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Poetry created for Astrid, my grandchild.

With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness. Gibson offers a unique perspective on “the body,” viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith. Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

“Il libro della follia” è la prima traduzione integrale in italiano di "The Book of Folly", che Anne Sexton diede alle stampe nel 1972. Lo stile confessionale che aveva reso celebre l’autrice, fruttandole nel 1967 il premio Pulitzer, giunge qui alla piena maturità trasformandosi nell’allegoria di un Gran Teatro psichedelico. La Signora Benestante che scrive occasionalmente versi rispettando le forme metriche lascia il posto, definitivamente e consapevolmente, al personaggio della Poetessa Martire della società benpensante e all’aspirante suicida, in un rovesciamento parodico dei valori patriarcali.

This image-driven, sound-driven collection carries us to the working-class Portland neighborhood of Lents, where Dickman was raised by a single mother. Here, as a skateboarding boy practices his kickflip on the street, enlightenment simmers under the surface of both the natural world and the human constructions that threaten it.

Amy Acre’s debut collection is an unforgettable, unflinching excavation of motherhood, what it means to be a female artist, and what it means to be a poet with a deeply integrated community. This is a timeless work the like of which we haven’t seen enough of in the past, primed to last long into the future.

Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

A world-bending, lyrically rich poetry collection that reimagines the U.S.-Mexico border as both a real place and a living simulation—and tells the story of a pair of siblings trapped between the two.

An electrifying collection of poems that tells a universal tale of survival and revolution through the lens of Black femininity. Tara Stringfellow embraces complexity, grappling with the sometimes painful, sometimes wonderful way two conflicting things can be true at the same time. How it's possible to have a strong voice and also feel silenced. To be loyal to things and people that betray us. To burn as hot with rage as we do with love.

Biracial Woman Says Aren’t I a Black Woman Too details a biracial woman contemplating her identity regarding issues of race and society.

Квіти зла Шарля Бодлера — добірка, до якої увійшли відомі поезії автора. Для них характерне некласичне художнє бачення світу, мотив взаємопроникнення добра і зла, які творять одне ціле. Переклад поезій був здійснений видатним українським митцем Дмитром Павличком.

When tensions veer between hope and despair, the ensuing fracture can swing like a scythe and cut a ragged seam between past and present. In One Wild Word Away, Geffrey Davis weaves a deft set of poems about illness, family, loss, and rebirth. The luxurious sonics and crisp descriptions in each line are haunted by grief and buoyed by love as the speaker confronts generational trauma and the potential loss of a loved one while in the process of raising his own son.

I Love Hearing Your Dreams is a book of reveries, of failed elegies, of “the last time that things were real” and the moments that come afterward. These are dream songs for an age of insomnia, where the poet is always awake “at that oddest hour / that does not end, / the crooked, unnumbered one” and the future seems to be “just the past in a suit / that will never be in style.” Yet dreams in Matthew Zapruder’s poems are also a place of possibility, of reality envisioned anew—sleep shows us not merely what the world is, but what it could be.

These are a collection of poems that I wrote as a teen, young adult, newlywed wife, and mom. I hope you enjoy them, and always welcome and appreciate feedback from my listeners.

Find Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales, to meditations on the body, to the ways animals display love and grief alike, Emily Jungmin Yoon holds a mirror up to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.

Die erste Gedicht-Sammlung der beliebten Poetry-Slammerin Leah Weigand (Ungepflegt), die uns ganz persönlich und unsere gesamte Gesellschaft nachdenklich wie hoffnungsvoll unter die Lupe nimmt.

Elaine Feeney brings her poetry to Harvill Secker and Vintage with this powerful, personal, fierce collection about women's lives, bodies, battles and triumphs. From a searing meditation on the experience and aftershocks of a sexual assault - written as a series of unflinching cantos - to poems of love, place and new beginnings, Feeney's voice is strong and clear, challenging and confessional, rooted in her west coast of Ireland heritage while speaking to and with women everywhere.

A Loving Sonnet of Passion :: Poem about Karolina Describes this exquisite girls musical presence with her violin. Her youth, yet musical ability astounds. Her passion for her instrument and what it can convey to others, shines through.

A book-length love letter of poems by a young black man seeking a new model of care for his family.