検索キーワード： アジア系アメリカ人・太平洋諸島系

On a university campus in rural Qixian, Lin and Liz make an improbable pair: Lin, a Chinese student closer to her menagerie of pets than to her peers, and Liz, a Chinese American teacher grieving her mother’s sudden death. They’re each met with hostility—Lin by her classmates, who mock her for dating a white foreigner; Liz by her fellow English teachers, who exploit their privilege—and forge an unlikely friendship. After a startling betrayal that results in Lin’s expulsion, they swap places. Lin becomes convinced to pursue her degree at a community college near Liz’s Ohio hometown.

Enka meets Mathilde in art school and is instantly drawn to her. Mathilde makes art that feels truly original, and Enka—trying hard to prove herself in this fiercely competitive world—pours everything into their friendship. But when Mathilde’s fame and success cause her to begin drifting away, Enka becomes desperate to keep her close.

Bo knows she should go. Years of rain have drowned the city and almost everyone else has fled. Her mother was carried away in a storm surge and ever since, Bo has been alone. She is stalled: an artist unable to make art, a daughter unable to give up the hope that her mother may still be alive. Half-heartedly, she allows her cousin to plan for her escape—but as the departure day approaches, she finds a note slipped under her door from Mia, an elderly woman who lives in her building and wants to hire Bo to be her caregiver. Suddenly, Bo has a reason to stay.

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak.

Noelle Tom really shouldn’t have eaten those dumplings at the night market. But the old woman at the stall said they’d give her what she needed most, and what Noelle desperately needed after another long workweek was food. Except now she’s reliving the same Friday. Every morning her alarm goes off at 6:45, and the Wordle answer is always “happy.” Worst of all, any work she does at her job as an engineer? It’s erased when she wakes up. Monday might never come in this workaholic’s nightmare.

Vivian Yin is dead. The first Chinese actress to win an Oscar, the trailblazing ingénue rose to fame in the eighties, only to disappear from the spotlight at the height of her career to live out the rest of her life as a recluse. Now her remaining family members are gathered for the reading of her will, and her daughters expect to inherit their childhood home: Vivian’s grand, sprawling, Southern California garden estate. But due to a last-minute change to the will, the house is passed on to another family instead—one that has suddenly returned after decades of estrangement.

Julie Chan, a supermarket cashier with nothing to lose, finds herself thrust into the glamorous yet perilous world of her late twin sister, Chloe VanHuusen, a popular influencer. Separated at a young age, the identical twins were polar opposites and rarely spoke, except for one viral video that Chloe initiated (Finding My Long-Lost Twin And Buying Her A House #EMOTIONAL). When Julie discovers Chloe’s lifeless body under mysterious circumstances, she seizes the chance to live the life she’s always envied.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

Sometimes Therapy Isn’t Enough finds the author coping with mental health struggles through poetry. The book is divided into four chapters, taking the listener on a raw emotional journey through anxiety, addiction, depression, and grief.

I rediscovered a bit of myself in Jun-li, and in May-lee Chai's beautifully constructed and perfectly contained world. It's the deftly and subtly rendered intricacies that mark this story, link it to the experience of Asians in America, and linger in the imagination. Julie Shigekuni, author of A Bridge Between Us, In Plain View, and Invisible Gardens When you are eleven years old, is there anything more humiliating, or bound to cause a fight, than shopping with your mother when your body is in full-throttle warp? Yes, there is: picking out the school-required underwear.

DESPRE AUDIOBOOK. Cum arată viața cuiva care nu se simte protagonistul propriei existențe? Care sunt constrângerile unei astfel de vieți? Ce și până unde îi este permis să viseze? Willis Wu și-a dorit dintotdeauna să fie Tipul Care Se Pricepe La Kung Fu, dar până una alta, trebuie să se mulțumească cu a fi unul dintre miile de Bărbați Asiatici Generici care-și găsesc un rost pe platourile de filmare ale serialelor polițiste de la Hollywood. Își va îndeplini el visul, va reuși el să-și găsească locul în marea narațiune americană și dacă da, cu ce preț?

Jasmine Sinclair, is a strong-willed journalist who is engaged to a Hollywood actor. Her fiancé's indiscretions create a scandal, leaving Jasmine washing her hands of all men. At the insistence of her mother, she accompanies her father, Senator Sinclair, to Seoul on a business trip and is joined by her two best girlfriends, Candace and Rita, the catalysts that will push Jasmine to give love and romance another chance with the protagonist, Wen Howan.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC-Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans. The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing?

Informed by real-life events, from Japanese incarceration to the Vietnam War and modern-day immigrant detention, Kevin Nguyen’s novel gives us a version of reality only a few degrees away from our own. Moving and finely attuned to both the brutalities and mundanities of racism, Mỹ Documents is a strangely funny and touching portrait of American ambition, fear, and family. The story of the Nguyens is one of resilience and how we return to one another, and to ourselves, after tragedy.

Business has never been better for Nura Khan, a third-generation matchmaker in Atlanta. Her exclusive clientele benefits from her impeccable track record. And while a single thirty-one-year-old matchmaker would normally raise some perfectly threaded eyebrows in the community, Nura’s childhood best friend, Azar, is willing to double as her pretend fiancé at her clients’ weddings—even though Nura’s feelings for him might not be so pretend.

Ever since a man was found dead in Vera's teahouse, life has been good. For Vera that is. She’s surrounded by loved ones, her shop is bustling, and best of all, her son, Tilly, has a girlfriend! All thanks to Vera, because Tilly's girlfriend is none other than Officer Selena Gray. The very same Officer Gray that she had harassed while investigating the teahouse murder. Still, Vera wishes more dead bodies would pop up in her shop, but one mustn't be ungrateful, even if one is slightly...bored.

In the waning months of George W. Bush’s presidency, Neel Chima, a former naval officer and federal prosecutor, is recruited to join a new federal intelligence agency—one with greater than usual powers and fewer than usual restrictions. Neel soon finds himself intimately involved in the surveillance of domestic terrorism suspects and the selection of foreigners for drone assassination—men who often look just like his Sikh family members. As both his ambitions and his moral qualms mount, he is drawn farther and farther away from his wife and two young daughters.

Duc Tran, the eccentric founder of the Vietnamese sandwich chain Duc’s Sandwiches, has decided to retire. No one has heard from his wife, Evelyn, in two decades. She abandoned the family without a trace, and clearly doesn’t want anything to do with Duc, the business, or their kids. But the money has to go to someone. With the help of the shady family lawyer, Duc informs his five estranged adult children that to receive their inheritance, his four daughters must revitalize run-down shops in old-school Little Saigon locations across America: Houston, San Jose, New Orleans, and Philadelphia.

Mai Der Vang's poetry—lyrically insistent and visually compelling—constitutes a groundbreaking investigation into the collective trauma and resilience experienced by Hmong people and communities, the ongoing cultural and environmental repercussions of the war in Vietnam, the lives of refugees afterward, and the postmemory carried by their descendants. Primordial is a crucial turn to the ecological and generational impact of violence, a powerful and rousing meditation on climate, origin, and fate.

Fifty years after the end of the Vietnam War, literary voices of the Vietnamese-American diaspora, as well as Vietnam-based authors, speak to the experience of those who left and those who stayed in THE COLORS OF APRIL, a collection of new short fiction curated by award-winning translators and editors Quan Manh Ha and Cab Tran.