検索キーワード： 死・悲嘆・喪失

The poetry of Michael Ondaatje begins in memory: distant landscapes, myths from childhood, fleeting interactions with loved ones, and characters from history itself. In poems that are spare as often as they are fable-like—as tender as they are heart-wrenching—the poet navigates the past, looks toward the future, and unearths inevitable truths about the world.

In her first book, poet Havva Ramadan explores the pain of grief, the struggle of mental health, and the journey we all must take to collect our pieces and rebuild ourselves once again.

Dean Browne arrives at the After Party with the maturity and style of an altogether more seasoned poet. In a debut collection of standout and stand-alone poems, each tests the boundaries of its unique universe. Browne is a mesmeric teller of strange tales, imaginings that can seem origamically contained within the compressed dimensions of a poem. A leg sets off on a long train journey; a Parisian alley cat is launched into space; earthbound lovers attempt to connect while their inner lives prove unbridgeable.

A journey through the ups and downs of love, heartache, heartbreak, loss, grief, and healing, this book reflects my inner most thoughts from my most recent years of life

‘He seeks to contain multitudes’, commented one reviewer of John Stammers’ poetry, and in this long-awaited fourth collection Stammers’ restlessly eclectic range is very much in evidence. Here are poems of technical surprise alongside those of candid tenderness; poems that set love and love-making within a wider emotional and intellectual context. Here are epistemological meditations that nonetheless preserve the ‘essential gaudiness’ of poetry; and elegies for artist friends that consider the ephemeral nature of fame and charisma.

The Back of Your Pickup: Poems of Love, Loss, and the Roads That Never Led Home. I remember the summer heat sticking to my skin, the radio humming a song we half-knew, and your hand tapping the steering wheel like you had nowhere to be but everywhere to go. The back of your pickup wasn’t just a truck bed—it was a church, a confessional, a place where love was whispered under a sky too big for the things we couldn’t say. The Back of Your Pickup is a collection of poetry that lingers in the spaces between love and loss, between leaving and staying, between who we were and who we became.

Written under the pseudonym "Carolus", Lyrics & Lines is a book of poems written, probably circa 1890-1900, as a gift to one he had loved and lost. Love, Humour, Moralisation and the Macabre all come together in a most enjoyable manner.

DAVID DUCHOVNY’S SEVENTH PUBLISHED—AND FIRST POETIC—WORK covers a range of intimate themes and topics, including love, the loss of love, parenting, Duchovny’s own parents (in particular his father, who looms large throughout the work), alienation, and other emotional quandaries. Fans of Duchovny’s fiction will recognize the insightful and clever play of words that, in this new form, distill to an emotionally impactful portrayal of what the author holds most dear.

A collection of 112 dark, contemplative, and philosophical poems.

Divided into three parts—Body, Mind, and Soul—Brianna Pastor’s intimate collection of poems invites us inside a highly sensitive mind and explores what it’s like to discover neurodivergence in adulthood and view life through an empathetic lens. Hopefully, by deepening our understanding of sensitivity and how it affects others, we can move one step closer to a more connected, healed world.

In Big Man Katie Kemple creates a portrait of fatherhood in the shadow of loss: the untimely death of partners, unresolved trauma as a veteran, and chronic pain. Kemple shows a father moving forward despite it all with the generosity and grace to love and be loved. He's the teacher who gives hitchhiking students a lift to the mall, the dad who chaperones Girl Scout fieldtrips, the husband who clings to the last flame of his wife's life. A man who stayed open to "rocks, sea glass, / shells and pinecones. Small things we / might have passed into his big hands."

Sometimes Therapy Isn’t Enough finds the author coping with mental health struggles through poetry. The book is divided into four chapters, taking the listener on a raw emotional journey through anxiety, addiction, depression, and grief.

This is a literary composition composed for those who feel like nobody's listening. For my comrades, my mom and my dad, and my two sisters who showed me what it means to be different. For the drug addicts that fiend but still dream of better conditions, huddled with puddles on pillows with Brillos and pipes, not bathed or slept in days, high as a kite. For the single parents that struggle working doubles, taxing their muscles so their children can comfortably cuddle and sleep at night.

Seit sein Hund Lola gestorben ist, kann den kleinen Niklas nichts mehr erfreuen. Alles ist in Traurigkeit gehüllt. Selbst wenn er mit seinen Freunden spielt, ist es nicht mehr so wie früher. Die Erde sieht dunkler aus als sonst, die Nässe ist nasser und die guten Schuhe drücken, wenn er rennt. Niklas fragt sich, ob Trauer je verschwinden kann, wenn doch alles vergeht - selbst die Schönheit der Welt... Oder ob man verlernen kann diese Schönheit zu sehen? Eines Tages lernt er einen alten Mann kennen, der immer allein auf einer Bank sitzt und in die Sonne blinzelt oder in den Schnee starrt.

A story of the aftermath of a shattering event told through over 50 poems, Bo Grant's epic emotional rollercoaster packs a big punch. Feel all the feels!

In this stunning new poem, Canisia Lubrin’s signature epic vision distills her elegy to her mother, along an interwoven and unresolvable axis of astonishment that belongs as much to history as to today. Her lucid attention to what might be the oldest metaphor for grief is drawn from the searing gravity and resonance of the modern poet’s decisive, interior, and inexpressible meditation on love, time, and loss in the excesses of life’s ambitions.

I am divine, sitting upon my throne, time’s pedestal, waiting — baiting. My venomous tales tear at life’s seams, desecrating freedom. Your illusions awaken. Your eyes grace my design. I am madness. Journey into the shadows of the soul, where darkness and light intertwine in a dance of raw emotion and profound revelation. Divine Madness: A Dark Poetry Collection beckons you into the depths of the human psyche, inviting you to explore the turbulent landscapes of the mind and embrace the haunting allure of poetic madness.

The poems in About Loss are written in free verse. They are simple and direct, yet emotional and beautiful. Love is part of loss, and this book has many love poems as well as poems of heartache.

Author Mae Bea Sayes is an artist-poet inspired by life, love, and literature. She transposes poems from images that come alive from ideas about her journey with the meter of language and the characters of literature. She creates cadence through wordplay and loves rhyme whenever it works. In her new collection of poems, The Graveyard and Other Poems, she examines the journey of the souls death, reawakening, and redemption.

The poems in An Interesting Detail confront our shared, layered past (both planetary and human) and its knotty relationship to the present, stretching from today to prehistory, in a voice that is knowing and yearning, sincere and sardonic, and at times defiant. Campanello’s prose poems, brief lyric outbursts, and poetic sequences ludically navigate catastrophe and sweep us up in the minutiae of everyday life, which includes pain and illness, machinations of power and moments of suspended connection.