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Inspired by writer and philosopher Audre Lorde’s famous claim 'Poetry is not a luxury', this anthology proves the vitality of poetry as a crucial source of inspiration, comfort and delight. Each poem within has been chosen from centuries of verse from around the world, with an emphasis on living poets. Friends old and new await, with selections from Rita Dove, Victoria Chang, Ross Gay, Naomi Shihab Nye, C.D. Wright, Eileen Myles, Ada Limón,Ross Gay, Ilya Kaminsky, Jos Charles and more.

From the battlefield to everyday life, Corri covers it all in his book filled with poems. The poet, Corri Jermain Irving, allows us to see the world from a perspective that's his. Through powerful words and vivid imagination, Corri delves deep into the daily bits of life in the form of poetry. A unique perspective into different themes of life.

"BARBAR [Tavshedens objekt]" er en digtsamling om brutalitet. Amina Elmi skriver om at leve med en kappet forbindelse til sin families historie, ritualer, sprog og identitet. I sine digte forsøger hun at etablere en forbindelse til alt det tabte, men tavsheden står som et tomt centrum – alt det, der ikke kan siges, fordi der ikke findes et sprog for det, eller fordi det er for smertefuldt. Det er digte om tavshed som både nødvendighed og vold. Amina Elmi (f. 1994) bliver uddannet fra Forfatterskolen til sommer. "BARBAR [Tavshedens objekt]" er hendes debut.

Die Kindsmörderin ist ein Gedicht von Friedrich Schiller aus dem Jahre 1782. Es handelt von einer schönen jungen Frau, die ihr uneheliches Kind aus Sehnsucht tötet. Entstehung: Das Gedicht wurde in Schillers Anthologie auf das Jahre 1782 abgedruckt, zuvor wurde eines seiner Gedichte, Die Entzückung von Laura, von Gotthold Friedrich Stäudlin im Schwäbischen Musenalmanach auf das Jahr 1782 aufgezeigt. Schiller wollte Stäudlin die Rolle eines Repräsentanten der schwäbischen Poesie nicht kampflos überlassen und veröffentlichte deshalb seine eigene Anthologie.

Entre o luto pela morte do pai e a felicidade pelo nascimento da filha, Allan Dias Castro nos leva a ver a saudade não mais através da tristeza da perda, mas como a celebração da grandiosidade da vida. Mesclando poesia com histórias pessoais, este é um mergulho nas memórias que todos nós compartilhamos: os almoços na casa da vó, as noites febris da infância, os causos na companhia dos amigos, os conselhos dos mais velhos para aplacar nossos medos.

Through entrancing narration of essay and poetry accompanied by soothing sound effects, Nora Nneka (Dr. Nora Ekeanya) details some of the traumatic events that led to her estrangement from her mother and decision to pursue a career in psychiatry.

It’s that time of year again. With his signature wit, Brian Bilston returns with And So This is Christmas, fifty-one poems in celebration of the festive season: from bizarre family traditions to the office Christmas party; from voting day for turkeys to the impossible art of gift-giving. So hang your stockings, grab your mistletoe and curl up with this heart-warming collection of Christmas crackers.

With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness. Gibson offers a unique perspective on “the body,” viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith. Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

“Il libro della follia” è la prima traduzione integrale in italiano di "The Book of Folly", che Anne Sexton diede alle stampe nel 1972. Lo stile confessionale che aveva reso celebre l’autrice, fruttandole nel 1967 il premio Pulitzer, giunge qui alla piena maturità trasformandosi nell’allegoria di un Gran Teatro psichedelico. La Signora Benestante che scrive occasionalmente versi rispettando le forme metriche lascia il posto, definitivamente e consapevolmente, al personaggio della Poetessa Martire della società benpensante e all’aspirante suicida, in un rovesciamento parodico dei valori patriarcali.

This image-driven, sound-driven collection carries us to the working-class Portland neighborhood of Lents, where Dickman was raised by a single mother. Here, as a skateboarding boy practices his kickflip on the street, enlightenment simmers under the surface of both the natural world and the human constructions that threaten it.

Amy Acre’s debut collection is an unforgettable, unflinching excavation of motherhood, what it means to be a female artist, and what it means to be a poet with a deeply integrated community. This is a timeless work the like of which we haven’t seen enough of in the past, primed to last long into the future.

Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

A world-bending, lyrically rich poetry collection that reimagines the U.S.-Mexico border as both a real place and a living simulation—and tells the story of a pair of siblings trapped between the two.

I Love Hearing Your Dreams is a book of reveries, of failed elegies, of “the last time that things were real” and the moments that come afterward. These are dream songs for an age of insomnia, where the poet is always awake “at that oddest hour / that does not end, / the crooked, unnumbered one” and the future seems to be “just the past in a suit / that will never be in style.” Yet dreams in Matthew Zapruder’s poems are also a place of possibility, of reality envisioned anew—sleep shows us not merely what the world is, but what it could be.

These are a collection of poems that I wrote as a teen, young adult, newlywed wife, and mom. I hope you enjoy them, and always welcome and appreciate feedback from my listeners.

Find Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales, to meditations on the body, to the ways animals display love and grief alike, Emily Jungmin Yoon holds a mirror up to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.

Die erste Gedicht-Sammlung der beliebten Poetry-Slammerin Leah Weigand (Ungepflegt), die uns ganz persönlich und unsere gesamte Gesellschaft nachdenklich wie hoffnungsvoll unter die Lupe nimmt.

Elaine Feeney brings her poetry to Harvill Secker and Vintage with this powerful, personal, fierce collection about women's lives, bodies, battles and triumphs. From a searing meditation on the experience and aftershocks of a sexual assault - written as a series of unflinching cantos - to poems of love, place and new beginnings, Feeney's voice is strong and clear, challenging and confessional, rooted in her west coast of Ireland heritage while speaking to and with women everywhere.