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Death is only the beginning… 'Breathtaking … A new talent [in] the field of gothic historical literature' NEW YORK JOURNAL OF BOOKS 'Devilishly macabre … As dark as a midnight graveyard' PATRICE McDONOUGH 'Hauntingly gothic, intimately told, and wickedly, wonderfully grotesque' MARIELLE...

“In the States, celibacy had never been my strong suit. In Paris, it was a crime against nature—a mortal sin.” With this cheeky response to her new city, Henri Adams—recently released from the tyranny of Prohibition and freshly appointed as an art correspondent for En Vogue magazine—sets out to discover the literary, artistic, and more unmentionable pleasures of Paris during the Roaring Twenties

“You want to know the true tale of the wicked woman, the murdering monster, what baked the pies that she filled with the bits of her victims? The talk of London Town. I will tell you what you want to know, if it be the last that I do tell. And it may well be.” Enclosed herewith: the hitherto...

Wyoming Territory, 1870. Elijah Carter is afflicted. Most of the townsfolk of South Pass City treat him as a simpleton because he’s deaf, but that’s not his only problem. Something in Elijah runs contrary to nature and to God. Something that Elijah desperately tries to keep hidden. Harlan Crane, owner of the Empire saloon, knows Elijah for what he is—and for all the ungodly things he wants. But Crane isn’t the only one. Grady Mullins desires Elijah too, but unlike Crane, he refuses to push the kid.

Brought to her uncle’s decaying Oxfordshire estate when she was a child, Grace has grown up on the periphery of a once-great household, an outsider in her own home. Now a self-possessed and secretive young woman, she has developed unusual predilections: for painting, particularly forgery; for deception; for other girls.

Cam Langley, a sharp-witted codebreaker at Bletchley Park, dresses like a man and makes no secret of who she is. Gloria Edwards, eager to escape her domineering father, joins the war effort and is quickly drawn into Cam's orbit.

It is 1597 and Kit Skevy and Mariner Elgin have just robbed the wrong grave. They are young criminals in the pocket of a gang Lord named Will Twentyman, the Grave Eorl of Southwark. Mariner is the best cutpurse around, a strange Calvinist girl who dresses like a boy and is partner in crime to...

The year is 1980, and Mount St. Helens hasn't erupted in over one hundred years. Surely, it won't happen now? Volcanologist Nova "Cano" Kane is the first to volunteer when the rumblings start, even if it means she'll have to face her biggest regret. When Cano fled Seattle four years ago, she...

Giving all the “Little Women” the stories they deserve at last, this imaginative historical novel and companion to the much-loved classic draws Meg, Beth, and Amy March from behind the shadow of Jo—Louisa May Alcott’s alter-ego and the “author” of Little Women—as vibrant and unforgettable characters grappling with societal strictures, queer love, motherhood, chronic illness, artistic ambition, and more.

Bloomsbury presents Mutual Interest by Olivia Wolfgang-Smith, read by Laurel Lefkow. "A timeless queer love story and a meditation on power, capitalism, and the flow of history . . . This novel is a revelation and a joy.” —Anna North, New York Times bestselling author of Outlawed A classic...

Shortlisted for the James Tait Black Prize 2026 A Finalist in the Nota Bene Prize 2026 ‘Casually magisterial’ Guardian 'Endlessly intriguing' Observer ‘A marvel of a novel’ Ali Smith ‘Jane Eyre by way of Patricia Highsmith’ BBC Radio 4 ‘Puts Stevens in the class of Sarah Waters’...

Das Neonlicht flackert in den Clubs von San Francisco, und draußen wartet ein neues Leben auf die Barbary Lane 28. Die Achtziger haben San Francisco und seine Bewohner in ihren Bann gezogen. Mary Ann durchlebt wieder romantische Irrungen und Wirrungen und jagt einem charismatischen Psychopathen hinterher. DeDe wird unverhofft zu einer queeren Galionsfigur, und Brian richtet seinen Blick gen Zukunft.

Brand new from the bestselling author of THE HOUSE OF THE WITCH.A totally unmissable, spellbinding historical fiction novel.✨ Perfect for fans of Evie Woods, Philippa Gregory and Elena Collins.📚‘Incredible… Brilliant dual-timeframe fiction… Gripping… Had me completely hooked.’...

London. 1928. For centuries, the establishment has suppressed public knowledge of lesbian love. Now, a celebrated writer is set to fight back. Award-winning author, Radclyffe Hall, hopes her new novel, The Well of Loneliness, will transform attitudes to same-sex relationships. It soon comes...

Etta è giovane e affamata di vita quando si trasferisce a New York da Philadelphia, dov'è cresciuta, per lavorare come infermiera all'ospedale di Ellis Island, l'isola degli arrivi, il lembo di terra dove approdano le speranze e i sogni di tanti. Siamo nel 1910 e solo vent'anni prima nello stesso porto sbarcava la nave su cui viaggiavano i suoi genitori, partiti insieme a migliaia di altri migranti dalla Sicilia. Ed è in quel mondo a sé, sospeso tra lacrime ed euforia, che Etta incontra per la prima volta Tessie. Ne rimane subito colpita.

Blessed with the smoldering good looks that destine him for the silver screen, the unfortunately named Dan Root arrives on the scene as a naïve but ambitious twenty-one-year-old. Mentored and exploited by a powerful and dashing Svengali-like producer and his beguiling wife (a movie star whose career is on the tragic cusp between fame and fade out), Dan is transformed into the promising young actor, Dexter Gaines.

I killed the men who butchered my parents and dodged the hangman’s noose—now I’m an outlaw bound by honor, drawn to the one man who wants nothing to do with me. After years of drifting and hiding my secrets, I sense a chance of redemption at Isaiah Ranch. I’ve known family and honor—can I find it again here? Ambrose Isaiah, the youngest heir of a powerful ranching dynasty, sees me as a threat—a killer with no place among his kin. He’s right, but that doesn’t stop the spark between us. I didn’t come here to stay. I didn’t come here to fall in love. I’m everything Ambrose should despise.

Exeter, 1925. Della Wilde has set aside her dream of moving to Paris to study at the renowned Le Cordon Bleu, choosing instead to support her family torn apart by war. By night, she works at the prestigious Ambrose Café, serving the city's elite - she feels utterly invisible. Until a chance encounter with rebellious Alice Winters, the daughter of a powerful MP, upends Della's world. Alice is a woman caught between duty and desire. She secretly yearns to be an artist but is expected to marry a respectable suitor and raise a family.

Zu schlau'n'schlank für ein bestimmtes Geschlecht? - Virginia Woolfs "Orlando" geistert durch vier Jahrhunderte. Mal als Mann, mal als Frau mischt er/sie historische Genderrollen auf und ist dabei doch immer dicht beim alten Shakespeare. Orlandos epische Zeit- und Weltreise, nimmt uns mit auf eine furiose Achterbahnfahrt der Gefühle. So wild die Kapriolen und so amüsant die Hakenschläge auch sein mögen, sind sie doch unerschütterlich durchtränkt von echt britischem Humor. Orlando, das ist Verführung pur.

On the run from the ruthless Bolshevik regime, Alexei and his comrades, Reggie and Eli, have narrowly escaped certain death. But their journey is far from over. Desperate to evade capture, they embark on a daring mission to reach their next destination and seek the king's aid. Time is running out, and danger lurks around every corner. Even if they manage to secure an audience with the king, there’s no guarantee he will offer the protection Alexei so desperately needs.