検索キーワード： アジア系アメリカ人・太平洋諸島系

Jasmine Sinclair, is a strong-willed journalist who is engaged to a Hollywood actor. Her fiancé's indiscretions create a scandal, leaving Jasmine washing her hands of all men. At the insistence of her mother, she accompanies her father, Senator Sinclair, to Seoul on a business trip and is joined by her two best girlfriends, Candace and Rita, the catalysts that will push Jasmine to give love and romance another chance with the protagonist, Wen Howan.

For teenage Kashmira, it’s painful to look in the mirror; she has her father’s face, and every feature is a reminder of his abandonment. When a friend introduces her to Evolvoir, a beauty product that changes users’ features, Kashmira is quickly hooked on how it allows her to erase the triggers of her grief. Meanwhile, at Evolvoir’s corporate offices, Kashmira’s estranged brother Nikhil first sees the product as an opportunity to make a difference and a name for himself, but is quickly mired in corporate complicity as reports surface of the product causing severe pain.

As a bounty hunter specializing in immigrants who do their status dirty, Domingo has had his fair share of dicey jobs. From traffickers peddling drugs, guns, and people to murderers and other fugitives, Domingo loves nothing more than putting the bad guys away. But his life’s not exactly fun and games. A seemingly easy case involving a lovestruck young heiress turns out to be anything but. Tessa Woodridge, a fast-food chain CEO, hires Domingo to find the undocumented parents of Julian Alondra, the love of her life. When Tessa was eight, fourteen-year-old Julian saved her life.

From the bestselling author of Superfan comes a haunting novel about the long-unacknowledged demons that are passed down through four generations of women in a Chinese Canadian family, and what it might take for them to finally break free of the past.

Mai Der Vang's poetry—lyrically insistent and visually compelling—constitutes a groundbreaking investigation into the collective trauma and resilience experienced by Hmong people and communities, the ongoing cultural and environmental repercussions of the war in Vietnam, the lives of refugees afterward, and the postmemory carried by their descendants. Primordial is a crucial turn to the ecological and generational impact of violence, a powerful and rousing meditation on climate, origin, and fate.

Rufus Leung Gresham, future Earl of Greshambury and son of a former Hong Kong supermodel has a problem: the legendary Gresham Trust has been depleted by decades of profligate spending, and behind all the magazine covers and Instagram stories manors and yachts lies nothing more than a gargantuan mountain of debt. The only solution, put forth by Rufus’s scheming mother, is for Rufus to attend his sister’s wedding at a luxury eco-resort, a veritable who’s-who of sultans, barons, and oligarchs, and seduce a woman with money.

Malay Sketches is a collection of stories that borrows its name from a book of anecdotes by colonial governor Frank Swettenham, describing Malay life on the Peninsula. In Alfian Sa'at's hands, these sketches are reimagined as flash fictions that record the lives of members of the Malay community in Singapore. With precise and incisive prose, Malay Sketches offers the listener profound insights into the realities of life as an ethnic minority.

On the night of the Hungry Ghost Moon, when spirits can briefly return to the living world, Jodi Wu and her best friend sneak into Portland’s Chinese Garden and Ghost Museum. Kneeling before the pond where Jodi’s toddler drowned one year before, they leave food offerings and burn joss paper—and Jodi prays that Ella’s ghost will return for the night. To distract Jodi from her grief, the two friends tell each other ghost stories as they explore the museum.

Fifty years after the end of the Vietnam War, literary voices of the Vietnamese-American diaspora, as well as Vietnam-based authors, speak to the experience of those who left and those who stayed in THE COLORS OF APRIL, a collection of new short fiction curated by award-winning translators and editors Quan Manh Ha and Cab Tran.

At twenty-six, Princeton grad Michael Wang is trapped. Stifled under the bamboo ceiling at General Motors, he's working quietly on a breakthrough in self-driving car technology that he hopes will catapult him out of obscurity. Disaffected and largely friendless in San Francisco, he's dogged by resentment towards the Ivy Leaguers who never accepted him and his colleagues who see him as passive and faceless. But all that changes when one night, on a freelance coding platform, he meets the beautiful and enigmatic Vivian.

It is 2008. Sam’s dream publishing debut is three years behind him. Now he is a writer without a story. Desperate for inspiration, he takes the opportunity to ghostwrite an old Vietnamese solider’s memoir, only to find that his subject, Mr. Lan, is an intractable communist, whose amazing narrative is rooted in the vilification of Vietnamese emigres, the very people Sam’s debut celebrated.

“You are told to believe in one paradise / and then there is the paradise you come to know,” begins Rick Barot. What follows is an account of the rich and thorny valley between those poles. Moving the Bones dwells in liminal spaces—of love and memory, the pandemic’s singular domesticity, a serene cemetery of ancestral plots, dawn. In precise and tender verse, Barot captures the particularities of being in the middle of one’s life, reflecting on the joys and sorrows of the past and confronting the inevitabilities that lie ahead.

The billionaire Sun Clan of Greater Los Angeles is your typical American family, with power-struggling aunties, emasculated uncles, scheming cousins, scandalous secrets and a fortune teller on retainer. But at the end of each combative day, the Suns are chained together with golden handcuffs, whether they like it or not. Yet strange storms are a-brewing. Their matriarch, Roses Sun, is grappling with an existential crisis: she must produce a male heir that bears the clan's surname.

The Chu siblings haven’t seen each other in years but when they’re told that their ailing mother is scheduled for an operation next month, they agree to visit her together. Then their mother makes an odd request: before seeing her, they must go on a road trip together to the Grand Canyon. Thirty years ago, a strange incident had aborted a previous family road trip there. No one’s ever really spoken about it, but during this journey, the middle-aged Chu siblings have no choice but to confront their childhood experience.

A Chinese mother and daughter wrestle with the demons of their past. Lemei, once a student Red Guard leader in 1960s Shanghai and a journalist at a state newspaper, was involved in a brutal act of violence during the Tiananmen Square protests and lost all hope for her country. Her daughter, Lin, is a student at an American university, executing her mother's grand plan for her to become a true Westerner. Following China's meteoric rise, Lemei is slowly dragged into a nationalistic perspective that stuns Lin, leading to grave conflicts.

Things are looking up for the Brew-ha Cafe, and Lila Macapagal can’t think of anything that could break the spell, especially with Valentine’s Day coming up—she can’t wait to celebrate with her boyfriend, Jae Park. Adding to the lovey-dovey atmosphere is Hana Lee, Shady Palms’s newest resident. She’s also Jae’s beloved cousin and chocolatier at Choco Noir, the latest addition to the town’s culinary offerings. Everything is coming into place for Hana, who left her old life in Minnesota behind to work at Choco Noir, owned by her best friend.

Portland, 1888. Amid the subterranean labyrinth of the notorious Shanghai Tunnels, a woman awakens in an underground cell, drugged and disguised. Celia soon realizes she’s a “Shanghaied” victim on the verge of being shipped off as forced labor, leaving behind those she loves most. Although well-accustomed to adapting for survival—being half-Chinese, passing as white during an era fraught with anti-Chinese sentiment—she fears that far more than her own fate hangs in the balance.

Gish’s mother--Loo Shu-hsin--is born in 1925 to a wealthy Shanghai family where girls are expected to behave and be quiet. Every act of disobedience prompts the same reprimand: “Bad bad girl! You don’t know how to talk!” She gets sent to Catholic school, where she is baptized, re-named for St. Agnes, and, unusually for a girl, given an internationally-minded education. Still, her father would say, "Too bad. If you were a boy, you could accomplish a lot." Aggie finds solace in books, reading every night with a flashlight and an English-Chinese dictionary.

Chef Liv Kuo’s star is on the rise…until a traumatic incident leaves her emotionally unable to venture outside her Manhattan apartment. But an unexpected reason to break free comes from Ah-Ma, Liv’s beloved grandmother in Taiwan. Ah-Ma needs Liv’s help in finding her fourth daughter, taken from her when the girl was an infant. After all these years, it seems impossible. It’s also a mystery: Ah-Ma’s fourth daughter is an aunt Liv never even knew existed.

On a university campus in rural Qixian, Lin and Liz make an improbable pair: Lin, a Chinese student closer to her menagerie of pets than to her peers, and Liz, a Chinese American teacher grieving her mother’s sudden death. They’re each met with hostility—Lin by her classmates, who mock her for dating a white foreigner; Liz by her fellow English teachers, who exploit their privilege—and forge an unlikely friendship. After a startling betrayal that results in Lin’s expulsion, they swap places. Lin becomes convinced to pursue her degree at a community college near Liz’s Ohio hometown.