検索キーワード： アジア系アメリカ人・太平洋諸島系

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

Sometimes Therapy Isn’t Enough finds the author coping with mental health struggles through poetry. The book is divided into four chapters, taking the listener on a raw emotional journey through anxiety, addiction, depression, and grief.

I rediscovered a bit of myself in Jun-li, and in May-lee Chai's beautifully constructed and perfectly contained world. It's the deftly and subtly rendered intricacies that mark this story, link it to the experience of Asians in America, and linger in the imagination. Julie Shigekuni, author of A Bridge Between Us, In Plain View, and Invisible Gardens When you are eleven years old, is there anything more humiliating, or bound to cause a fight, than shopping with your mother when your body is in full-throttle warp? Yes, there is: picking out the school-required underwear.

DESPRE AUDIOBOOK. Cum arată viața cuiva care nu se simte protagonistul propriei existențe? Care sunt constrângerile unei astfel de vieți? Ce și până unde îi este permis să viseze? Willis Wu și-a dorit dintotdeauna să fie Tipul Care Se Pricepe La Kung Fu, dar până una alta, trebuie să se mulțumească cu a fi unul dintre miile de Bărbați Asiatici Generici care-și găsesc un rost pe platourile de filmare ale serialelor polițiste de la Hollywood. Își va îndeplini el visul, va reuși el să-și găsească locul în marea narațiune americană și dacă da, cu ce preț?

Jasmine Sinclair, is a strong-willed journalist who is engaged to a Hollywood actor. Her fiancé's indiscretions create a scandal, leaving Jasmine washing her hands of all men. At the insistence of her mother, she accompanies her father, Senator Sinclair, to Seoul on a business trip and is joined by her two best girlfriends, Candace and Rita, the catalysts that will push Jasmine to give love and romance another chance with the protagonist, Wen Howan.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC-Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans. The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing?

Informed by real-life events, from Japanese incarceration to the Vietnam War and modern-day immigrant detention, Kevin Nguyen’s novel gives us a version of reality only a few degrees away from our own. Moving and finely attuned to both the brutalities and mundanities of racism, Mỹ Documents is a strangely funny and touching portrait of American ambition, fear, and family. The story of the Nguyens is one of resilience and how we return to one another, and to ourselves, after tragedy.

Business has never been better for Nura Khan, a third-generation matchmaker in Atlanta. Her exclusive clientele benefits from her impeccable track record. And while a single thirty-one-year-old matchmaker would normally raise some perfectly threaded eyebrows in the community, Nura’s childhood best friend, Azar, is willing to double as her pretend fiancé at her clients’ weddings—even though Nura’s feelings for him might not be so pretend.

In the waning months of George W. Bush’s presidency, Neel Chima, a former naval officer and federal prosecutor, is recruited to join a new federal intelligence agency—one with greater than usual powers and fewer than usual restrictions. Neel soon finds himself intimately involved in the surveillance of domestic terrorism suspects and the selection of foreigners for drone assassination—men who often look just like his Sikh family members. As both his ambitions and his moral qualms mount, he is drawn farther and farther away from his wife and two young daughters.

Ever since a man was found dead in Vera's teahouse, life has been good. For Vera that is. She’s surrounded by loved ones, her shop is bustling, and best of all, her son, Tilly, has a girlfriend! All thanks to Vera, because Tilly's girlfriend is none other than Officer Selena Gray. The very same Officer Gray that she had harassed while investigating the teahouse murder. Still, Vera wishes more dead bodies would pop up in her shop, but one mustn't be ungrateful, even if one is slightly...bored.

Duc Tran, the eccentric founder of the Vietnamese sandwich chain Duc’s Sandwiches, has decided to retire. No one has heard from his wife, Evelyn, in two decades. She abandoned the family without a trace, and clearly doesn’t want anything to do with Duc, the business, or their kids. But the money has to go to someone. With the help of the shady family lawyer, Duc informs his five estranged adult children that to receive their inheritance, his four daughters must revitalize run-down shops in old-school Little Saigon locations across America: Houston, San Jose, New Orleans, and Philadelphia.

Mai Der Vang's poetry—lyrically insistent and visually compelling—constitutes a groundbreaking investigation into the collective trauma and resilience experienced by Hmong people and communities, the ongoing cultural and environmental repercussions of the war in Vietnam, the lives of refugees afterward, and the postmemory carried by their descendants. Primordial is a crucial turn to the ecological and generational impact of violence, a powerful and rousing meditation on climate, origin, and fate.

Fifty years after the end of the Vietnam War, literary voices of the Vietnamese-American diaspora, as well as Vietnam-based authors, speak to the experience of those who left and those who stayed in THE COLORS OF APRIL, a collection of new short fiction curated by award-winning translators and editors Quan Manh Ha and Cab Tran.

The winner of the Pulitzer Prize in Fiction, as well as seven other awards, and now an HBO® Original Limited Series on Max, The Sympathizer has sold over one million copies worldwide and is one of the most acclaimed books of the 21st century. With the pace and suspense of a thriller and prose that has been compared to Graham Greene and Vladimir Nabokov, The Sympathizer is a sweeping epic of love and betrayal.

A Chinese mother and daughter wrestle with the demons of their past. Lemei, once a student Red Guard leader in 1960s Shanghai and a journalist at a state newspaper, was involved in a brutal act of violence during the Tiananmen Square protests and lost all hope for her country. Her daughter, Lin, is a student at an American university, executing her mother's grand plan for her to become a true Westerner. Following China's meteoric rise, Lemei is slowly dragged into a nationalistic perspective that stuns Lin, leading to grave conflicts.

Angelina Lee feels like she doesn’t belong. Newly divorced, and completely unmoored by the sudden and tragic death of her mother, she hopes studying Korean will reconnect her to her roots, but nothing about Seoul feels familiar. Further complicating matters is the resurgence of an alluring man from Angelina’s past, and fellow classmate Keisuke Ono, an irritatingly good looking Japanese American journalist who refuses to leave her alone. What she’ll barely admit, however, is the true reason behind her trip. She’s convinced the key to understanding her mother’s suicide lies in Korea.

Zoe Tran is living her best life, designing plus-size lingerie at her own award-winning clothing boutique, when suddenly her college best friend reenters her life. Derek Bui is offering a tantalizing chance to recapture a forgotten dream: designing costumes for the musical they created together years ago. Derek has loved Zoe since freshman year but never had the guts to confess his true feelings. Now he’s directing the Vietnamese Cinderella rock musical they dreamed up in college.

Ahead of looming layoffs within the ongoing decimation of media, Jacob Goldberg, a culture writer in New York, knows what will save him: a podcast. Not just any podcast, but something that will demonstrate his singular thoughtfulness in an oversaturated, competitive market. When Jacob learns the true, tragic circumstances behind the mysterious death of Seth, one of his best friends from high school, his world is turned completely upside down. But when the dust settles, he realizes he has an idea worth digging into. Of course, it’s not so simple.

Malay Sketches is a collection of stories that borrows its name from a book of anecdotes by colonial governor Frank Swettenham, describing Malay life on the Peninsula. In Alfian Sa'at's hands, these sketches are reimagined as flash fictions that record the lives of members of the Malay community in Singapore. With precise and incisive prose, Malay Sketches offers the listener profound insights into the realities of life as an ethnic minority.

The Ibrahim family is facing a crucial moment: Their patriarch just lost his fortune as the result of a Ponzi scheme, and the family is picking up the pieces. At the family’s core is Asma—successful doctor and the long-suffering middle daughter who stepped into the family center after the death of her beloved mother years ago. Despite what the prying aunties think, Asma is living the life she has always wanted, fulfilling her childhood dream of becoming a doctor...or so she thinks. In walks Farooq Waheed, Asma’s college sweetheart whose proposal was cruelly rejected by Asma’s aunt and father.