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Jackie Kay's first collection as Scottish Makar is an audiobook about the fighting spirit - one, the poet argues, that we need now more than ever. Bantam brings three generations into sharp focus - Kay's own, her father's, and his own father's - to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we embody our times, whether we want to or not.

The first collection of poetry from Bunmi Laditan, best-selling author of Confessions of a Domestic Failure and creator of The Honest Toddler, capturing the honesty, rawness, sheer joy, and total madness of motherhood. With the compassion and wit that have made her a social media sensation among mothers around the world, Bunmi Laditan puts into evocative and relatable words what so many of us feel but can’t quite express.

In her first book, happy-go-lucky YouTuber and Instagrammer Emma Conway explores motherhood in all its glory through the medium of hilarious and uplifting poetry. A mum to two young humans aged seven and nine, she revisits the days of no sleep, potty training and toddler tantrums; dives deep into first days of school, sibling bickering and watching your babies grow into little people; and writes frankly about life after having kids, embracing the mum bod and giving zero sods.

The poet's art is revealed in stages in this "making-of" book, where we watch as poems take shape - first as dreams or memories, then as drafts, and finally as completed works set loose on the world. In the long poem "Must We Mean What We Say", a woman reader narrates in prose the circumstances behind poems and snippets of poems she receives in letters from a stranger. Who made up whom?

In the spirit of his New York Times best seller Love Poems for Married People and Love Poems for People with Children, as well as his wildly popular New Yorker pieces, Thurber Prize-winner John Kenney presents a hilarious new collection of poetry for anxious people.

With the same brilliant wit and hilarious realism that made Love Poems for Married People such a hit, John Kenney is back with a brand new collection of poems, this time taking on the greatest "joy" in life: children. Kenney covers it all, from newborns, toddlers, and sleep deprivation, to the terrible twos, terrible tweens, and terrible teens. A parent's love is unconditional, but sometimes that button can't help but be pushed.

Full of brilliant wit, dynamic energy, and a heavy dose of reality, Love Poems for Married People takes the poetic form, turns it upside-down, and leaves it in the dishwasher to dry. Inspired by one of the most shared New Yorker pieces of all time, this collection captures the reality of life once the spark of a relationship has settled - and hilariously so. With brand new pieces that cover all areas of married life, Kenney's wry observations and sharp humor remind us exactly what it's like to spend the rest of your life with the person you love.

“When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me”. In “Nothing Tastes as Good as Skinny Feels” she challenges her listener to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son's birth she writes, “What is the word for when the light leaves the body/What is the word for when it/ at last, returns”.

One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing - most notably the Native American oral tradition - are the centerpiece of his work.

There is something about the boy. When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian god: Demi is the Half-God of Rainfall. His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.

Meet the married Dads, the divorced Dads, the widowed Dads and the gay Dads; the gamblers, the firemen, the bankers, the nurses, the soldiers and the milkmen. They’re trying to guide their sons through the foothills of childhood into the bewildering uplands of adulthood. But it’s hard to know if they’re doing it right. Or what their sons’ mothers think... Wise and funny, touching and true, What We’re Teaching Our Sons is for anyone who has ever wondered how to be a grown-up.

“Il libro della follia” è la prima traduzione integrale in italiano di "The Book of Folly", che Anne Sexton diede alle stampe nel 1972. Lo stile confessionale che aveva reso celebre l’autrice, fruttandole nel 1967 il premio Pulitzer, giunge qui alla piena maturità trasformandosi nell’allegoria di un Gran Teatro psichedelico. La Signora Benestante che scrive occasionalmente versi rispettando le forme metriche lascia il posto, definitivamente e consapevolmente, al personaggio della Poetessa Martire della società benpensante e all’aspirante suicida, in un rovesciamento parodico dei valori patriarcali.

The 72 poems in this book cover many types of love: for the author’s three guide dogs, for her six children, for her parents and grandparents, for God and nature, for her many friends, and in a handful of light-hearted selections, for food. The many romantic poems express love for both real people and dream lovers and for ideals yet unattained.

Christian Morgenstern kombiniert in seinem Werk ernste, gedankenvolle Lyrik und groteske Verse mit ironisch-skeptischem Witz. In seinen Werken ist die Frage nach dem Sinn der menschlichen Existenz sowie der Versuch, den Mensch zu sich selbst zu führen, verankert. Er nimmt Sinnbilder wörtlich, wandelt Klangbilder in sinnfreier Analogie und grotesker Umdeutung ab. Interpretiert werden Morgensterns Texte von Meistern ihres Fachs, die dabei genau den richtigen Ton treffen - gefühlvoll, pointiert, ironisch und vor allem facettenreich.

A collection of honest, fierce and beautiful poems about being a mother, from pregnancy and birth to growing up and leaving home. Curated by acclaimed anthology Ana Sampson, Night Feeds and Morning Songs examines motherhood from all angles, capturing the mess and the madness, to the joy and the wonder....

Ink Stains is a raw, heartfelt exploration of life, love, and loss, capturing the emotional journey from the innocence of youth to the complexities of adulthood. Written over many years, this collection weaves together moments of personal struggle, growth, and transformation.

WINNER OF THE 2025 JAMES LAUGHLIN AWARD FROM THE ACADEMY OF AMERICAN POETS A stunning new collection exploring lineage and the legacy of survival as seen through the life of the poet’s grandmother Alice—a Black woman born in the Jim Crow South—using the King James Bible as a narrative...

Entre o luto pela morte do pai e a felicidade pelo nascimento da filha, Allan Dias Castro nos leva a ver a saudade não mais através da tristeza da perda, mas como a celebração da grandiosidade da vida. Mesclando poesia com histórias pessoais, este é um mergulho nas memórias que todos nós compartilhamos: os almoços na casa da vó, as noites febris da infância, os causos na companhia dos amigos, os conselhos dos mais velhos para aplacar nossos medos.

DAVID DUCHOVNY’S SEVENTH PUBLISHED—AND FIRST POETIC—WORK covers a range of intimate themes and topics, including love, the loss of love, parenting, Duchovny’s own parents (in particular his father, who looms large throughout the work), alienation, and other emotional quandaries. Fans of Duchovny’s fiction will recognize the insightful and clever play of words that, in this new form, distill to an emotionally impactful portrayal of what the author holds most dear.

Katrine Marie Guldager er tilbage som lyriker med en samling digte, som handler om at blive til i en anden verden. Flere tider og steder lægger sig ind over hinanden. En nutid med børn, kat og hortensiabed flyder sammen med erindringer om en barndom i Østafrika: Haile Selassies løver, at spise nzima med fingrene, tiden tilbragt alene under bananpalmen, at krydse en flod i en anden tid. Og indimellem bryder en stemme ind, jegets mor, som ofte erindrer tingene noget anderledes.