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Fin Tighe is clinging to respectability by his nail-bitten fingers. He may be the illegitimate son of an English earl, but he hasn’t spoken to his father in a decade, and his engineer’s salary is barely enough to support him and his cousin Aurelie. And Fin’s evenings spent in the clandestine gay community may be legal through a loophole in the Napoleonic Code, but they leave him vulnerable. So, when Fin’s employer, Gustave Eiffel, announces that he needs additional investors to pay for his pet project, a 300-meter tower that will dominate the city’s skyline, Fin jumps at the chance.

Up-and-coming stage actress Margaret Shoard has just taken a bow as Lady Macbeth, the role she has always believed was destined for her. At home, she plays wife to her best friend Wesley, even if she doesn’t hold his sole attention romantically. After a public breakdown threatens all she holds dear, Margaret’s doctor prescribes her uppers—just a little help to get through the days.

The Baroness, an infamous exploitation film long thought destroyed by Nazi fire, is discovered fifty years later. When lonely archivist Ellen Kramer—deeply closeted and pathologically repressed—begins restoring the hedonistic movie, it unspools dark desires from deep within her. As Ellen is consumed by visions and voices, she becomes convinced the movie is real, and is happening to her—and that frame by frame, she is unleashing its occult horrors on the world. Her life quickly begins to spiral out of control.

Pregnant at fifteen after gleefully losing her virginity to pansexual neighborhood strongman Francis Anthony Mozzarelli, she is robbed of her baby by a pack of nefarious nuns and her embittered papa has her sterilized without her consent (legal in 1935). With the help of a besotted Francis and her top-secret meatball recipe, a devastated Bella embarks on a riotous quest through Depression-era Coney Island sideshows, the tawdry world of peek-a-boo striptease routines, a queer mob marriage, and a tasty collection of wisdom-filled recipes to find her lost child, herself, and maybe even true love.

Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.

When a sharp cry wakes Jean in the middle of the night during a terrible tempest, she’s convinced it must have been a dream. But when the cry comes again, Jean ventures outside and is shocked by what she discovers—a young woman in labor, drenched to the bone in the bitter cold and able to speak barely a word of English.

Against a backdrop of unrest and unforeseen political change, a trio of bygone friends converge in San Francisco. Jonathan is haunted by his past and can’t move forward. Kit, his former student, is disillusioned and in a slump. Milo inhabits the center—the axis of the triangle. Beneath his clownlike behavior and dazzling grin, Milo’s tender heart and wisdom transforms those he loves.

In 1931, Gregory Hemingway's life begins in Kansas City, Missouri. The third and favourite son of an overbearing father, Greg is a paragon: a star athlete, a crack shot, bright and handsome and built like a pocket battleship. In 2001, Gloria Hemingway's life ends in a Miami women's correctional institution. Enduring heartache, disapproval and countless electroshock treatments, their existence has been a miracle. Inspired by true events and spanning seventy years of the last century, this is the story of a single, extraordinary life.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

In September of 1892, Oscar Wilde and his family retreated to the idyllic Norfolk countryside for a holiday. His wife, Constance, has every reason to be happy: two beautiful sons, a stellar reputation as an advocate for progressive causes, and a delightfully charming and affectionate husband and father, who is perhaps the most famous man in England. But as an assortment of houseguests arrive, including an aristocratic young wannabe poet named Lord Alfred Douglas, Constance gradually—and then all at once—comes to see that her husband's heart is elsewhere.

Un fantasma in gola esplora la femminilità e il desiderio. Doireann Ní Ghríofa racconta la maternità nella sua dimensione universale, e ne fa metafora della scrittura capace di ricucire le ferite più intime e creare echi tra universi lontani:un’opera sul suono che allontana e unisce l’ultimo sospiro di un uomo che muore e il primo vagito di una nuova vita. Dopo aver avuto tre figli in pochi anni, l’autrice ha adattato la propria vita su quella dei suoi bambini: poppate, pappe da preparare, viaggi in macchina verso scuola e ritorno, cartoni animati e sonni sempre troppo brevi.

At the beginning of Virginia Woolf's fantastical and satirical 1928 novel, Orlando is a young nobleman in Elizabethan, England. At the age of 30, Orlando awakens to have found he's now a woman. Moving through the following centuries, the novel stretches over 300 years, during which time Orlando meets several key figures of English literary history.

Curiosities opens with a present-day amateur historian, Anne, who describes her unexpected discovery of five seventeenth-century manuscripts that, astonishingly, tell the same strange story from vastly different points of view. The five manuscripts spin this tale: after the Plague descends upon a village in England, two small children, Joan and Thomasina, are the only survivors.