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It’s the summer of ’97 and the Scottish town of Pitlaw is itching for change. Enter the Freakslaw – a travelling funfair populated by deviant queers, a contortionist witch, the most powerful fortune teller, and other architects of mayhem. It doesn’t take long for the Freakslaw folk to infiltrate Pitlaw’s grey world, where the town’s teenagers – none more so than Ruth and Derek – are seduced by neon charms and the possibility of escape. But beneath it all, these newcomers are harbouring a darker desire: revenge.

Willow is in need of an escape. A former sitcom star, she’s been publicly shamed on the internet after posting something she really shouldn’t have. She checks in to Camp Castaway, an adults-only retreat based at an old campground in the woods. It’s the first night and the campers gather round the fire to tell some ghost stories. That’s when Willow hears the tale of Knock Knock Nancy. A local urban legend about a witch, brutally beheaded in this very woodland. They say her restless spirit knocks on doors late at night. If you answer, she’ll take your head.

Mary is the great-niece of Victor Frankenstein. She knows her uncle disappeared in mysterious circumstances in the Arctic but she doesn't know why or how. She and her husband are trying to make a name for themselves as paleontologists but, in 1850s' London, scientific success requires wealth and connections - neither of which they possess. But then Mary discovers some old family papers that allude to the truth behind her great-uncle's past, of his attempts to create a living being and the creature that ultimately killed him. Perhaps this idea will prove to be their salvation.

When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker - or sexier - would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?