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‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

Embark on an extraordinary odyssey through the annals of Irish time and place—this is "Under A Burren Moon," a poetic anthology that echoes the whispers and roars of an island steeped in lore, love, and lament. Capturing the mystical essence of the Emerald Isle, this collection sweeps across epochs and landscapes—from the enigmatic Tuatha Dé Danann to the valiant Cú Chulainn, from the artistic marvels of the Book of Kells to the advent of Viking and Norman settlers, and from the soul-crushing Great Famine to the intricate fabric of modern Irish life.

Dubliners is a collection of fifteen short stories by James Joyce, first published in 1914. They form a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century. The stories were written when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences.

A family cohabits with a horse; three riots are tucked up safely in their beds; a tumbleweed takes up a career in comedy; the giant flag crossing a football crowd has a strange effect on those underneath; a rampaging fifty-foot poem brings terror to a city… As always in Paul Farley’s work, the quotidian and the cosmic are braided together in surprising, funny, or disconcerting ways. And as always, his poems inhabit and explore intermediate, uncertain spaces, a fertile terrain found between the obscurity of the cave and the light of knowledge linked to power.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

July is a poetry collection written over the course of the month of July, one poem written every day exploring a theme or a feeling that was sparked by something that happened that day.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

Hector Hugh Munro (18 December 1870 – 14 November 1916), better known by the pen name Saki and also frequently as H. H. Munro, was a British writer whose witty, mischievous and sometimes macabre stories satirize Edwardian society and culture. He is considered a master of the short story, and often compared to O. Henry and Dorothy Parker. Influenced by Oscar Wilde, Lewis Carroll and Rudyard Kipling, he himself influenced A. A. Milne, Noël Coward and P. G. Wodehouse.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

Have you ever wondered, “Who is King Arthur? ”King Arthur is legendary for his courage, leadership, and the magical world surrounding his reign. In The Big Questions: Who Is King Arthur , young listeners aged 5 and upwards are invited to embark on an enchanting journey to explore the mysteries of Camelot, the Knights of the Round Table, and the fascinating myths that shaped his story. Written by Ethan Solace, an Interdisciplinary Psychologist, this book delves into the life and legacy of King Arthur, blending historical insight with captivating storytelling to inspire curiosity and wonder.

Like all the best poets, Matt Barnard knows how to make poems bigger than themselves; short lyrics like ‘Please Follow the Yellow Line,’ ‘The Day Twilight Went on for Days’ and ‘Border Patrol’ manage to fill the page and the time beyond their reading, treading a nice line in Larkinesque terror. Writers like Charles Boyle and Charles Simic also come to mind in the poet’s highly original metaphors, his ability to draw symbol from the everyday.

Step into the captivating world of British theatre with The Quizziology of the British Drama, a delightful and witty exploration of the plays, playwrights, and performances that have shaped the stage. Penned by the brilliant satirist and dramatist Gilbert Abbott A'Beckett, this charming book explores the stage passions through extended verse, a motley crew of stage characters that no good play is without, and a series of one-act 'deleted' plays in the style of famous playwrights of the time.

Winter is not just a season; it is a metaphor, a narrative, a state of mind. "Lament for Leaves Long Fallen" is a collection of free verse poems that delve deep into the folds of winter's chilling embrace, exploring themes of isolation, despair, and introspective questioning. These poems seek to capture the intricacies of winter, both as a physical season and as an emotional climate.

Dickens the Enchanter takes us deep into an imagination whose power and originality struck some contemporaries as godlike while others thought it demonic. If you already love Dickens, it will renew your understanding of him; if you have yet to experience him, it will lure you into his astonishing, alarming, enchanted world.

In But & Though, Jake Hawkey scrutinizes the impact of parental addiction on families, its title a nod to the language of dependency, its circles of prevarication and excuse. Hawkey’s poems chart the loss of a father and the resilient love between siblings, and take an unflinching look at a parent–child relationship sometimes painfully inverted through alcoholism.