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This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

The story of Medea is only one part of a myth about the Argonauts' campaign. It portrays Jason joining a battle with fire-breathing bulls and a dragon guarding the Golden Fleece; Medea is helping him tame the beasts. She then follows him to Greece, because she falls in love. It is also a story of how a once young, beautiful and joyful woman transforms into a monster, hungry for revenge; she kills even her own children. A long trail of horrible deaths, tied to her life path, is hard to imagine.

Miss Isabelle Fleming is the beauty of the season, but she's ready to escape from the ton. After a whirl of balls, routs, and Venetian breakfasts, Isabelle has yet to meet a man who can see beyond her looks, and she's beginning to doubt she ever will. So when her sister Amelia invites her to Stonecroft, her country estate, Isabelle is relieved to get out of London. She plans to spend her time writing a novel and enjoying the scenery, but she doesn't expect the scenery to include Mr. Oliver, Stonecroft's new land agent.

Alfred Lord Tennyson is one of Britain’s greatest and most popular poets. Even during his lifetime, he was considered a national institution: Queen Victoria appointed him Poet Laureate in 1850, a position he held for 42 years, and in 1884 he became the first writer to be granted a baronetcy. In a long and fruitful career, he penned numerous classic works, and this BBC Radio collection showcases some of the very best. We begin with two of his masterpieces, dramatised by award-winning poet Michael Symmons Roberts.

ONE OF THE ATLANTIC'S 10 BEST BOOKS OF THE YEAR A NEW YORK TIMES BOOK REVIEW  EDITORS' CHOICE PICK AND 2024 NOTABLE BOOK AN NPR FAVORITE READ OF 2024 “Peri’s joint biography is a thrilling, haunting yarn of the sort that the Scottish writer Robert Louis Stevenson himself became famous...

Neville Watkin’s life is so dismal surely things can’t get any worse. Yes they can, because his wife leaves him, he loses his job, has a car crash and ends up in hospital. Feisty Laura, the other party in the car crash, befriends him and sets out to turn his life upside down. For reasons he struggles to understand, Caroline, her equally feisty mother, seems to like him. Rather a lot.

We hadn't planned a return to Leeds. But our friend Gerry is missing, and we've got to find him. Never mind the fact that anyone who can take out a troll is operating way above our pay grade. It doesn't take long to discover a missing troll is the least of our worries. Leeds has blown straight past dicey and into end times. The necromancers are back, and this time it's not just a few cats they want dead. It's everyone. So if we want any chance of life as we know it to continue, we need to stop them as well as save Gerry. Easy, right?

Epithalamion is an ode included in an anthology, Amoretti, first published in 1595. Spenser's purpose was to celebrate his courtship of Elizabeth Boyle whose marriage with him is glorified in the Epithalamion.

What is Autism? is a collection of poems that explains what Autism is as well as other things associated with it. The book takes a lot of information and condenses and simplifies it making it easier for people to understand. You can use this book to help with autism training.

Poems from the bedroom is an assortment of poetry. All poems were written chronologically, and this order has been kept to maintain the humor in everyday life as well as the not so funny moments. There is a poem for every day of the month which touches on different situations and emotions. Whether you are feeling happy, sad, lonely or mad, you can randomly select a poem or pick one for your mood.

It’s 1985 and the Stage Left Theatre Collective is founded by a group of friends with a shared vision: Emma, the artistic manager and Robert the literary manager, director Saul, playwright Alan, and finance manager, Frank. This funny, moving and pin sharp drama follows the fate of the company and its members over the course of four decades. We catch up with the characters as they negotiate changing cultural and economic climates.

In this funny Regency romance series, the Shackleford sisters descend on a Regency society that doesn’t know what’s hit it… With her four older sisters now married, it’s Patience Shackleford’s turn to take charge of her younger siblings’ education. But given that Patience’s most...

A mythical man known as Nightmare haunted young children for years. Until he became real. DCI Harry McNeil knows the legend all too well. Growing up in the Highlands, Nightmare was on his and every other child's mind as they went to sleep. Then, Nightmare claimed his first victim. A young girl, found dead in an abandoned cemetery with the words, I am Nightmare, carved into her chest. Two more victims, the same words carved into them. Then Nightmare disappears. Now, years later, there have been reports of graffiti being sprayed around Inverness and on graves in old cemeteries.

Miss Maisie Beaufort has no intention of running away ever again. She’s more than ready to return home after a decade in the midst of society and take charge of her life as a spinster businesswoman. Nothing will distract her. Especially not her first love, the rebel who destroyed her young heart... Apollo Everly always knew Maisie was too good for small town life…and for a spare heir like him. He never stopped wanting her, though.

Shelagh Delaney was just 19 when her debut play, A Taste of Honey, premiered in 1958. One of the great ‘kitchen sink dramas’, it was ground-breaking in its portrayal of working-class Northern women, gay and Black men, and influenced popular culture from The Smiths to Coronation Street. This collection opens with a 2004 radio production of A Taste of Honey, followed by seven dramas specially written for BBC Radio, all showcasing Delaney’s extraordinary gift for depicting the experiences and emotions of ordinary women and children.

Miriam has never exactly seen eye-to-eye with her sister. But when a body's dumped on the doorstep of a Women's Institute meeting and all signs point to Rainbow, Miriam knows her sister's being framed. Going to the police would be the smart move, but Rainbow's got her own reasons for avoiding them. Before long she's on the run, trusting to Miriam and the W.I. to clear her name. The killer's left nothing to chance, though, and Rainbow's in more danger than she realises - and she's dragging the others right in with her.

"Find Malcolm. His safety is your safety." Threat or promise, I wasn't hanging around to find out. Not when the sorcerer making it had just yanked me out of my skin for a friendly chat. But with scheming magicians, lurking necromancers, and Callum's long-lost family all competing to make my next out of body experience a permanent one, having a sorcerer on our side seems like a pretty good option. There's just one problem. If we want her help, we need to find her dentist. And we've only got one lead. Weres. Mouth-breathing, ravening monsters with too many teeth and no affection for my kind.

Like it or not, when a sorcerer asks you to track a magician, you track a magician. It's that or spend life as a hamster. So we did. But, turns out, the scary magician is the least of our worries. Between raging squirrel mobs, My Little Ravenous sewer monsters, and bungalow-dwelling necromancers with a good line in attack dogs, it's all we can do to keep ourselves the right side of dead. And that's before we stumble onto something far more sinister. Something that makes one dead son look like small carrots. Something that's going to raise an ancient almost-god and bring the world to its knees.

I'm not saying the entire magical population of North Yorkshire want us dead. Just the majority. Which is why we fled Leeds to hide out in the dubious safety of the seaside town of Whitby. But lying low isn't really in our skillset, and when one of our few remaining friends is taken by the sea, we can't just walk away. We've got to get her back. Especially as her partner is a reaper with a scythe that can slice through reality, and the whole situation might be a teeny, tiny bit our fault. We're not going after Emma alone, though.

When a man from Callum's past turns up at our door claiming to have lost both the last herd of unicorns in England and his sister, I knew it should be a hard pass. The past has teeth. But old debts plus a damsel in distress means Callum just can't say no. G&C London, Private Investigators, are plunging deep into the magical underbelly of Leeds, and we're going to have our work cut out for us. Never mind the criminal dynasties, cross-dressing trolls, trained attack lizards, and philosophical donkeys - we need to find the sister and get out before the Watch get involved.