of convenience to the Duke of Darby, her twin brother's lover. Deeply hurt by a scoundrel a decade ago, Georgie swore she would never turn her head for any man, let alone another rakehell. But then she encounters the wickedly handsome and all too charming Rafe Landsbury, the Earl of Markham and against her better judgment, her interest is reluctantly aroused. An affair may be impossible to resist, but dare she trust Lord Markham with her most intimate secrets...and her heart?

This collection arguably contains some of the most charming lyrics ever written in English. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published.

Antonio, a wealthy and popular merchant, is in financial difficulty. He approaches a Jewish money lender, Shylock, who agrees to provide 3000 ducats, with a very curious bond – a pound of the merchant’s flesh, to be levied if Antonio fails to make a timely repayment. Feeling confident that his argosies will arrive in time to cover the debt, Antonio agrees to this bizarre transaction.

The Don't Touch Garden explores what it is to be adopted, both for the child and the adoptive parents, through a wide range of poetic styles and complex emotions. An absorbing account of the legacy of being an adopted child. Forthright and tender, this moving sequence reflects Foley's unflinching gaze into the mirror in a sometimes excoriating attempt to discern traces of her belonging, and to make peace with the past. Joy Howard, Poet, publisher and former Fostering Services Manager.

In the poet's home county of West Yorkshire a few years ago, the Local Authority began converting a series of cow fields at the top of the road into a new cemetery. These poems, in regular, cascading tercets, sparked into being as Simon daily walked the site, with moorlands rising beyond it and the wind turbines of Brontë country to the north, watching the land tamed: eventually the muddy construction scene gives way to fresh headstones and mown lawns, and, during the Covid-19 lockdown, the spectacle of grave-diggers in Hazmat suits and socially distanced funeral services.

Orphaned heiress Miss Curtis, daughter of a successful mine owner, is the belle of Melbourne. Despite being inundated with suitors, she marries the penniless Randolph Villiers, against the advice of her friends. Mr Villiers proceeds to fritter away his wife's fortune on gambling and riotous living, while Mrs Villiers, too proud to admit her mistake in marrying him, suffers in silence.

William Wordsworth belonged to a chosen band of poets for whom poetry was a priesthood, displayed in his unerring devotion to his art. He nourished his unique poetic gift by daily intimacy with Nature. It is Wordworth’s peculiar achievement to reveal the impulses at work behind the outward beauty of Nature, and to manifest its sustaining influence upon the spirit of man.

A merchant of Syracuse has twin sons and buys twin servants for them. His wife, with one twin and one servant, is soon separated from him by a shipwreck, and comes to live in Ephesus. When grown, the other son and his slave start out to find their brothers, and the father, some years later, starts out in turn to find them. Once in Ephesus, an amusing series of errors begins.

Alfred Lord Tennyson is one of Britain’s greatest and most popular poets. Even during his lifetime, he was considered a national institution: Queen Victoria appointed him Poet Laureate in 1850, a position he held for 42 years, and in 1884 he became the first writer to be granted a baronetcy. In a long and fruitful career, he penned numerous classic works, and this BBC Radio collection showcases some of the very best. We begin with two of his masterpieces, dramatised by award-winning poet Michael Symmons Roberts.

An introduction to Harry, accompanied by 15 poems in his tribute - the leader of the pack.

William Morris was born in Walthamstow, London, on 24 March 1834 and is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856. Morris' fascination with the ancient Germanic and Norse peoples dominated his writing, and he was the first to translate many of the Icelandic sagas into English. He also published limited-edition illuminated style books, with his design for The Works of Geoffrey Chaucer standing out.

The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line poem first appeared in the United Kingdom in the October issue of Eliot's The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Eliot's poem loosely follows the legend of the Holy Grail and the Fisher King combined with vignettes of contemporary British society.

Some words were never meant to be spoken. Some letters were written but never sent, folded away in the quiet corners of time. Still, they linger. In the hush before dawn, in the spaces between footsteps, in the salt-laced wind that moves through empty rooms. This book is not a collection of answers, nor a search for closure. It is a meditation on what remains—on the echoes of voices we can no longer hear, on the weight of things left behind, on the way absence shapes us as much as presence does.