検索キーワード： 死・悲嘆・喪失

A career-spanning volume of the poet’s work charts the seasons of a woman’s life through desire and motherhood, grief and the consolations of poetry “Reading Jill Bialosky’s poems feels like taking a slow and lone journey into the depth of the human heart, yet all the while being...

Dancing With the End of the World by Dylan Goddard A raw, unfiltered audiobook about grief, survival, and the strange beauty that remains when everything else has burned down. This is not a guide. This is not self-help. This is a man walking through the wreckage of his own life and choosing, again and again, not to look away. In these pages, Dylan Goddard writes with savage honesty about the moments that break us, the memories that haunt us, and the quiet, stubborn hope that refuses to die.

Dans ce long poème, en écoutant Alain Carré on voit la scène, on assiste aux derniers instants de ce grand homme, on voit défiler à son chevet tout ce que l'Espagne comptait de grand et de faux. Un poème sur la vérité de l'homme et sur le pouvoir.

In this timeline and collection, Diane Lilli returns to the poems of her youth, with transformative imagery that tracks her lifetime of writing poems, landing in 2025. Beginning with her first poem written at eight-years of age, the author continues to share a real-time body of work from different moments of her life, as a fantastical, poetic memoir. Every poem is organized in chronological order, and separated by distinct phases of her life.

Diving back to bits of her past, A Sweet Embrace looks at aspects from Francesca's past, both childhood and some more recent events. Again also delving into the political sphere, A Sweet Embrace takes on a subject that is unfortunately common place in the United States, and less so in the rest of the world, Mass Shootings. Having examined the statistics between the 6 nations to have had a Mass Shooting in 2025, and for the majority of those 6 looking back at the past 30 years, and one only looking back a dozen, Francesca paints a stark reminder that gun control works to curb mass violence.

This entire book was written as a result of losing my eighteen-year old son in a car accident. He was driving in a caravan of five cars going to a car show. He was driving too fast on a turnpike in Oklahoma in the rain when his car hydroplaned, spun around backward, and slid under the front of a wrecker on the side of the highway. The wrecker and a highway patrol officer were there as a result of another car that had hydroplaned in the same area prior to my son.

In the depths of human experience, where shadows loom and light flickers, lies the terrain of the soul. This collection of poems is a journey through that landscape, a navigation of the complexities of love, the ache of loss, and the darkness that can both consume and transform us. The poems that follow are fragments of a life lived, moments captured and rendered into verse. They are the echoes of whispers in the night, the cries of a heart both broken and remade. Love, in all its forms, is a recurring theme – its beauty, its brutality, its capacity to both heal and harm.

Ce recueil de poèmes remonte à 1999 et continue jusqu'à 2025. Les poèmes se trouvaient dans des cahiers divers et touchent sur des thèmes tels que la dépression, le suicide, l'amour, la nature, aussi bien que d'autres. Les poèmes sont organisés en ordre chronologique, mais cela n'empêchait pas qu'il y ait des chapitres thématiques.

Echoes of an Old World: An English Spirit in New England is a collection of poems by Elizabeth Stansfield Hunter, edited by her grandson, David Hunter Kennedy. The book reflects Elizabeth’s deep connection to both her Victorian English heritage and her life in New England, capturing themes of nature, family, love, and loss. Written between the 1920s and 1960s, the poems explore the beauty of nature, the joys and trials of life, and the devastating impact of losing her son during World War II.

Step into the somber world of No Flowers No Weeds Diminished Footprint, a poetry collection that captures the stark reality of human anguish. Each verse is a raw reflection of a soul grappling with pain, failure, and despair. From the torment of physical suffering to the devastation of lost love, these poems embody the crushing weight of desolation. The poignant verses resonate with the loneliness of isolation and the sting of a broken heart. The anthology paints a vivid picture of grief, depression, and the seemingly endless cycle of disappointment.

The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological.

Par un minuit lugubre, un esprit las veille sur d’anciens volumes quand un léger heurt à la porte trouble le silence. Bientôt, un corbeau ténébreux s’installe et, avec un refrain implacable, pousse le narrateur au bord de l’obsession. Chambre close, décembre âpre, souvenirs d’un amour perdu: tout conspire à faire monter la fièvre du doute et du deuil. Chef-d’œuvre de l’imaginaire romantique, ce poème allie cadence hypnotique et atmosphère funèbre.

The debut of Kelly Caldwell, written from within the darkness of bipolar illness and the longing to claim her womanhood “There can be no history of my body. My forgetfulness is in earnest. I check for it like for keys in a pocket. I’ve remained a girl all my life.” With searing...

WINNER OF THE AUDRE LORDE AWARD FOR LESBIAN POETRY LAMBDA LITERARY AWARD FINALIST Written in the devastating aftermath of a partner’s suicide, this unprecedented collection is a restorative memorial act, an exploration of queer time, and a powerful expression of nonbinary and trans...

From the author's leather-bound book kept locked at the base of his bed, we journey through New York City, chilled farmlands and isolated cabins in the woods. Calloway's solid masculine approach is refreshingly original. We have all felt the warmth of the world around us and we have all felt the cold. This author holds our hand as he leads us down rich passageways of the psyche.

In a strange twist of kismet, Remica Bingham-Risher's paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg, Virginia in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child.

In Conversation is a personal milestone in Janice Whyne's journey of rediscovering her creative self. She sees poetry as a means of self-expression. A conduit and a safe space for our emotions, feelings and lived experiences. The poems in In Conversation began their lives with a word(s) exchanged in conversation or that captured her attention in something she was listening to or viewing. She regards them as articulations of the said and unsaid, with the poetic voice in them not always hers but rather an expression or interpretation of the voice(s) of others.

These verses twist trauma and grief into self-loving peace, a therapy cushion of words and doodle artwork. Come feel the dark so we can see the light again.

The poems in this collection are a testament to Csaba's resilience, humor, and a deep sense of empathy. The author's reflections on life's joys and challenges are both personal and universal, touching on themes such as love, loss, hope, and the beauty of the natural world. The poems are written in a variety of styles, from free verse to haiku, and are infused with Csaba's unique perspective on the world.

Sound interesting? The author thinks so too! Listen to Hearing What I Hear, Seeing What I See and experience the compelling world of personal trauma and healing.