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A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

She’s trained with him. She’s hunted with him. She’s killed with him. Now he’s missing. After the loss of her mother years ago, he is all she has left, and she will do whatever she can to find him. They had made a pact, a rule never to be broken: If we don't hear anything after three days, we investigate. Three days passed. Now Bethany must take all her years of training, all the skills she developed, and leave the place she’s called home her whole life.

Sixteen years ago, Brigit Weylan’s older sister, Emma, walked into the woods in their small hometown of Ellis Creek. She never walked out. People said she was troubled—in the months leading up to her death, she was convinced there was a monster in those trees. Marked by the tragedy, Brigit left town and never looked back.

The Baroness, an infamous exploitation film long thought destroyed by Nazi fire, is discovered fifty years later. When lonely archivist Ellen Kramer—deeply closeted and pathologically repressed—begins restoring the hedonistic movie, it unspools dark desires from deep within her. As Ellen is consumed by visions and voices, she becomes convinced the movie is real, and is happening to her—and that frame by frame, she is unleashing its occult horrors on the world. Her life quickly begins to spiral out of control.

Suture shares three interweaving stories of artists tearing themselves open to make art. Each artist baffles their family, or harms their loved ones, with their necessary sacrifices. Eva's wife worries about her mental health; Finn's teenager follows in her footsteps, using forearm bones for drumsticks; Grace's network constantly worries about the prolific writer's penchant for self-harm, and the over-use of her vitals for art.

Driven by the glory he'll earn from the Royal Horticultural Society for such an achievement, Gregor ignores the flaws in his plan: that intelligence cannot be controlled; that plants cannot be reasoned with; and that the only way his plant-beast will flourish is if he uses a recently deceased corpse for the substrate. The experiment-or Chloe, as she is named-outstrips even Gregor's expectations, entangling their strange household. But as Gregor's experiment flourishes, he wilts under the cost of keeping it hidden from jealous eyes.

In 1986, thirteen-year-old Jeb Kleber vanished during his small town’s Fourth of July fireworks. His mysterious disappearance left his first love, Sammy Blake, grieving for years. Flash forward to present day. A now middle-aged Sam Blake has a comfortable and predictable life with his husband Marc in Chicago. All that changes when a stranger arrives at Sam’s door, claiming to be the missing Jeb Kleber.

“If you’re reading this, you’ve likely thought that the world would be a better place without you.” A single line of text, glowing in the darkness of the internet. Written by Ashley Lutin, who has often thought the same—and worse—in the years since his wife died and his young son disappeared. But the peace of the grave is not for him—it’s for those he can help. Ashley has constructed a peculiar ritual for those whose desire to die is at war with their yearning to live a better life.