検索キーワード： 制作 "Penguin Audio" 家庭

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed. So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian.

Izzy Chen is dreading her family’s annual Chinese New Year celebration, where they all come together at a Michelin-starred restaurant to flaunt their status and successes in hopes to one up each other. So when her seventy-three-year-old glamorous and formidable grandmother walks in with a stunning woman on her arm and kisses her in front of everyone, it shakes Izzy to her core. She’d always considered herself the black sheep of the family for harboring similar feelings to the ones her Nainai just displayed.

The narrator of Middle Spoon appears to be living the dream: He has a doting husband, two precocious children, all the comforts of a quiet bourgeois life—and a sexy younger boyfriend to accompany him to farmers markets and cocktail parties. But when his boyfriend abruptly dumps him, he spirals into heartbreak for the first time and must confront a world still struggling to understand polyamorous relationships. Faced with the judgment of friends and the sting of rejection, he’s left to wonder if sharing a life with both his family and his lover could ever truly be possible.

At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs a women's retreat centre she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built.

Billington, Texas, is a place where nothing changes. Well, almost nothing. For the first time in nearly four decades, Mary Alice Roth is not getting ready for the first day of school at Billington High. A few months into her retirement—or, district mandated exile as she calls it—Mary Alice does not know how to fill her days.

If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife.

Intimacy has always eluded 27-year-old Maggie Krause - despite being brought up by married parents, models of domestic bliss - until, that is, Lucia came into her life. But when Maggie’s mom, Iris, dies in a car crash, Maggie returns home only to discover a withdrawn dad, an angry brother, and, along with Iris' will, five sealed envelopes, each addressed to a mysterious man she’s never heard of. In an effort to run from her own grief and discover the truth about Iris - who made no secret of her discomfort with her daughter's sexuality - Maggie embarks on a road trip.

Muriel is newly married and restless, transplanted from her rural Kansas hometown to life in a dusty bungalow in San Diego. The air is rich with the tang of salt and citrus, but the limits of her new life seem to be closing in: She misses her freethinking mother, dead before Muriel's 19th birthday, and her sly, itinerant brother-in-law, Julius, who made the world feel bigger than she had imagined. And so she begins slipping off to the Del Mar racetrack to bet and eavesdrop, learning the language of horses and risk.

Vivaan, a teenager in India’s silicon plateau, has discovered love on his smartphone. Intoxicating, boundary-breaking love. His parents know he is gay, and their support is something Vivaan can count on, but they don’t know what exactly their son gets up to in the online world. For his uncle, born thirty years earlier, things were very different. Mambro’s life changed forever when he fell for a male classmate at a time, and in a country, where the persecution of gay people was rife under a colonial-era law criminalising homosexuality.

It’s 2022, and Heron has just had the sort of visit to the doctor that turns a life upside down. He’s an old man, stuck in the habits of a quiet life. Telling Maggie, his only daughter, and the person his life has revolved around for so long, seems impossible. Heron can’t tell her about the diagnosis, and he can’t tell her all the other things he’s been keeping from her all these years either.

In the shadow of an ancient abbey nestled between rivers, Daniel is growing up. He is highly intelligent but little understood by his parents, and a secret passion burns inside him for love and recognition. When his father loses his job as the headmaster of the local school, his family stumbles into a rural life for which they are ill-prepared. Daniel’s sole solace is the arrival of Philip, a new boy at school, whom he worships with a confused intensity.

In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy’s life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami. In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss.

Newlywed Rosie has grown disenchanted with NYC. Inspired by Instagram ads, she starts thirsting for a rural life upstate—one full of beauty and authenticity. She just needs to convince her tech-bro husband, Jordan, of her vision for the future. Willing to do anything for Rosie’s happiness, Jordan signs on, and they offer—well above asking price—on a beautiful, historic fixer-upper in the Hudson Valley. But when Jordan suddenly loses his job, the couple is forced to rent out the property’s dilapidated outbuilding. There’s no heat, it’s overrun with mold, and nothing works.

Patrick O’Hara is back. It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sit-com comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a back seat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory.

It’s been a minute—or five years—since Jordan Vargas last saw his college friends, and twenty-eight years since their graduation from Berkeley when their adult lives officially began. Now Jordan, Jordy, Naomi, Craig, and Marielle find themselves at the brink of a new decade, with all the responsibilities of adulthood, yet no closer to having their lives figured out. Though not for a lack of trying. Over the years they’ve reunited in Big Sur to honor a decades-old pact to throw each other living “funerals,” celebrations to remind themselves that life is worth living.