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June's Beauty Shop is a staple in Whitetail, a small Southern town north of Atlanta. It may look like an outdated hole-in-the-wall slathered in Dolly Parton memorabilia, but to the women in town, it is a sacred space. To Georgia and Junie Scott, it is their family legacy, particularly their late mother's. For generations, the shop has been passed to the oldest daughter, always named June. But Mama wanted more for her firstborn. Now Georgia is living the life everyone expected, the life everyone wanted for her. Everyone, that is, except her.

The one constant in Jules’ life is family—the plentiful Martin clan. Domestic terrorism brought the Martins together under one roof to endure food scarcity, punishing Gulf Coast heat, no electricity, and no indoor plumbing. One outhouse for twelve people is no way to live, but at least they are safe. For now. With every setback and stolen dignity, Jules questions whether she wants to survive at all.

James and Millie, with their small family, are delighted to join Millie's parents on their recently purchased sorghum farm. The property looks like paradise but the harmony of the multi-generational family shatters when tempers flare. As disputes escalate, a tragedy leaves them with a legacy of guilt and unanswered questions.

Een indringend portret van een van Amerika's meest bepalende tijdperken: de Grote Depressie van de jaren dertig. Texas, 1934. Miljoenen mensen zitten zonder werk en langdurige droogte heeft het leven op de Great Plains stevig in zijn greep. Boeren vechten om hun land en hun inkomsten te behouden aangezien de oogsten schraal zijn, het water opdroogt en stofstormen hen dreigen te begraven. Een van de donkerste episodes van de -Grote Depressie, de periode van de Dust Bowl, is aangebroken.

Set against the backdrop of a sultry Alabama summer in 1987, Rebel Rising tells a haunting tale of a young boy's courage in the face of unspeakable tragedy. Twelve-year-old Rebel's world shatters when he finds his brother dead, leaving behind a silence heavy with secrets. But the silence speaks, and from it emerges a voice urging Rebel to rise against the tides of danger encroaching upon his family.

After a decade of exile precipitated by the tragic death of his mother, Will Seems returns home from Richmond to rural Southern Virginia, taking a job as deputy sheriff in a landscape given way to crime and defeat. But his attempts to start again are wrecked when a brutal homicide claims the life of an old friend and he is forced to face the true reason for his return—to pay an old debt.

Melding prose, poetry, imagined interviews and ephemeral photography, Ondaatje weaves together a lyrical reinterpretation of Billy’s short, infamous existence, forming a portrait of a young man, and a young country, borne out of violence, threaded through with disaster, yet rich in wonder.

When the mysterious death of a childhood friend forces homicide detective Alex Abrams to return to her hometown, she’s pulled back into a world of dark secrets and painful memories she thought she’d left behind. Alex, a battle-hardened Iraq War veteran, is forced to confront the ghosts of her past—and the deadly truth lurking in the shadows of her tight-knit community. Teaming up with her twin brother, Lucca, Alex soon uncovers a chilling pattern of so-called "accidental" deaths—each one more calculated and chilling than the last.

Event planner Hattie Norwood only came back home to Mountain View, South Carolina to support her parents as they receive word that the family peanut farm is infertile. This news doesn’t come as a surprise to Hattie, and she plans to return to Charlotte at the weekend’s end. But then the town councilwoman begs Hattie to use her event planning prowess to help Mountain View put on a musical benefit to stop the construction of the new Carolina Panthers stadium.

Delilah Jones was once my saving grace. Now, she might just become my ruin. Normally I'd do everything to avoid her in our small town of Willow Brook Falls, but that's impossible since she's now my daughter's new nanny. She's also way too young for me, and completely off limits. But there's just one problem. Even after all this time, I still can't seem to resist her.

I'm Remi Drake, the king of Memphis nightlife. At under thirty, I own the hottest spots in town, and believe me, I enjoy every perk that comes with it. Echo is my sister's friend. She was the designated ugly fat friend (DUFF) in high school. Now, she's a cancer researcher with a PhD. She's no longer fat but curvy and sexy. Then there's that amazing brain of hers. Plus, she's always had a thing for me. One night, things get out of hand, and I pitch the idea of an acquaintance-with-benefits relationship: no strings, no promises, and most importantly, no one can ever know.

Young Adam, who has been raised in Harlem by his white father, George, and Black mother, Thelma, goes back to his parents' home state of Alabama to participate in the voting rights campaign, only to be brutalized in the Bloody Sunday melee. He is still recovering from this when he is struck a heavy emotional blow, learning for the first time—and in the cruelest way imaginable—of a family secret that sends him spiraling and plunging further into danger. To save him, and any hope for their relationship, Thelma is drawn back, for the first time in twenty years, to the South.

Her peculiar great-grandmother warned her of the family curse. But that's when she believed in magic, seventh tribes, and petal people. Not anymore. Cassandra Cleopatra Collard is all grown-up. Grown up and in trouble. At twenty-five, she finds herself in the tabloids of the local gossip column accused of starting a strange, freakish fire, along with bizarre cultist behavior unbefitting to her bible belt small town. Cass has no memory of the incident, just a gash on her palm in the shape of a seven.

A sister struggles with guilt as she helps her brother plan to run away with a man he’s seeing in secret. When the police pull them over one night, everything changes. Bitch Baby is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

A seventh-grade girl travels to south Alabama where her grandmother is being cared for by incapable extended family members. The mother is overwhelmed with grief. But the girl, busy with her own relationship troubles, witnesses something else disturbing. Her Last Time in Dothan is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

Dell gets an emergency call at work: Her best friend’s baby is due today, and something has gone terribly wrong. Speeding across town to beat anyone home, to take down the Welcome Home Baby signs, Dell finds herself revisiting the road that got them both here. The Miracle is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

A woman boards a Greyhound bus to Florida with her ailing sugar daddy on a long journey to meet his mother. In the middle of the night, in the middle of rural Georgia, another passenger disrupts her plan. Seeking Arrangements is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

Maudette works at the state fair. She hates her job, she hates what her mother does for a living, she hates the people in her town, especially one of her mother’s clients, a local deacon. Working the tilt-a-whirl one day, she begins to consider revenge. Honest Work is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

The Best Years of Your Life is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South. Darkly funny and deeply human, Good Women observes how place, blood ties, generational trauma, obsession, and boundaries―or lack thereof―influence how we navigate our small worlds, and how those worlds so often collide in ways we don’t expect.

Colleen is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South. Darkly funny and deeply human, Good Women observes how place, blood ties, generational trauma, obsession, and boundaries―or lack thereof―influence how we navigate our small worlds, and how those worlds so often collide in ways we don’t expect.