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Mariella Saavedra Carquin confronts hard truths in this powerful debut collection, pushing through layered complexities of immigration, race, and identity to find a way forward.

Havana, 1939: It’s opening night at the famed Tropicana nightclub. Cuban American college student Natalie Trainer, on vacation from Miami, is watching from the sidelines—as usual. Then comes an invitation to dance from a handsome stranger named Antonio. Normally cautious and reserved, Natalie somehow finds herself saying yes. A tiny thrill of rebellion, of taking a chance, and Natalie’s in heaven. Will her first step into this unfamiliar realm set a new course for her life, or only tonight?

Former seamstress turned couturier turned spy Sira Quiroga is finally ready to embrace serenity with her British diplomat husband, Marcus, and the upcoming prospect of motherhood. But tranquility proves elusive. Fate has other plans for Sira. Installed in Jerusalem under the British Mandate, and enmeshed in the murky world of shady operators, political menace, and catastrophic violence, Sira finds her future with Marcus put to the ultimate test.

Alone in a museum in Paris, Gabriela Wiener confronts her complicated family heritage. She is visiting an exhibition of pre-Columbian artifacts, spoils of European colonialism, many stolen from her homeland of Peru. As she peers at countless sculptures of Indigenous faces, each resembling her own, she sees herself in them—but the man responsible for pillaging them was her own great-great-grandfather, Austrian colonial explorer Charles Wiener.

Emilia and Gregorio spent their childhood following their grandmother through the mountains of central México, gathering the ingredients she used for curandera work and learning about the supernatural world. When she passes away, the siblings are left alone. So they scrape together their money and pay coyotes to smuggle them to their father in the United States. The siblings are exhausted before they even reach the border, where the coyotes seize Emilia for their own harsh ends.

Los cuentos de Bolaño condensan todo su universo literario, uno de los más rupturistas y personales de la creación en español: la literatura, la sexualidad, lo cotidiano y lo extraordinario, la rebeldía de los que viven en el límite de la marginalidad, el viaje como huida y como forma de vida, la juventud, la violencia, las tramas policiales y el arte como obsesión.

En la Barcelona de la posguerra —ese espacio ya mítico donde transcurre la narrativa de Marsé—, el capitán Blay, con su cabeza vendada y sus suspicacias sobre los escapes de gas que están a punto de hacer volar toda la ciudad, se pasea por el barrio sacudido aún por los estertores de la guerra perdida y acompañado por los espectros gimientes de sus hijos muertos.

Por fin reunida en un solo volumen la aclamada trilogía autobiográfica de Laura Alcoba: La casa de los conejos, El azul de las abejas y La danza de la araña.

Ragged and raging across the spectrums of cognition, race, and gender, Tarta Americana lyrically envisions forms of survival outside neuronormative perceptions and histories. Against the recent tide of white nationalism in the United States, Tarta Americana finds a rhinestone in Ritchie Valens, the rock and roll legend, surfacing across time and bodies, genders and sounds, displacing the linear unfolding of desire and biography.

Dissatisfied with his empty, Sisyphus-like existence in New York City, where he has abandoned his creative dreams for a job in corporate advertising, a highly cultured aspiring composer wants nothing more than to tear his life up from the root. He soon finds his escape hatch: a university-sponsored mission to South America to look for indigenous musical instruments in one of the few areas of the world not yet touched by civilization. Retracing the steps of time, he voyages with his lover into a land that feels outside of history.

When he arrives in Cuba at the close of the eighteenth century, Victor Hugues, a merchant sailor from Marseille, brings with him not only the idealism of the French Revolution but also its ambition and bloodlust. Landing at the Havana doorstep of a trio of wealthy, eccentric Creole orphans, he sweeps them across the Caribbean Sea to Guadeloupe, whose enslaved Africans he frees only then to exploit them in his fight against the British for colonial sovereignty. What ensues in Alejo Carpentier’s magical realist masterpiece is an explosive clash between the New World and the Old World.

Guinea ve truncada su carrera como profesora en una universidad de Estados Unidos tras salir a la luz su relación con un alumno mucho más joven que ella. Huyendo del escándalo y en busca de una nueva vida llega al aeropuerto de Buenos Aires, donde descubre que se ha producido un apagón general.

Costa Rica, 1968. When a lethal fire erupts at the American Fruit Company’s most lucrative banana plantation burning all evidence of a massive cover-up, the future of Teresa Cepeda Valverde’s family is changed forever. Now, twenty-seven years later, Teresa and her daughter Lyra are still picking up the pieces. Lyra wants nothing to do with Teresa, but is desperate to find out what happened to her family that fateful night. Teresa, haunted by a missing husband and the bitter ghost of her mother, Amarga, is unable to reconcile the past.

At the age of seventy, after a gap of twenty years, Jorge Luis Borges returned to writing short stories. In Brodie’s Report, he returned also to the style of his earlier years with its brutal realism, nightmares, and bloodshed. Many of these stories, including “Unworthy” and “The Other Duel,” are set in the macho Argentinean underworld, and even the rivalries between artists are suffused with suppressed violence. Throughout, opposing themes of fate and free will, loyalty and betrayal, time and memory flicker in the recesses of these compelling stories, among the best Borges ever wrote.

Poet and musician Melania Luisa Marte opens Plaintains and Our Becoming by pointing out that Afro-Latina is not a word recognized by the dictionary. But the dictionary is far from a record of the truth. What does it mean, then, to tend to your own words and your own record—to build upon the legacies of your ancestors?

Driven and recklessly daring, Martin Sabater follows his lifelong dream of owning a cacao plantation in Valle del Cauca. But on the night of a spectacular gala, he disappears—and is never seen again. Now his hacienda is a budding Catholic hospital saving lives during an emerging epidemic. And novice nun “Sor Puri” is there to uncover the truth behind Martin’s disappearance. But her real identity—and her past with the heartbreakingly charismatic Martin—will put far more than her perilous search at risk.

A Colombian American journalist tries to save her career by taking an assignment somewhere she never thought she’d go—Colombia—in this heartwarming debut novel about rediscovering our family stories.

A world-bending, lyrically rich poetry collection that reimagines the U.S.-Mexico border as both a real place and a living simulation—and tells the story of a pair of siblings trapped between the two.

We see this erupting world through the eyes of a seasoned warrior as he is pushed to the edge of his humanity. Simple Machines takes us deep into the life of the American Army Ranger as he must navigate a combat zone. This is a war novel with the rush of battle, agony of loss, and courage of the undefeated.

El color de la piel: Heredia investiga aquí la repentina desaparición de Alberto Coiro, un joven peruano que ha llegado a Chile en busca de trabajo y que reside en los alrededores del popular barrio Mapocho. Para la pesquisa, Heredia cuenta con los habituales consejos de su gato Simenon y la ayuda de un anciano que lo introduce en el mundo de los vagabundos y cartoneros que cada noche invaden la ciudad.