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The 72 poems in this book cover many types of love: for the author’s three guide dogs, for her six children, for her parents and grandparents, for God and nature, for her many friends, and in a handful of light-hearted selections, for food. The many romantic poems express love for both real people and dream lovers and for ideals yet unattained.

A book of short stories coupled with contemporary poetry in different forms.

The Silver Lining of Tomorrow is a collaboration of poems and tidbits for all the Daddy’s girls out there. Traci Mahrt lost her father Melvin at the early age of 24. With a collection of poems found after his passing, Traci weaves in her own poems and shares her own life experiences with love, depression, and finding God.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

With the same brilliant wit and biting realism that made Love Poems for Married People, Love Poems for People with Children, and Love Poems for Anxious People such hits, John Kenney is back with a brand new collection that tackles the hilarity of life in the office. From waiting in line for the printer and revising spreadsheet after spreadsheet, to lukewarm coffee, office politics, and the daily patterns of your most annoying - and lovable - coworkers, Kenney masterfully captures the warmth and humor of working the "9 to 5" in today's modern era.

“When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me”. In “Nothing Tastes as Good as Skinny Feels” she challenges her listener to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son's birth she writes, “What is the word for when the light leaves the body/What is the word for when it/ at last, returns”.

Colliding with and confronting Shakespeare's The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal beautifully evoke the poet's Jamaican childhood and reach beyond to explore history, race relations in America, womanhood, otherness and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic and intricately woven.

The poet's art is revealed in stages in this "making-of" book, where we watch as poems take shape - first as dreams or memories, then as drafts, and finally as completed works set loose on the world. In the long poem "Must We Mean What We Say", a woman reader narrates in prose the circumstances behind poems and snippets of poems she receives in letters from a stranger. Who made up whom?

A child born into a dysfunctional family is trying to find out how she fits into the world, by watching the mistakes of others; she has to learn to love the skin she is in, while not letting her family define who she is capable of becoming. This poetry will pierce your soul and the images will remain with you for years to come. This book was written to help all those who feel they've been left behind. There is hope.

Reflections on life, family, memories, and the world around us. On mental health, heartbreak, and stories that have inspired so many. These poems bare the soul of the author. What you take from them, and how you perceive them, is entirely up to you.

Court recueil de courts poèmes qui font sourire, parfois réfléchir et toujours rappeler l'enfance au présent.

This debut poetry collection takes a slanted view at five aspects of being human: life, love, loss, longing, and laughter. Pain and struggle and suffering is a given in life — for some more than others. Joy is inseparable from sorrow and pain; joy finds its footing in the latter. Each day, each morning, we have a choice to make: misery or joy. Joy is the better option.

What My Hand Say, on one hand, is a bold unapologetic tribute to Black people living their lives in South Carolina. While on other hand, it is a palpable reckoning with the state’s weighted history. In this book, Glenis Redmond’s poems span from the 1800s to the present. The impact of going from poem to poem purposely causes emotional whiplash, as if to say welcome to the volatile place, in which “I/we have always had to live.”

The Dry Valley encapsulates one woman’s relationship with herself, her alcoholic spouse, and the world, in three different Saskatchewan landscapes. The poems offer a fascinating interplay between mindful explorations of self and immersions in the challenging complexities of interpersonal relationships, social issues, and meaningful engagement with the environment.

A lively and imaginative debut, Neoteny explores blindness, family, and birdsong. In these poems, Emily K. Michael meditates on literary and personal heroes like Jo March, her beloved grandmother, and her guide dog. This collection is rich with treasures from childhood - the honey-colored piano Michael played, the fig tree in her front yard, and the trays of fresh mint drying on her grandmother's table.

In the spirit of his New York Times best seller Love Poems for Married People and Love Poems for People with Children, as well as his wildly popular New Yorker pieces, Thurber Prize-winner John Kenney presents a hilarious new collection of poetry for anxious people.

In We Inherit What the Fires Left, award-winning poet William Evans embarks on a powerful new collection that explores the lived experience of race in the American suburbs and what dreams and injuries are passed from generation to generation. Fall under the spell of Evans' boldly intimate, wise, and emotionally candid voice in these urgent, electrifying poems. This eloquent collection explores not only what these inheritances are composed of, but what price the bearer must pay for such legacies, and the costly tolls exacted on both body and spirit.

One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing - most notably the Native American oral tradition - are the centerpiece of his work.

In her first book, happy-go-lucky YouTuber and Instagrammer Emma Conway explores motherhood in all its glory through the medium of hilarious and uplifting poetry. A mum to two young humans aged seven and nine, she revisits the days of no sleep, potty training and toddler tantrums; dives deep into first days of school, sibling bickering and watching your babies grow into little people; and writes frankly about life after having kids, embracing the mum bod and giving zero sods.

With the same brilliant wit and hilarious realism that made Love Poems for Married People such a hit, John Kenney is back with a brand new collection of poems, this time taking on the greatest "joy" in life: children. Kenney covers it all, from newborns, toddlers, and sleep deprivation, to the terrible twos, terrible tweens, and terrible teens. A parent's love is unconditional, but sometimes that button can't help but be pushed.