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We all create false mountains to climb. Gypsy Muse is a collection of free verse poetry chronicling that journey, and how we move beyond.

The poems in Riddim & Riddles throb with the heartbeat and drum beat of Jamaica. From the cool, majestic Blue Mountains to the hot, bloodied streets of Kingston it paints vivid and vibrant images of contemporary Jamaica. The poems in this collection move from urgent social insights about masculinity, the environment, and how the bony fingers of history reach into the present.

In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.

In a powerfully intimate and non-traditional (or "new-fashioned") memoir, Kwame Alexander shares snapshots of a man learning how to love. He takes us through stories of his parents: from being awkward newlyweds in the sticky Chicago summer of 1967, to the sometimes-confusing ways they showed their love to each other, and for him. He explores his own relationships—his difficulties as a newly wedded, 22-year-old father, and the precariousness of his early marriage working in a jazz club with his second wife.

No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba’s dulcet tones on a meditation app and the satisfaction of half-priced Entenmann’s poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy.

Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads listeners through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia’s pre-funk ’80s; episodic adventures of “the Black Girl” whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large.

When Kevin Powell's elderly mother became ill, he returned home ever week to take her grocery shopping in Jersey City. Walking behind her during those trips, Powell began to hear her voice, stories, and language in a new way—and examined his own healing while praying for hers. Grocery Shopping with My Mother originated as social media posts about these visits and evolved into a breathtaking collection of thirty-two new poems, crafted like an album, plus four bonus tracks celebrating a great love of wordplay.

Dan O’Brien’s powerful companion to Our Cancers catalogs the recovery of a cancer survivor, whose wife has recently survived her own cancer, as he returns to his daily life while raising a young daughter. This prose-poem sequence is a true survivor’s notebook, usingand the tools of memoir to evoke how disaster can constellate our past, present, and future.

Beginning with several dozen new poems that have appeared in The New Yorker, among other publications, this volume is a tour through Cynthia Zarin’s five exquisitely made collections, beginning with The Swordfish Tooth, published in 1989. Zarin, a poet in the line of Elizabeth Bishop, allows the listener to experience human truths through a poem's shape and music, bodied forth through intimate images—the turn in the stair, a snow globe, naked birch branches, a vase of flowers—and a propulsive syntax.

Trini: My Life of Poems is a story of determination, courage, and unyielding faith. Each poem is a chapter in a life filled with a single mom's struggles and perseverance. Breathe in each line, and share those experiences, viewing them through the windows of her eyes.

"BARBAR [Tavshedens objekt]" er en digtsamling om brutalitet. Amina Elmi skriver om at leve med en kappet forbindelse til sin families historie, ritualer, sprog og identitet. I sine digte forsøger hun at etablere en forbindelse til alt det tabte, men tavsheden står som et tomt centrum – alt det, der ikke kan siges, fordi der ikke findes et sprog for det, eller fordi det er for smertefuldt. Det er digte om tavshed som både nødvendighed og vold. Amina Elmi (f. 1994) bliver uddannet fra Forfatterskolen til sommer. "BARBAR [Tavshedens objekt]" er hendes debut.

Die Kindsmörderin ist ein Gedicht von Friedrich Schiller aus dem Jahre 1782. Es handelt von einer schönen jungen Frau, die ihr uneheliches Kind aus Sehnsucht tötet. Entstehung: Das Gedicht wurde in Schillers Anthologie auf das Jahre 1782 abgedruckt, zuvor wurde eines seiner Gedichte, Die Entzückung von Laura, von Gotthold Friedrich Stäudlin im Schwäbischen Musenalmanach auf das Jahr 1782 aufgezeigt. Schiller wollte Stäudlin die Rolle eines Repräsentanten der schwäbischen Poesie nicht kampflos überlassen und veröffentlichte deshalb seine eigene Anthologie.

I often think about our youth. It was indeed a strangely shaped toy, with a short body dragging a very long tail, spreading like wings, refusing to leave. A lamp is still on, but a song has been sung. A play has not ended, a love has reached the end of the road. We salute you. And the new curtain is about to be drawn. Maybe that's what human life is like, ending, starting, starting again, then ending. No matter what, we have to shoulder our suffering and happiness, moving forward, don't turn around.

Entre o luto pela morte do pai e a felicidade pelo nascimento da filha, Allan Dias Castro nos leva a ver a saudade não mais através da tristeza da perda, mas como a celebração da grandiosidade da vida. Mesclando poesia com histórias pessoais, este é um mergulho nas memórias que todos nós compartilhamos: os almoços na casa da vó, as noites febris da infância, os causos na companhia dos amigos, os conselhos dos mais velhos para aplacar nossos medos.

In the collection of prose and poetry Letter to My Wife & Other Tales, his sequel to the successful The Time of Our Lives: Memories and Fantasies of a Blissful Nonagenarian, 96-year-old Elliot Schubert etches incisive portraits of the family members, friends and colleagues. These are the stories of those who helped shape his extraordinary journey through the 20th and 21st centuries as an athlete, Naval officer, scholar, scientist, writer, husband, and father.

Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once. Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face.

Motherhood is messy and beautiful, and hard and humbling. We adore our children, and sometimes we miss ourselves. Beautiful Chaos is a collection of raw, honest poems about motherhood - capturing everything from pregnancy to school age. These poems will remind you of a time gone by or ground you in the current moment. Either way, they will make you feel seen and comforted amid the beautiful chaos that is motherhood.