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Lloyd Jones was seven years old the first time he climbed high into a grandstand to watch rugby with his father. The experience was baptismal. From his new elevated perspective Jones believed he could see everything that mattered – a field of play that rolled out, green with promise, from suburban New Zealand to the wider world. The grandstand is a guiding metaphor for these questing narrative poems that reach back into childhood and forward into the life of a writer constantly experimenting with form and voice.

From the former Poet Laureate of the United States and New York Times bestselling author of Aimless Love comes a wondrous new collection of poems focused on the joys and mysteries of daily life.

My name is Tammy Spears, and I am the author of the inspirational poetry book "Flutter of an Eye". My poem, "Flutter of an Eye", has also been published in Upon Arrival-Interlude by Eber & Wein Publishing. Various poems have also been published in the 2021 monthly editions of Neighbors of Bowling Green and Franklin Kentucky Magazines. I am the Staff Poet, and I have been on several podcasts showcasing my inspirational poetry, including the Someone You Should Know Podcast with Rik Anthony.

「上野さんはなぜ、男に絶望せずにいられるのですか？」「しょせん男なんてと言う気はありません」。女の新しい道を作った稀代のフェミニストと、その道で女の自由を満喫した気鋭の作家。

Emory Hall’s debut poetry collection follows the anatomy of a river, swelling with loss and grief, and dances with the sacred waters of transformation and motherhood. Full of magic and deep emotion, Made of Rivers will wash anew those who come to it, uncovering hidden corners of the self. It draws upon Emory’s wellspring of experiences, hardships, triumphs and revelations.

Find Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales, to meditations on the body, to the ways animals display love and grief alike, Emily Jungmin Yoon holds a mirror up to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.

This collection of words from Havva Ramadan has its origins during lockdown and her work continues to resonate to this day, finding an even wider audience through her rapidly growing online presence. Now, in her first book, A Voice: Turning Pain into Power, her words take a different form, collected to give us a very personal journey that we can all relate to, reflecting the pain of grief, the struggle of mental health and the journey we need to take to help us collect our pieces and find a way to rebuild ourselves once again.

"How can I teach a prayer / I only know how to recite?" "America, whose death / didn't you come from?" These are some of the questions that poet Joshua Gottlieb-Miller wrestles with in his beautiful, gripping new collection. By turns experimental and documentary, Dybbuk Americana draws out the questions around Jewish identity in the United States, and what it means to pass on Jewish identity to one's child. This hybrid text draws on art, mysticism, and history, taking the dybbuk, a figure from Jewish folklore, as its central metaphor.

Motherhood is messy and beautiful, and hard and humbling. We adore our children, and sometimes we miss ourselves. Beautiful Chaos is a collection of raw, honest poems about motherhood - capturing everything from pregnancy to school age. These poems will remind you of a time gone by or ground you in the current moment. Either way, they will make you feel seen and comforted amid the beautiful chaos that is motherhood.

Centred around two lyric poems on imminent fatherhood and the birth of a child, Signs, Music is a book about masculinity, fatherhood, and love. The speaker, looking backwards to his late father and forwards to his new son, prepares to become a parent for the first time. Meditating on the cognitive and emotional dissonances between the ‘hypothetical’ and the ‘real’ of becoming a father, this irreversible transition causes the poet’s ‘lines [to] lead towards my father (again!)’.

I Love Hearing Your Dreams is a book of reveries, of failed elegies, of “the last time that things were real” and the moments that come afterward. These are dream songs for an age of insomnia, where the poet is always awake “at that oddest hour / that does not end, / the crooked, unnumbered one” and the future seems to be “just the past in a suit / that will never be in style.” Yet dreams in Matthew Zapruder’s poems are also a place of possibility, of reality envisioned anew—sleep shows us not merely what the world is, but what it could be.

With searing intelligence and great sensitivity, the poems of Kelly Caldwell—many addressed to Cass Donish, her partner in the years before her suicide at thirty-one, swim through a complex matrix of transformations: mental illness, divorce, gender transition, and self-discovery. But they wrestle, too, with the poet’s painful relationships with her family of Christian missionaries, who refused to affirm her identity.

In Your Dazzling Death, Cass Donish courageously summons the poems to witness their own state of “obliteration,” widowed by suicide and isolated as a global pandemic is unfolding. Elegizing their partner, the poet Kelly Caldwell, they insist that the intimate, ongoing conversation with a beloved mysteriously continues after loss.

In pursuit of his brother, a man traverses the fantastical and grotesque landscape of Hell, pondering their now fractured relationship.

"What the enemy meant for my hard, God used as propulsion to accelerate me to a future. That I could not even imagine." This book is a testament to the trials of one who was gifted with dreams of prophecy and how our enemy tried his best to kill, steal, and destroy one person from early childhood through even now. Yet the Creator of all that was created rescued me, even from myself. He justifies me, avenges me, protects me, and prospers me through His promises by the blood of Jesus.

Beginning with several dozen new poems that have appeared in The New Yorker, among other publications, this volume is a tour through Cynthia Zarin’s five exquisitely made collections, beginning with The Swordfish Tooth, published in 1989. Zarin, a poet in the line of Elizabeth Bishop, allows the listener to experience human truths through a poem's shape and music, bodied forth through intimate images—the turn in the stair, a snow globe, naked birch branches, a vase of flowers—and a propulsive syntax.

mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.

A book-length love letter of poems by a young black man seeking a new model of care for his family.

While the poetry you’ll listen to in Ron Wallace’s latest collection speaks of serious topics such as loss and the inescapable progression of time, you’ll also find plenty of humor in this book. His words bring to life his beloved Oklahoma prairies and skies, and his own family members. Wallace’s reflections on childhood, his parents, and, of course, baseball, are heartwarming.

An electrifying collection of poems that tells a universal tale of survival and revolution through the lens of Black femininity. Tara Stringfellow embraces complexity, grappling with the sometimes painful, sometimes wonderful way two conflicting things can be true at the same time. How it's possible to have a strong voice and also feel silenced. To be loyal to things and people that betray us. To burn as hot with rage as we do with love.