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Los personajes de "Falsa guerra" son náufragos en tierra firme, varados en zona de nadie. Algunos quieren marcharse de Cuba y no pueden, otros se fueron y nunca acabaron de llegar del todo. Viven en una especie de limbo, en un impasse perpetuo entre la realidad y el deseo, entre el pasado y el futuro, entre el país de origen y el de destino, a la espera de una promesa, una confirmación o, simple y llanamente, una tregua. Algo que les siga recordando que la vida es posible.

Vayan por delante mis disculpas más sinceras por haber faltado hoy a nuestra cita, ya puedes suponer que morirse resulta un impedimento de fuerza mayor. Supondrás también, pues huevón del todo nunca me pareciste, que yo no debería saber tal cosa a día de la fecha y es para explicarte ése y otros detalles que acaso tengan su importancia, nomás de ti depende, por lo que escribo esta carta.

La primera novela para adultos en casi 15 años de la autora internacionalmente superventas de "In the Time of the Butterflies" y "How the García Girls Lost Their Accents". Antonia Vega, la escritora inmigrante en el centro de "Afterlife", ha sacado la alfombra de debajo de ella. Acaba de retirarse de la universidad donde enseñó inglés cuando su amado esposo, Sam, muere repentinamente.

Con el peculiar estilo que lo caracteriza, el humor corrosivo del que ha hecho su sello personal, y ensayando nuevos registros, Carlos Velázquez engendra su cuarto libro de relatos. Una mirada despiadada que se ve enriquecida por la madurez narrativa, producto de las más retorcidas obsesiones. Barbie Moreno es una chica del clima que "Se había prometido a sí misma que jamás volvería a bailar en un chiquichor a cuarenta grados afuera de un depósito de cerveza para una bola de macuarros".

For fans of American Dirt, a sweeping, masterful debut about a daughter's fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were born. Of Women and Salt is a story of shared heritage, populated by magnetic, fascinating, flawed women whose voices demand to be heard.

Buenos Aires, 1981. Inspector Alzada's work in the Buenos Aires police force during the Dirty War exposes him to the many realities of life under a repressive military regime. Personally, he prefers to stay out of politics, but when his hot-headed revolutionary brother, Jorge, is disappeared, Alzada knows he will stop at nothing to recover him.

It's 2017, and Olga and her brother, Pedro 'Prieto' Acevedo, are bold-faced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying, Latinx neighbourhood in Brooklyn, while Olga is the tony wedding planner for Manhattan's power brokers. Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the one per cent, but she can't seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets.

It’s 2017, and Olga and her brother, Pedro “Prieto” Acevedo” are bold-faced names in their hometown of New York. Prieto is a popular Congressman representing their gentrifying Latinx neighborhood in Brooklyn while Olga is the tony wedding planner for Manhattan’s powerbrokers. Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the one percent, but she can’t seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets.

L.A. is parched, dry as a bone, and all Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants is a little rain. He’s harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage. Their three daughters - Claudia, a television chef with a hard-hearted attitude.

In present-day Miami, Jeanette is battling addiction. Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt.

On the outskirts of Buenos Aires in 1907, Doctor Quintana pines for head nurse Menéndez while he and his colleagues embark on a grisly series of experiments to investigate the line between life and death. One hundred years later, a celebrated artist goes to extremes in search of aesthetic transformation, turning himself into an art object. How far are we willing to go, Larraquy asks, in pursuit of transcendence?

A young woman struggles to finish her PhD on stars and galaxies. Instead, she obsessively tracks the experience of her own body, listening to its functions and rhythms, finally locating in its patterns the beginning of illness and instability. As she discovers the precarity of her self, she begins to turn her attention to the distant orbits of her family members, each moving away from the familial system and each so different in their experiences, but somehow made similar in their shared history of illness and trauma, both political and personal.

Violeta comes into the world on a stormy day in 1920, the first girl in a family with five boisterous sons. From the start, her life is marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth.

After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry.

Ramón Montez always achieves his goals. Whether that means collecting Ivy League degrees or growing his father’s fast-food empire, nothing sets Ramón off course. So when the sexy señorita who kissed him on the Day of the Dead runs off into the night with his heart, he determines to do whatever it takes to find her again.

As a young woman, Corina leaves her Mexican family in Chicago to pursue her dream of becoming a writer in the cafés of Paris. Instead, she spends her brief time in the City of Light running out of money and lining up with other immigrants to call home from a broken pay phone. But the months of befriending panhandling artists in the métro, sleeping on crowded floors, and dancing the tango at underground parties are given a lasting glow by her intense friendships with Martita and Paola.

"Dios aprieta, pero no ahorca" ("God squeezes, but He doesn't strangle")—the epigraph of Machete—sets the stage for a powerful poet who summons a variety of ways to endure life when there's an invisible hand at your throat. Tomás Morín hails from the coastal plains of Texas, and explores a world where identity and place shift like that ever-changing shore.

The characters in Songs for the Flames are men and women touched by violence - sometimes directly, sometimes only in passing - but whose lives are changed forever, consumed by fire and by unexpected encounters and unyielding forces. A photographer becomes obsessed with the traumatic past that an elegant woman, a fellow guest staying at a countryside ranch, would rather leave behind. A military reunion forces a soldier to confront a troubling history, both personal and on a larger scale....

At his modest home on the edge of town, the former president of an unnamed Latin American country receives a journalist in his famed gardens to discuss his legacy and the dire circumstances that threaten democracy around the globe. Once known as the Poorest President in the World, his reputation is the stuff of myth: a former guerilla who was jailed for inciting revolution before becoming the face of justice, human rights, and selflessness for his nation. Now, as he talks to the journalist, he wonders if he should reveal the strange secret of his imprisonment.

What does it mean to be other? What does it mean to love in a world determined to keep us apart? These questions murmur in the heart of each of Brenda Peynado’s strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically.