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Her submission is his sweet revenge...until the truth detonates his plans. When Joe learns Hunter’s name, his inner Dom’s lust turns to black rage - he’s convinced it’s her fault a teammate committed combat suicide. He embarks on a plan to seduce her, but by the time her sweetness ensnares him, the truth threatens what could be the love of a lifetime.

When Malena Sevilla's tidy, carefully planned world collapses following her father’s mysterious suicide, she finds a letter - signed with an “A” - that reveals that her mother, whom she thought dead, is very much alive in San Isidro, a quaint town tucked in the Andes Mountains. Intent on meeting her, Malena arrives at Alameda Street and meets four sisters who couldn’t be more different from one another, but who share one thing in common: all of their names begin with an A.

Nadia Guerra’s mother, Albis Torres, left when Nadia was just 10 years old. Growing up, the proponents of revolution promised a better future. Now that she’s an adult, Nadia finds that life in Havana hasn’t quite matched its promise; instead it has stifled her rebellious and artistic desires. Each night, she DJs a radio show government censors block from broadcasting. Frustrated, Nadia finds hope and a way out when she wins a scholarship to study in Russia.

When venture capitalist Luc Deschaines' daughter, Stephanie, is accepted by his Ivy League alma mater, the proud father arranges for her to spend her summer before college on the Round Top Ranch, one of his Texas investments. Where better for her to enjoy a few months of riding, swimming in the creek, and improving her Spanish language skills? Luc has no qualms about leaving her in the care of the ranch's manager and his large, close-knit family. Stephanie spends long days in the saddle on Elena Sauseda's breathtaking blue roan mare.

The Montoyas are used to a life without explanations. They know better than to ask why the pantry never seems to run low, or why their matriarch won’t ever leave their home in Four Rivers - not for graduations, weddings, or baptisms. But when Orquídea Divina invites them to her funeral and to collect their inheritance, they hope to learn the secrets that she has held onto so tightly their whole lives. Instead, Orquídea is transformed into a ceiba tree, leaving them with more questions than answers.

L.A. is parched, dry as a bone, and all Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants is a little rain. He’s harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage. Their three daughters - Claudia, a television chef with a hard-hearted attitude.

As a young woman, Corina leaves her Mexican family in Chicago to pursue her dream of becoming a writer in the cafés of Paris. Instead, she spends her brief time in the City of Light running out of money and lining up with other immigrants to call home from a broken pay phone. But the months of befriending panhandling artists in the métro, sleeping on crowded floors, and dancing the tango at underground parties are given a lasting glow by her intense friendships with Martita and Paola.

El tercer audiolibro de cuentos de Hugo Burel aúna una vez más todas las obsesiones del autor: un reflejo de su Uruguay contemporáneo, su amor por la ciudad de Montevideo a pesar de la certeza de sus luces y sus sombras, la profundad exploración de la psicología de sus personajes y un gusto irredento por la intriga y los tejemanejes clásicos del género negro, todo ello envuelto en una prosa concisa, afilada y contundente a la vez.

"Breviario de pequeñas traiciones" es un demoledor relato de los turbulentos cambios que sacudieron la sociedad peruana a principios del S. XXI. En ella se dan cita el dinero, la frivolidad, las abismales diferencias de clase y la consecuencia de todo lo anterior: la soledad. Una novela a medio camino entre el deseo y la traición, un retrato tan amargo como lúcido de una generación entera.

Vayan por delante mis disculpas más sinceras por haber faltado hoy a nuestra cita, ya puedes suponer que morirse resulta un impedimento de fuerza mayor. Supondrás también, pues huevón del todo nunca me pareciste, que yo no debería saber tal cosa a día de la fecha y es para explicarte ése y otros detalles que acaso tengan su importancia, nomás de ti depende, por lo que escribo esta carta.

A family is murdered as they sleep. FBI Special Agent Nina Guerrera and her new team are tasked with determining whether there is any link between this attack and another triple homicide from four years earlier and more than 2,000 miles away. In the process, they’ll discover a serial killer so cunning that his grisly trail of death spanning nearly three decades has gone undetected. Each crime scene reminds Nina of the ghostly Latin folktale of La Llorona, which terrified her when she was an abandoned and vulnerable child. Now it’s back to haunt her.

The characters in Songs for the Flames are men and women touched by violence - sometimes directly, sometimes only in passing - but whose lives are changed forever, consumed by fire and by unexpected encounters and unyielding forces. A photographer becomes obsessed with the traumatic past that an elegant woman, a fellow guest staying at a countryside ranch, would rather leave behind. A military reunion forces a soldier to confront a troubling history, both personal and on a larger scale....

At his modest home on the edge of town, the former president of an unnamed Latin American country receives a journalist in his famed gardens to discuss his legacy and the dire circumstances that threaten democracy around the globe. Once known as the Poorest President in the World, his reputation is the stuff of myth: a former guerilla who was jailed for inciting revolution before becoming the face of justice, human rights, and selflessness for his nation. Now, as he talks to the journalist, he wonders if he should reveal the strange secret of his imprisonment.

Venezuela, 1992. Unknown colonel Hugo Chávez stages an ill-fated coup against a corrupt government, igniting the passions of Venezuela’s poor and catapulting the oil-rich country to international attention. For two rival spies hurriedly dispatched to Caracas - one from Washington, DC, and the other from Fidel Castro’s Cuba - this is a career-defining mission.

Bienvenidos a la 4T (cuarta temporada), Desde México con Amor.

Una fotógrafa comprende algo que hubiera preferido no comprender. Un veterano de la guerra de Corea se enfrenta a su pasado durante un encuentro que parecía inofensivo. Tras el hallazgo por internet de un libro de 1887, un escritor acaba descubriendo la vida de una mujer apasionante.

Mona Mireles is a quintessential overachiever: a former spelling-bee champion and valedictorian of her college class, she has a sterling résumé and a wall of plaques and medals in her bedroom that stretches floor to ceiling. She's also broke, unemployed, back at home with her parents, and completely adrift in life and love. Seven months out of college, she’s desperately trying to reassemble the pieces of her life after the Wall Street job she had waiting for her post-graduation dissolves in the wake of the Great Recession.

Sono migliaia le sudamericane arrivate negli ultimi anni in Italia per lavorare come badanti e collaboratrici domestiche. Hanno lasciato la famiglia oltreoceano e promesso a mariti e figli di tornare presto, ma spesso il rientro in patria, anche solo per una vacanza, è difficile sia per i costi del viaggio sia per la mancanza di un regolare permesso di soggiorno in Italia. È questa la situazione di Lita, che ha lasciato in Bolivia le figlie ancora bambine, affidandole alla nonna. Quattro anni sono lunghi: le figlie crescono sentendosi abbandonate, soprattutto la maggiore.

In visceral, embodied prose, Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them.

A young woman struggles to finish her PhD on stars and galaxies. Instead, she obsessively tracks the experience of her own body, listening to its functions and rhythms, finally locating in its patterns the beginning of illness and instability. As she discovers the precarity of her self, she begins to turn her attention to the distant orbits of her family members, each moving away from the familial system and each so different in their experiences, but somehow made similar in their shared history of illness and trauma, both political and personal.