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A stunning new volume from the first Native American Poet Laureate of the United States, informed by her tribal history and connection to the land. In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family’s lands and opens a dialogue with history. Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared.

In these poems, the joys and struggles of the everyday are played against the grinding politics of being human. Beginning in a hotel room in the dark of a distant city, we travel through history and follow the memory of the Trail of Tears from the bend in the Tallapoosa River to a place near the Arkansas River. Stomp dance songs, blues, and jazz ballads echo throughout. Lost ancestors are recalled. Resilient songs are born, even as they grieve the loss of their country. Joy Harjo is at the top of her form in Conflict Resolution for Holy Beings.

In a new collection that is "a force of nature" (Amy Gerstler), renowned Native poet Heid E. Erdrich applies her rich inventive voice and fierce wit to the deforming effects of harassment and oppression.

One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing - most notably the Native American oral tradition - are the centerpiece of his work.

One of the most distinguished voices in American letters, Pulitzer Prize-winning novelist and poet N. Scott Momaday has devoted much of his life to celebrating and preserving Native American culture, especially its oral tradition. In this wise and wonderous work, Momaday shares stories and memories throughout his life, stories that have been passed down through generations, stories that reveal a profound spiritual connection to the American landscape and reverence for the natural world.

21 Days of poetry from my heart and mind. Civil Rights, childhood and science all share 1 thing, existence in this chapbook.

Como señala Juan Marqués en la presentación, sus poemas "además de ser escritos, en principio, exclusivamente para la inmensa minoría de sí misma, fueron, a un tiempo, complicadísimos y simples, alegres y tristes, transparentes y enigmáticos. Son poemas que acompañan y ayudan a vivir a quien los lee, que enseñan a observar mejor, que obligan a ser más compasivo".

mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.

Throughout the collection, each poem unveils a unique facet of the human experience, from the depths of self-doubt to the playful spirit of a domestic panther and the mesmerizing beauty of a teal sea. The verses intertwine to create a poetic tapestry that resonates with the intricacies of life, encouraging listeners to embrace their wild spirits and cherish the feral and free within the heart of their dwellings.

Leslie Marmon Silko's groundbreaking book Storyteller, first published in 1981, blends original short stories and poetry influenced by the traditional oral tales that she heard growing up on the Laguna Pueblo in New Mexico with autobiographical passages, folktales, family memories, and photographs. As she mixes traditional and Western literary genres, Silko examines themes of memory, alienation, power, and identity; communicates Native American notions regarding time, nature, and spirituality; and explores how stories and storytelling shape people and communities.

In the beginning, the world is spoken into existence with one word: “Earth.” There are no inhabitants, and no sun—only the broad sky, silent sea, and sovereign Framer and Shaper. Then come the twin heroes Hunahpu and Xbalanque. Wielding blowguns, they begin a journey to hell and back, ready to confront the folly of false deities as well as death itself, in service to the world and to humanity. This is the story of the Mayan Popol Vuh, “the book of the woven mat,” one of the only epics indigenous to the Americas.