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After losing her job and her fiancé and moving back from the city to live with her parents, Shell Pine needs some help. And according to the sign in the window, the florist shop in the mall does too. Shell gets the gig, and the flowers she works with there are just the thing she needs to cheer up. Or maybe it’s Neve, the beautiful shop manager, who is making her days so rosy? But you have to get your hands dirty if you want your garden to grow—and Neve’s secrets are as dark and dangerous as they come.

Even the worst of us need someone to come home to. And Jacob Mallory is the worst of all. Jake, a thrill-seeking psychopathic serial killer, has lived under the radar for years, operating within the city of New York, making kill after kill and emboldened by his lack of capture. But Jake has one big surprise coming his way. When he gets a call from the hospital to pick up a vulnerable patient, one who claims that Jake is his emergency contact, he feels like he's won the lottery. But is there more to Nathan McGuire than meets the eye?

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

Sixteen years ago, Brigit Weylan’s older sister, Emma, walked into the woods in their small hometown of Ellis Creek. She never walked out. People said she was troubled—in the months leading up to her death, she was convinced there was a monster in those trees. Marked by the tragedy, Brigit left town and never looked back.

HC3, the Hightower Course Correction Center, “recruits” LGBTQ+ people to participate in a program that will help them get the jobs they need to survive in the dystopic conditions of AMCONS City, center of a post-American territory run by a fascistic military. All they have to do is adopt cisgender, heterosexual identities. Ash, who is black, non-binary, and asexual, meets Aubrey, a white, trans, gay man, at a job fair where they face rejection after rejection… until they get recruited.

The Baroness, an infamous exploitation film long thought destroyed by Nazi fire, is discovered fifty years later. When lonely archivist Ellen Kramer—deeply closeted and pathologically repressed—begins restoring the hedonistic movie, it unspools dark desires from deep within her. As Ellen is consumed by visions and voices, she becomes convinced the movie is real, and is happening to her—and that frame by frame, she is unleashing its occult horrors on the world. Her life quickly begins to spiral out of control.

Suture shares three interweaving stories of artists tearing themselves open to make art. Each artist baffles their family, or harms their loved ones, with their necessary sacrifices. Eva's wife worries about her mental health; Finn's teenager follows in her footsteps, using forearm bones for drumsticks; Grace's network constantly worries about the prolific writer's penchant for self-harm, and the over-use of her vitals for art.