検索キーワード： 死・悲嘆・喪失

This collection of Sona Van’s poems is a tribute to the victims of genocide and war. With extraordinary feminine sensitivity, the poet looks at the world in all its striking contrasts, constantly probing the depths of her consciousness with new modes of expression. The collection consists of ephemeral poems characterized by dramatic encounters with nothingness in which an uncanny ability to capture extreme situations prevails. Sona Van’s poetry represents the truest testimony of historical experience and the reality in which it still lives.

This is a small audiobook of poems for people who have lost a loved one.

My Heart Beats is a poetic heart-cry of the unborn innocents who have already perished and those who are destined to die. Some of what you will listen might sound harsh or confrontational. Truth sometimes comes across that way, even when the one penning the words does not intend to be harsh, just honest.

Over four decades, Carolyn Forché's visionary work has reinvigorated poetry's power to awaken the reader. Her groundbreaking poems have been testimonies, inquiries, and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to each other. Her first new collection in 17 years, In the Lateness of the World is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death.

Asesinato. En este corto poema el autor relata en forma de diálogo un crimen que realmente ocurrió en la calle 42 de Nueva York. El relato de la violencia que este acto físico supuso le sirve al poeta para plasmar el dolor de su ánimo. Ciudad sin sueño. Intenta transmitir el poeta su propia insatisfacción por analogía con la noche, la vigilia, que no le permite dormir ni soñar ni encontrar alivio o esperanza. Navidad en el Hudson. En este poema identifica el protagonista su sensación de soledad con respecto al resto del mundo en el río Hudson.

Jose Ángel Graña Abad nos trae con su decimocuarta publicación “Este corazón muge y grita”, un conjunto de poemas de una intensidad extrema, que constituyen una obra poética, que evocándonos la pasión y la fuerza de “El rayo que no cesa” *, ha conseguido generar un universo de imágenes poéticas de gran belleza. El baile pasional de la dialéctica del amor y la muerte, del materialismo y el idealismo, se desarrolla en los versos, donde incluso llegan a cantar Janis Joplin, Paty Smith, o Amy Winehaouse.

A collection of poetry by Kieran Marsden.

The Apocalyptic Mannequin by Stephanie M. Wytovich is a collection that strips away civilization and throws listeners into the lives of its survivors. The poems inside are undelivered letters, tear-soaked whispers, and unanswered prayers. They are every worry you've had when your electricity went out and every pit that grew in your stomach, while watching the news at night. They are tragedy and trauma, but they are also grief and fear, fear of who - or what - lives inside us, once everything is taken away.

It’s a dark and stormy night, and “The Raven”, read by award-winning narrator Mike Vendetti, transports us to a lonely chamber illuminated by firelight. The inhabitant who becomes the narrator hears a gentle tapping at the chamber door. The tapping is a raven who speaks one word, “Nevermore."

Award-winning narrator Mike Vendetti becomes the speaker of Dickinson's poem personifying Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife.

A man sits at a window through the dead hours of night, his sleep broken by troubling dreams of a figure in a white landscape. This fragmentary vigil anchors a series of narrative sections in which a dramatic voice - which might well be an interior monologue - gives, first, an account of the man, then addresses him directly. We learn of a conflicted childhood, of love lost to circumstance, of the press of death on the protagonist's waking thoughts. He is a man afflicted by personal loss, but also a man of his time, all too aware of the troubled world in which he lives.

"Annabel Lee" tells the story of young love cut short by tragedy. As the speaker (often assumed to be based on Poe himself, whose young wife died shortly before he wrote this poem) discusses his relationship with the now-deceased Annabel Lee, he presents the love between them as pure, eternal, and all-conquering. The love between the speaker and Annabel Lee may have been short-lived, but it remains too powerful to be defeated, even by death. Through describing this intensely idealized love, the poem argues that love is the strongest force on earth.

Remember those biggies we loved in high school English? Well, here they are again performed by award-winning narrator Mike Vendetti. You'll hear "Chicago" by Carl Sandberg, "A Valediction: Forbidding Mourning" by John Donne, "Because I Could Not Stop for Death" by Emily Dickinson, "Mending Wall" by Robert Frost, "Ode on a Grecian Urn" by John Keats, "Song VII ("My song has put off her adornments")" by Rabindranath Tagore, and who can ever forget "The Love Song of J Alfred Prufrock" by T.S. Eliot.

A new volume of poetry from Robert Hass is always an event. In Summer Snow, Hass further affirms his position as one of our most highly regarded living poets. Hass’s trademark careful attention to the natural world, his subtle humor, and the delicate but wide-ranging eye he casts on the human experience are fully on display in his masterful collection. Touching on subjects including the poignancy of loss, the serene and resonant beauty of nature, and the mutability of desire, Hass exhibits his virtuosic abilities and expansive intellect, and tremendous listenability.

“Be seen, not heard,” is what her mother said. However, for this poet, her mother’s words fell on deaf ears. K.L. Loveley is a woman unleashed, and her words will be heard! Love, romance, pleasure, desire, loss, betrayal, anger, and pain - K.L. Loveley explores her changing and, sometimes, camouflaged emotions within her debut poetry collection.

Michael Faudet's latest book delves deeper into the meaning of love, the intricacy of relationships, self-empowerment, seduction, and sex. Taking the listener on a whimsical and sometimes heartbreaking journey, where fantasy and reality collide. Cult of Two is much more than just a beautiful collection of poetry, prose, and short stories. It is a compelling invitation to confront and explore the conflicting emotions that live within all of us.

What if the dreaded world of Alzheimer's was also a world of emotional discovery? Eugenia Zukerman's poetry and simple prose, both heartbreaking and ultimately inspirational, ushers the listener into her world as she unflinchingly examines familial loyalties, moments from her past and present, and the need to face an uncertain future due to the diagnosis of a condition that she truly hopes "will remain unnamed."

The story of Belvie Rooks and Dedan Gills, their journey and their transformation, is “as old as eternity and as new as now.” As individuals, Dedan and Belvie were already activists, mentors, and voices for justice, but in their union, they became an even greater force for compassion and love.

Poetry kills inner demons. It takes away their power. Removes their teeth. Loosens their grip. It turns them into mere words in a narration. Something to be heard and remembered, but no longer feared. What follows is an act of therapy. In moments of inner crisis, I put pencil to paper and let the words come. This process is not pleasant, but it is cathartic. I share this with you in the hopes that we can both feel less alone in our suffering and to show you that when you look at your demons, they lose all their power.

This is an account of a life lived online. Swiping for approval. Scrolling for gratification. Searching for connection. From the glow of a screen in the middle of the night, to the harsh glare of the hospital waiting room, Validate Me, is a raw and honest look at the highs and the lows of a digital life.