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Return to the world of The Dance Off . . . From USA Today bestselling author Alexis Daria comes the sizzling follow-up to Take the Lead. Professional dancer Natasha Díaz is broke, overworked, and in need of a place to crash. She's just desperate enough to move in with Dimitri Kovalenko, her...

"Family sticks together no matter what… right?" Former best friends and now husband and wife, Joaquin and Juliana, have experienced their face share of problems. Not only has Juliana had to care for her bull rider husband Joaquin after a shoulder injury, but also help raise Joaquin's two-year-old daughter, Trinity. With strength and perseverance, Joaquin and Juliana think everything is finally coming together. But life has something else in store for them… After a terrible bull riding accident that almost claimed his life, Joaquin finds his life spiraling out of control.

Now an original series on Prime Video! This “spectacular…absorbing and distinguished work…is a unique achievement, both personal witness and possible allegory of the past, present, and future of Latin America” (The New York Times Book Review). The House of the Spirits, which introduced...

Created by Olly Richards, internationally renowned language teacher and author, 101 Conversations in Real Spoken Spanish gives you an education in real Spanish that you won't find anywhere else. You'll be better prepared for using Spanish in the real world, speak with more confidence, and take a giant leap toward fluency in Spanish!

A TODAY SHOW #ReadWithJenna BOOK CLUB PICK NATIONAL BESTSELLER A coming-of-age classic about a young girl growing up in Chicago Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2025...

Zavalita y el zambo Ambrosio conversan en La Catedral. Estamos en Perú, durante el «ochenio» dictatorial del general Manuel A. Odría. Unas cuantas cervezas y un río de palabras en libertad para responder a la palabra amordazada por la dictadura.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives.

"Desconcertante, lista a inquietar a la crítica, está ya en los escaparates la primera novela de Juan Rulfo, Pedro Páramo, que transcurre en una serie de transposiciones oníricas, ahondando más allá de la muerte de sus personajes, que uno no sabe en qué momento son sueño, vida, fábula, verdad, pero a los que se les oye la voz al través de la perspicacia despiadada y certera de tan sin duda extraordinario escritor". Con estas palabras iniciaba Edmundo Valdés la primera reseña de Pedro Páramo, aparecida el 30 de marzo de 1955 y conservada por Juan Rulfo entre sus papeles.

Historia de un amor imposible, Las batallas en el desierto es un magistral audiolibro que involucra otros aspectos como la corrupción social y política, el inicio del Mexico moderno y la desaparición del país tradicional, y el rescate de las memorias individuales y colectivas de una ciudad a la que José Emilio Pacheco ama profundamente, pero recrea sin nostalgia y denuncia de manera implacable.

La novela narra la historia de Tita de la Garza a manera de recetario, donde cada capítulo es una receta que relata las aventuras de la protagonista en una casa donde la tradición la obliga a quedarse a cuidar a su madre, y por lo tanto, sin poderse casar nunca.

Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the 18th century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires.

Havana, 1958. The daughter of a sugar baron, 19-year-old Elisa Perez is part of Cuba's high society, where she is largely sheltered from the country's growing political unrest - until she embarks on a clandestine affair with a passionate revolutionary...Miami, 2017. Freelance writer Marisol Ferrera grew up hearing romantic stories of Cuba from her late grandmother Elisa, who was forced to flee during the revolution. Arriving in Havana, Marisol comes face-to-face with the contrast of Cuba's tropical, timeless beauty and its perilous political climate.

La ciudad mexicana de Santa Teresa -trasunto de Ciudad Juárez- atrae como un imán a los protagonistas. Cuatro críticos literarios europeos viajan hasta Sonora tras las huellas del escritor desaparecido Benno von Archimboldi, cuya vida se refiere en la parte final de la novela.

Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. When Lydia’s husband’s tell-all profile of Javier, the jefe of the newest drug cartel that has gruesomely taken over the city, is published, none of their lives will ever be the same.

It is 1984 in Chile, in the middle of the Pinochet dictatorship. A member of the secret police walks into the office of a dissident magazine and finds a reporter, who records his testimony. The narrator of Nona Fernández's mesmerizing and terrifying novel The Twilight Zone is a child when she first sees this man's face on the magazine's cover with the words "I Tortured People". His complicity in the worst crimes of the regime and his commitment to speaking about them haunt the narrator into her adulthood and career as a writer and documentarian. 

Con elementos de thriller y un tratamiento histórico tan ácido como original, en esta novela —traducida al alemán y el francés— Antonio Ortuño desromantiza el exilio español y nos muestra una cara nunca vista. Omar sale de su escondite debajo del camastro y encuentra el cadáver de...

Tenochtitlan, 1551. Thirty years after the Spanish Conquest destroyed everything she loved, the last Aztec empress has passed and left behind a pristine yet tenuous legacy for her children. As her last will and testament is read out, her daughter Isabel suspects that another account of her mother’s life may exist, hidden away, chapter by chapter, in the Valley of Mexico. Following each clue, Isabel is determined to find out who her mother really was and to discover the secrets she buried in order to survive.

En el Madrid de los años inmediatamente posteriores a la Guerra Civil, los destinos de numerosos individuos de varias clases sociales y con diferentes actitudes ante la vida desfilan en una secuencia de breves y fascinantes viñetas narrativas. Con la ciudad como personaje, el conjunto es el retrato de una sociedad en la que el estraperlo, el hambre, la prostitución y el miedo conviven con efímeros destellos de ternura y humor.

Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn't want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories--literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.