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Melding prose, poetry, imagined interviews and ephemeral photography, Ondaatje weaves together a lyrical reinterpretation of Billy’s short, infamous existence, forming a portrait of a young man, and a young country, borne out of violence, threaded through with disaster, yet rich in wonder.

Nestled in the hills of West Virginia lies White Sulphur Springs, home to the Greenbrier Resort. Long a playground for presidents and film stars, the Greenbrier has its own gravitational pull. Over ten decades, four generations of the Zelner family must grapple with their place in its shadow . . . and within their own family.

One of the great chase novels, The Night of the Hunter centres on the ferocious, unforgettable figure of Preacher, a psychopath who relentlessly pursues two children who may or may not know the secret of where the money from a bank raid is hidden. Set in a brilliantly rendered Depression-era American river town, Grubb's novel is both a study of innocence and evil and a savage picture of human failings as, one by one, the adults who have it in their power to protect the children fall for Preacher's wiles.

In Holler, Child’s eleven brilliant stories, LaToya Watkins presses at the bruises of guilt, love, and circumstance. Each story introduces us to a character irrevocably shaped by place and reaching toward something—hope, reconciliation, freedom. In “Cutting Horse,” the appearance of a horse in a man’s suburban backyard places a former horse breeder in trouble with the police. In “Holler, Child,” a mother is forced into an impossible position when her son gets in a kind of trouble she knows too well from the other side.

With its ensemble of warm and unforgettable characters, The Faculty Lounge shows listeners a different side of school life. It all starts when an elderly substitute teacher at Baldwin High School is found dead in the faculty lounge. After a bit of a stir, life quickly returns to normal. But when, a week later, the spontaneous scattering of his ashes on the school grounds catches the attention of some busybody parents, it sets in motion a year that can only be described as wild, bizarre, tragic, mundane, beautiful, and humorous all at once.

Most nights, you’ll find Alison Hunter at The Venue, the kind of sweaty Nashville spot that’s on the circuit for bands like Bon Iver and Death Cab. Sounds glamorous—but not for Al, who stamps hands at the door with Julien, the quiet coworker who treats her like a little sister. When she can sneak off, she bums drinks from the tattooed bartender and watches the bands, wondering if she’ll ever finish a song of her own after her disastrous attempt to play in public.

A favorite of longtime Harry Crews fans, The Knockout Artist (1988) portrays Eugene Talmadge Biggs, a young boxer from rural Georgia whose champion rise is diverted by a vulnerability, or gift, for knocking himself unconscious. As he begins to exploit his talents, the notorious Knockout Artist journeys a hero’s descent into the New Orleans underworld and meets characters who have long since checked their morals at the door. The unforgettable climax shows Crews at his virtuoso best, when Eugene confronts his truth, and sets out to claim his freedom and win his own self-respect.

At thirty-two, Jillian Parrish finally finds the courage to put herself in the driver’s seat of her life. Pregnant and recently divorced, she and her seven-year-old daughter find refuge and solace on Pawleys Island, South Carolina—Jillian’s only source of happy childhood memories. Summers spent at her grandmother’s beach house had been Jillian’s sanctuary from indifferent parents—until her best friend Lauren Mills disappeared, never to be found.