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In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power.

Bestselling author and mom blogger Bunmi Laditan vulnerably shares the prayers she's prayed for her children as inspiration for your own prayer life. Refreshingly relatable, bravely honest, and deeply heartwarming, Help Me, God, I'm a Parent meets you right where you're at and gives voice to the thoughts everyone--even you--has about parenthood that they are afraid to say out loud.

Un auténtico canto a la alegría de vivir. "La vida rima" nos lleva de la mano por un recorrido de vivencias con las que todos nos sentiremos identificados: los poemas surgen de la reflexión sobre los hechos cotidianos de la vida, la maternidad, la relación con un hijo, la vuelta a la vivencia de las emociones a través de la seducción y el enamoramiento, la madurez que lleva a reconocerse a sí misma.

If you intend on a new start, avoiding the fractal vise of old entanglements, Escaping the Timeline is a restorative collection of poetry exploring the path between doing no harm and taking no crap.

Parting Ways is a book of poetry in support of birth mothers and our adopted children. Birth mothers, may you always know what a courageous and selfless decision you had to make. And to all our adopted children, may you know how much you are loved and cherished by the women who carried you and still do in their hearts forever.

D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures.

Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality.

Award-winning poet and spoken-word artist, Jeremy McEwen, moseys his listeners down an old gravel road to his late great-grandfather's dying apple orchard in this new collection of poetry. Papa's Apples is packed full of themes of life 'n death, religion, coming-of-age, baseball, nature as beauty, family, and rural life. McEwen spins his youthful tall-tales into seamless, well-crafted, narrative gems that are sure to soften the heart and put a giggle in the belly. His colloquial, country voice takes us back to a sacred place in time that existed not that long ago.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, memory and a fading past, and facing mortality. The poems reflect a life well-travelled and well-lived; from growing up in the town of Enniscorthy, wandering the streets of Dublin and Barcelona, and crossing the bridges of Venice to visiting the White House, listeners will travel through familiar locations and new destinations through Tóibín's unique lens.

Her son is left behind in a store by her husband. Again, and again. What is Heidi Esther gonna do to fix her husband this time? She desperately tries to go back to the bliss of ignorance in her perfect suburban marriage. But, with a new bestie, her pastor, and an unexpected coworker at her side, she comes face-to-face with what she’s left behind. And what she discovers about herself and her life leave her awake, breathless, surrounded by Kleenex, and learning from trees.

The title poem, a series of sonnet-sized Zoom meetings - a classroom, a memorial service, an encounter with a new baby in the family - finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: In “Island Diaries”, the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare’s Prospero.

Linda Gregerson’s long-awaited new collection is a tour de force, a compendium of lives touched by the radical fragility of the planet and, ultimately, the endless astonishment and paradox of being human within the larger ecosystem, “in a world where every breath I take is luck.”

With her first full-length poetry collection, Warsan Shire introduces us to a girl who, in the absence of a nurturing guide, makes her own stumbling way toward womanhood. Drawing from her own life and the lives of loved ones, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls.

The work of Carl Dennis has won praise for its “integrity, its substance, and its seemingly effortless craft; and for its embodiment of passionate inquiry” (Times Literary Supplement). The title of his new collection, Earthborn, helps to point the way to its two central concerns: how to find meaning, as creatures of the earth, in lives that are short and frail and destined to be forgotten; and how, as stewards of the earth, to address the need to protect our home from ourselves, from the menace to life posed by our own species.

The poems in Yanyi’s latest book suggest that we enter and exit our old selves like homes. We look through the windows and recognize some former aspect of our lives that is both ours and not ours. We long for what we had even as we recognize that we can no longer live there. Yanyi conjures the beloved both within and without us: the beloved we believe we know, the beloved who is never the person we imagine, and the beloved who threatens to erase us even as we stand before them.

With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own way toward womanhood. Drawing from her own life, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls.

Peter Coyote’s first collection of poetry takes us on a whirlwind tour of an eclectic and exciting life as an actor and Zen Buddhist priest, meandering from love affairs to marriage to divorce to the '60s to psychedelic spirituality and beyond. Written over several decades, these poems sound like a collage, each piece distinct and contributing to a cohesive lyric narrative.

This poetry collection is extraordinary in the way it interweaves the author’s emotions towards family, partner, and life. It will find its way into the ears of the listeners, and open up a whole new world.

Frank, unsparing, often violent, and disturbing, these poems speak in the voice of a young man trying to navigate the city he loves as he lives in the long shadow of its decline with a sense of grace and hope. With the city of Baltimore as his backdrop, accomplished poet, author, and editor Dean Bartoli Smith offers a wrenching examination of our troubled attachments to place and the deepest wounds of the American psyche.