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In Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and—zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.

A new volume of poetry from Robert Hass is always an event. In Summer Snow, Hass further affirms his position as one of our most highly regarded living poets. Hass’s trademark careful attention to the natural world, his subtle humor, and the delicate but wide-ranging eye he casts on the human experience are fully on display in his masterful collection. Touching on subjects including the poignancy of loss, the serene and resonant beauty of nature, and the mutability of desire, Hass exhibits his virtuosic abilities and expansive intellect, and tremendous listenability.

Deeply personal but also expansive in its imaginative scope, Nouns & Verbs brings together 35 years of writing from Campbell McGrath, one of America’s most highly lauded poets. Offering a hint of where he’s headed while charting the territory already explored, McGrath gives us startlingly inventive new poems while surveying his previous work - lyric poems, prose poems, and a searing episodic personal epic, “An Odyssey of Appetite”, exploring America’s limitless material and spiritual hungers.

This is an account of a life lived online. Swiping for approval. Scrolling for gratification. Searching for connection. From the glow of a screen in the middle of the night, to the harsh glare of the hospital waiting room, Validate Me, is a raw and honest look at the highs and the lows of a digital life.

This content is written in a poem format and tells the story of Black Americans and their journey from Africa to America.

The Gift of Surrender is a collection of poems and musings by Grandma Beth that explores the power and beauty of surrendering to life's challenges and transitions. Through poignant and heartfelt verses, Grandma Beth invites listeners to embrace the transformative process of letting go and trusting in the universe. From surrendering to grief and loss to surrendering to change and growth, this audiobook offers a compassionate and uplifting perspective on the art of surrender.

The Soul Knows These Simple Truths is a poetry audiobook that contains 101 poems across a wide variety of themes such as heartbreak, grief, loss, hope, faith, inspiration, philosophy, tragedy, and the healing power of art.

Wild Hope is Donna Ashworth's powerful new collection of wisdom to help us find hope, peace, self-acceptance and inspiration on the days we feel worn down, helpless or sad. Written with love and understanding, Donna reminds us that amidst our daily struggles and constant outpourings of bad news we have so much to hope for, and that every one of us can play a part, big or small, in making the world a better place.

Since its debut in 1998, In Our Time has amassed a dedicated following of more than 2 million listeners. Hosted by Melvyn Bragg, with a panel of guest experts, each show features a plethora of fascinating facts and inspirational discourse on topics ranging from democracy to dark matter. This specially curated collection celebrates the rich diversity of poetry in English, focusing on 25 major works and writers from the mediaeval era to the 20th Century.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

“Il libro della follia” è la prima traduzione integrale in italiano di "The Book of Folly", che Anne Sexton diede alle stampe nel 1972. Lo stile confessionale che aveva reso celebre l’autrice, fruttandole nel 1967 il premio Pulitzer, giunge qui alla piena maturità trasformandosi nell’allegoria di un Gran Teatro psichedelico. La Signora Benestante che scrive occasionalmente versi rispettando le forme metriche lascia il posto, definitivamente e consapevolmente, al personaggio della Poetessa Martire della società benpensante e all’aspirante suicida, in un rovesciamento parodico dei valori patriarcali.

In the cold seminal countryside of eastern Washington, a boy puts a bullet through his skull in a high school parking lot. An uncle crushes oxycodone into “a thousand red granules.” Hawks wheel above a dark, indifferent river. “I left that town / forever,” Holbert writes, but its bruises appear everywhere, in dreams of violent men and small stars, the ghosts of friends and pills. These poems incite a complex emotional discourse on what it means to leave—if it’s ever actually possible, or if our roots only grow longer to accommodate the distance.

The much-anticipated debut poetry collection, written and read by acclaimed novelist Susannah Dickey, on the subject of our cultural obsession with true crime. ISDAL is a timely interrogation of the true crime genre. In the first of its three parts, we follow the flirty co-presenters of a...

This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001.

Celebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give listeners new and old a lasting collection of favorites.

Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

In her debut collection of poetry, Conyer Clayton hovers in the ether, grasping for certitude in often wrong places. Through experiences with addiction and co-dependence, sex and art, nature and death, she grapples for transcendence while exploring what it means to disengage. What is revealed when you allow yourself to truly feel? What do you ask for to carry you into life, and where do you land when this fails? And when you are finally, beautifully, emptied out, who are you?

Questa famosa raccolta di poesie, pubblicata tra il 1914 e il 1915 racconta sotto forma di epitaffio la vita dell'ipotetica cittadina di Spoon River, i cui abitanti sono sepolti nel cimitero locale. Le storie si intrecciano alle storie, offrendo un ritratto commovente e crudo delle vite reali che si nascondevano dietro alle apparenze.

A curated compendium of poetry and prose from the award-winning poet Mary Oliver, including the book-length masterpiece The Leaf and the Cloud, the collection What Do We Know, andessays from Long Life—with a foreword by fellow Pulitzer Prize-winning author of Postcolonial Love Poem Natalie Diaz.