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No one expects to meet their father at their mother’s funeral. But for Gabby Medina, that’s exactly what happens. Her dad abandoned her when she was a baby, and now he’s back. And he wants to give her a house. Gabby doesn’t want the house—or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn’t mean she accepts him.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labelled Borgesian.

On the Day of the Dead, in 1938, Geoffrey Firmin, an alcoholic and ruined man, is fatefully living out his last day, drowning himself in mescal while his former wife and half-brother look on, powerless to help him. The events of this one day unfold against a backdrop unforgettable for its evocation of a Mexico at once magical and diabolical.

En Barcelona, una prostituta que va entrando en la vejez entrena a su perro para llorar ante la tumba que ha escogido para sí misma. En Viena, una mujer se vale de su don de ver el futuro para convertirse en la adivina de una familia rica. En Ginebra, el conductor de una ambulancia y su esposa acogen al abandonado y aparentemente moribundo ex presidente de un país caribeño, solo para descubrir que sus ambiciones políticas siguen intactas.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives.

Rulfo comenta los relatos que sigue escribiendo en cartas a su novia Clara Aparicio. En 1951 se publica el séptimo, "Diles que no me maten", en la revista América. Gracias a la primera beca que Rulfo recibe del Centro Mexicano de Escritores puede terminar los ocho que aparecerán con los previos en 1953, en el libro titulado El Llano en llamas, dedicado a Clara. Dos relatos más, aparecidos en revistas en 1955, serán incluidos en la edición de 1970.

Una fotógrafa comprende algo que hubiera preferido no comprender. Un veterano de la guerra de Corea se enfrenta a su pasado durante un encuentro que parecía inofensivo. Tras el hallazgo por internet de un libro de 1887, un escritor acaba descubriendo la vida de una mujer apasionante.

A man returns to the town where a baffling murder took place 27 years earlier, determined to get to the bottom of the story. Just hours after marrying the beautiful Angela Vicario, everyone agrees, Bayardo San Roman returned his bride in disgrace to her parents. Her distraught family forced her to name her first lover; and her twin brothers announced their intention to murder Santiago Nasar for dishonoring their sister. Yet if everyone knew the murder was going to happen, why did no one intervene to stop it?

En el año 2014, Carlos Carballo es arrestado por intentar robar de un museo el traje de baño de Jorge Eliécer Gaitán, líder político asesinado en Bogotá en 1948. Carballo es un hombre atormentado que busca señales para desentrañar los misterios de un pasado que lo obsesiona. Pero nadie, ni siquiera sus amigos más cercanos, sospecha las razones profundas de su obsesión. ¿Qué conecta los asesinatos de Jorge Eliécer Gaitán, cuya muerte partió en dos la historia de Colombia, y de John F. Kennedy?

Zavalita y el zambo Ambrosio conversan en La Catedral. Estamos en Perú, durante el «ochenio» dictatorial del general Manuel A. Odría. Unas cuantas cervezas y un río de palabras en libertad para responder a la palabra amordazada por la dictadura.

"Desconcertante, lista a inquietar a la crítica, está ya en los escaparates la primera novela de Juan Rulfo, Pedro Páramo, que transcurre en una serie de transposiciones oníricas, ahondando más allá de la muerte de sus personajes, que uno no sabe en qué momento son sueño, vida, fábula, verdad, pero a los que se les oye la voz al través de la perspicacia despiadada y certera de tan sin duda extraordinario escritor". Con estas palabras iniciaba Edmundo Valdés la primera reseña de Pedro Páramo, aparecida el 30 de marzo de 1955 y conservada por Juan Rulfo entre sus papeles.

La muerte de Artemio Cruz, novela de 1962 de Carlos Fuentes, es una visión panorámica de la historia del México contemporáneo tal como la rememora un industrial y político agonizante. Una reflexión sobre el México surgido de la Revolución Mexicana, pero también de cuestiones tan universales y permanentes como la soledad, el poder o el desamor.

Baja California, 1979. Viridiana spends her days watching the dead sharks piled beside the seashore, as the fishermen pull their nets. There is nothing else to do. Yet her head is filled with dreams of Hollywood films, of romance, of a future beyond the drab town where her only option is to marry and have children. Three wealthy American tourists arrive for the summer, and Viridiana is magnetized. They offer excitement, and perhaps an escape. When one of them dies, Viridiana lies to protect her friends. Soon enough, someone’s asking questions....

JARED - If I had a dollar for every time Banner Morales made my heart skip a beat...The heart everyone assumes is frozen over. Her anger is...arousing. Every glare from those fire-spitting eyes, every time she grits her teeth, gets me...well, you know. If I had a dollar for every time she's put me in my place, I'd be an even richer man. I'm a successful sports agent because I assume "no" means you'll think about it. I'm sure what you meant to say is, "Coming right up." They say even rich men don't always get what they want, but those men don't know how to play the game.

Natalia Flores rules her exclusive talent agency with an iron fist, brokering blockbuster deals while keeping everyone at arm's length. But beneath the cold exterior lies a heart that yearns to be understood. Enter Professor Samantha Reyes—brilliant, fierce, and unwilling to let Natalia manipulate her way into the film rights to her book. Their encounters spark with tension and undeniable chemistry.

A wedding reception is coming to a close in the Hollywood Hills when the blissful day is shattered by the death of one of the newlyweds. Though the incident appears to be an accident, Homeland Security Investigations agent Carmen Sanchez and her partner, security expert Jake Heron, discover that the tragedy is the third in a series of similar deaths and conclude something far more sinister is at play. The two uncover chilling evidence pointing to a serial killer who has taken evil to the next level.

"Full of tenderness and delirium, moving between suburban realism and fairy tale." —Mariana Enríquez An alternative Nightbitch set in Barcelona for fans of Fever Dream, following three mothers who are linked by the tentacles that live inside of them. Alba has always clung to her mother Carmen...

We The Animals has descriptive copy which is not yet available from the Publisher...

No ritmo das pedaladas de uma bicicleta, a estrada passa sob os pés do protagonista André, enquanto este percorre o sul do Brasil, o Uruguai, a Argentina, até chegar a Sucre, na Bolívia, cidade onde desaparece. Através de seu diário, enviado ao amigo Jean pouco depois da última nota, é que temos acesso aos lugares onde passou, as pessoas com quem conviveu e os fantasmas que o perseguiram durante a jornada.

Bendito follows Maritza Cruz, a young woman who is the girlfriend of the talented and successful artist, Omar Rivera. Feeling distressed about her derailed creative dreams and jealous of her boyfriend, Maritza decides to start her own magazine, but it doesn’t get the attention she wants. She therefore accepts her best friend’s invitation to attend a Santería party and seeks the help of a santero, Baz Santiago, to hasten her success.