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On the Day of the Dead, in 1938, Geoffrey Firmin, an alcoholic and ruined man, is fatefully living out his last day, drowning himself in mescal while his former wife and half-brother look on, powerless to help him. The events of this one day unfold against a backdrop unforgettable for its evocation of a Mexico at once magical and diabolical.

El clásico indiscutible de las letras españolas en una edición única.

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the Earth but tend to rise during land disputes.

Sometimes heartbreaking, sometimes deeply joyous, The House on Mango Street tells the story of Esperanza Cordero, whose neighborhood is one of harsh realities and harsh beauty. Esperanza doesn't want to belong, not to her rundown neighborhood, and not to the low expectations the world has for her. Esperanza's story is that of a young girl coming into her power, and inventing for herself what she will become.

Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut “jump-starts your heart in the same way it piques your ear” (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate.

La novela narra la historia de Tita de la Garza a manera de recetario, donde cada capítulo es una receta que relata las aventuras de la protagonista en una casa donde la tradición la obliga a quedarse a cuidar a su madre, y por lo tanto, sin poderse casar nunca.

Working at the local processing plant, Marcos is in the business of slaughtering humans - though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the "Transition". Now, eating human meat - "special meat" - is legal. Marcos tries to stick to numbers, consignments, processing.

The attack was a complete surprise, carefully planned and clinically executed. How did this unidentified Korean civilian get into the tightly controlled base? And why attack the claims officer? Is there an unsettled grudge, a claim of damages that was rejected by the Army? Against orders, CID agents Sergeants George Sueño and Ernie Bascom start investigating. Somehow, each person they speak to has not yet been interviewed.

Tenochtitlan, 1551. Thirty years after the Spanish Conquest destroyed everything she loved, the last Aztec empress has passed and left behind a pristine yet tenuous legacy for her children. As her last will and testament is read out, her daughter Isabel suspects that another account of her mother’s life may exist, hidden away chapter by chapter in the Valley of Mexico. Following each clue, Isabel is determined to find out who her mother really was and to discover the secrets she buried in order to survive.

Lóri, a primary school teacher, is isolated and nervous, comfortable with children but unable to connect to adults. When she meets Ulisses, a professor of philosophy, an opportunity opens: a chance to escape the shipwreck of introspection and embrace the love, including the sexual love, of a man. Her attempt, as Sheila Heti writes in her afterword, is not only “to love and to be loved,” but also “to be worthy of life itself.”

Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family.

La ciudad mexicana de Santa Teresa -trasunto de Ciudad Juárez- atrae como un imán a los protagonistas. Cuatro críticos literarios europeos viajan hasta Sonora tras las huellas del escritor desaparecido Benno von Archimboldi, cuya vida se refiere en la parte final de la novela.

Hernán Cortés y Motecuzoma protagonizaron el choque de culturas más trascendente de la historia de la humanidad. Todo en la historia del mundo moderno es producto de ese encuentro y esa conquista.

Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. When Lydia’s husband’s tell-all profile of Javier, the jefe of the newest drug cartel that has gruesomely taken over the city, is published, none of their lives will ever be the same.

Mass-murdering authors. Writers at the head of a football-hooligan ring. A pilot who crafts his poetry in the sky. A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of pan-American writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. Terrifyingly witty and remarkably inventive, Nazi Literature in the Americas is the virtuosic, one-of-a-kind masterpiece that brought Bolaño fame throughout the Spanish-speaking world.

José Fernandez, el protagonista de la novela que presentamos, es un joven aristócrata bogotano que, durante una velada a finales del siglo XIX, y a petición de sus amigos más cercanos, lee de su diario las entradas correspondientes a un periodo de su vida en que viajó y vivió en Europa y en el que conoció y sufrió por cuenta de un enamoramiento que casi lo lleva a la tumba.

Un sorbo amargo, latidos descompasados, la presencia inminente de la emoción y el miedo. Marion y Paris: una pareja joven que se expone de continuo a transgresiones en la búsqueda de experiencias extremas. Narcotizados por las sensaciones que les regala la química de sus cuerpos puestos al límite, se desenvolverán en una atmósfera nebulosa que los llevará a crear una complicidad perversa e irrenunciable. Sin remedio, su futuro cambiará y los empujará por escenarios llenos de los más bajos instintos del ser humano.

Benjamin lives with a name he hates in a run-down San Francisco apartment, until his brother Billy finds him. Billy's a war veteran who sleeps under a bridge with his loyal band of phone thieves, trying to avoid the police and the VA. Thirty years earlier, Benjamin had an Ivy League degree and was getting noticed for his Peace Corps work on the Ecuadorian coast. But Felicia also noticed, seducing him into a life of cajoling secrets from others to be peddled to the highest bidder. Felicia's talented protégé lived a privileged life until he made a mistake and had to flee with the name Gloria.

Cuando Marcos era pequeño le dejaba cartas a su madre antes de ir a la escuela. Ahora se aparece en sus sueños, porque le quiere contar a qué lugar lo llevaron… cuando lo desaparecieron. Ada está en una carrera contra el tiempo, porque teme morir antes de encontrarlo, pero de una cosa está segura: tiene que buscarlo en un árbol.

Pubblicato nel 1931, San Manuel Bueno martire è un romanzo breve, ma intenso e di straordinaria bellezza, nel quale Unamuno fornisce finalmente una soluzione al problema centrale della sua filosofia—e in fondo della vita di ogni persona: il conflitto tra la ragione e la fede, tra il sentimento che suggerisce una vita immortale e la scienza che mostra la distruzione completa dell'essere umano.