検索キーワード： 死・悲嘆・喪失

In But & Though, Jake Hawkey scrutinizes the impact of parental addiction on families, its title a nod to the language of dependency, its circles of prevarication and excuse. Hawkey’s poems chart the loss of a father and the resilient love between siblings, and take an unflinching look at a parent–child relationship sometimes painfully inverted through alcoholism.

Moving between glimpses of life in relative peacetime and absurdist poems about surviving in a barely liveable occupation, Forest of Noise invites a wide audience into an experience that defies the imagination — even as it is watched live. This is an extraordinary and arrestingly whimsical book, that brings us indelible art in a time of terrible suffering.

Emory Hall’s debut poetry collection follows the anatomy of a river, swelling with loss and grief, and dances with the sacred waters of transformation and motherhood. Full of magic and deep emotion, Made of Rivers will wash anew those who come to it, uncovering hidden corners of the self. It draws upon Emory’s wellspring of experiences, hardships, triumphs and revelations.

In these exquisitely rendered poems, people fall in and out of love, in and out of religious belief and in and out of accepting the distance between their imagined lives and the lives they live. They look back as much as forward and pick mercilessly at the open wounds of failed relationships. They inhabit geographies that are both their emancipators and captors. And they find joy, or succumb to sorrow, amid life’s inescapable ephemerality and fragility.

The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction—as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons.

This collection of words from Havva Ramadan has its origins during lockdown and her work continues to resonate to this day, finding an even wider audience through her rapidly growing online presence. Now, in her first book, A Voice: Turning Pain into Power, her words take a different form, collected to give us a very personal journey that we can all relate to, reflecting the pain of grief, the struggle of mental health and the journey we need to take to help us collect our pieces and find a way to rebuild ourselves once again.

In pursuit of his brother, a man traverses the fantastical and grotesque landscape of Hell, pondering their now fractured relationship.

Quietly reflective, the beautifully written poems in this slim volume offer a welcome respite from the noisy insistence of modern life. The language, now simple and direct, now rich in associations, double-meanings, and imagery, has its own natural rhythm and appeal regardless of subject and rhyme.

This is a book of poetry to encourage people that have been through heartbreak, pain, grief and the ending of a relationship. It's honest, real talk about the feelings we have after experiencing this sort of death after losing someone we have deeply loved.

This book is a collection of poems written in early 2023 to help cope with the loss of both my parents, a girlfriend, and a job. They are written as requests, personal experiences, and observations. While a few are written about experiences with one particular person, they are written as an anthem for anyone that has loved and lost. Enjoy listening to these a few at a time and know that others experience what you may be going through at this time.

Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once. Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face.

As snappy as a dinner jacket’s red silk lining, as appealing as a piano interlude in jazz, Brad Leithauser’s robust felicity is a balm in grim times. It’s also the perfect vehicle for nostalgia, regret, and surprise, forces that animate his first collection in more than a decade. By turns laugh-out-loud funny and deeply thoughtful, this collection balances wisdom and practicality, as with deft care Leithauser easily, often unexpectedly, juggles off-rhymes and old forms and new. The book unfolds like a five-act play, moving from chattier poems to dramatic denouements.

I wrote most of these poems when I was in a bad place, a dark state of mind that eased its hold when I wrote them down, and so these poems were created, they maybe disturbing for most and very intense, but if you have been in a dark place too, you may understand.

Our quoted authority is not the people in white coats but those with a quill, a heart and a soul that can take these feelings of love and loss and with the ink of words put to verse feelings and emotions that can be re-lived and shared by all. As they venture through depression, war, slavery to heartache and the loss of loved ones our eyes may mist and tears gently fall at what collectively we have done, have experienced, have witnessed and lost.

Written during the first nine months of the Covid-19 lockdowns, Wisps of Life is a work of heart. The lonely heart. The grieving heart. The hopeful heart. The joyful heart reunited. It is dreams. Dreams on hold. Dreams come true. Dreams reborn. It is the memory of dreams. It is a study in being human. We human thinkers have been around for thousands of generations. We are the products of infinite permutations of culture, religion, civilization, and perception. Yet, there have only ever been a handful of emotions to go around.

In an abandoned dance studio, there's music and dancing unheard and unseen by anyone. The whispers in the shadows laud praises upon the figure that spins around the room. Nothing moves, and yet everything moves around the room. Darkness and light intertwine and dance to cast the shadows of the world. A dance that goes beyond the borders between the worlds is performed within flickering shadows.

Dan O’Brien’s powerful companion to Our Cancers catalogs the recovery of a cancer survivor, whose wife has recently survived her own cancer, as he returns to his daily life while raising a young daughter. This prose-poem sequence is a true survivor’s notebook, usingand the tools of memoir to evoke how disaster can constellate our past, present, and future.

Mariella Saavedra Carquin confronts hard truths in this powerful debut collection, pushing through layered complexities of immigration, race, and identity to find a way forward.

Just over two years ago, I began my journey with post traumatic stress disorder, PTSD. Through the struggles, there have been times where I thought I would be unable to continue the things I enjoyed: work, soccer, volunteering, and socializing. The triggers of April 6, 2020 continued, but lessened. I am still brought back to that day by everyday triggers that act as a reminder. When it happens, I revisit that beautiful, sunny day where I was redeployed to the makeshift morgue and saw the atrocities of the time.

In this poetry collection, Mbelizi delves deep into the realms of pain and anxiety through vivid verses, creating a raw and honest representation of the struggles and inner turmoils faced. Through evocative imagery and metaphors, this collection explores the nature of these emotions and goes back and forth between darkness and moments of hope.