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The trip was supposed to be fun. When Kit’s best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They’ll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she’s lost lately: her wildness, her independence, and—most heartbreaking of all—her sister, Julie, who died a few years ago.

Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us.

As a rebellious teenager, Honey managed to escape her father’s circle of influence and reinvent herself in a world of art and beauty, working for a high-end auction house in Los Angeles. Now in her twilight years, she decides to return home and unexpectedly falls in love. But in her family, nothing has changed. When her grandnephew Michael bursts into her life in what appears to be a drug-fueled frenzy, and her Lexus gets jacked, it’s hard to keep minding her own business. As old cruelties begin to resurface, Honey is no longer sure what she really wants—to forgive or to avenge.

It’s London, 2014, and Hal Lancaster, son and heir of Henry, Duke of Lancaster, is in a holding pattern: his mother is dead, his father is dying or remarrying or both, his siblings are fighting, his internship is pointless, and nobody will leave him alone. Everything is as it should be and yet nothing is right. Over the course of a year of partying, drinking, and flirting to dubious consequence, Hal is tested by brutal family legacies, Catholic guilt, and the terrifying possibility of being loved. The House of Lancaster will never be the same.

Clayton Stumper might be in his twenties, but he dresses like your grandpa and fusses like your aunt. Abandoned at birth on the steps of the Fellowship of Puzzlemakers, he was raised by a group of eccentric enigmatologists and now finds himself among the last survivors of a fading institution. When the esteemed crossword compiler and main maternal presence in Clayton’s life, Pippa Allsbrook, passes away, she bestows her final puzzle on him: a promise to reveal the mystery of his parentage and prepare him for life beyond the walls of the commune.

Riley is stuck —in a job she hates, a toxic relationship, and in life. She knows the relationship is bad for her, but she also can’t seem to let her go. After catching her girlfriend cheating, again, she finds comfort at her favorite bar, with her best friend by her side. After punching someone in the face and meeting a mysteriously gorgeous bartender, Riley thinks things may be changing. Sawyer is adventurous, sexy, and confident— all the things Riley yearns to be. And a sunrise motorcycle ride starts to give her hope that things can change.

Lady Mona Roughton ist keine Aristokratin, wie sie im Buche steht. Der geerbte Adelstitel kommt mit einem altehrwürdigen Anwesen, das mehr Risse hat als ihre Ehe mit dem verstorbenen Lord. Damit der Freigeist aus San Francisco ihr neues Leben im ländlichen England halten kann, wird das stattliche Easley House prompt zur gewinnbringenden Touristenfalle. Zum Glück steht ihr Adoptivsohn Wilfred zur Seite, der einst vor der Deportation durch Thatchers eiserne Legislation floh. Denn als die Amerikanerin Rhonda ein Zimmer mit ihrem Ehemann mietet, braucht Mona jede Hilfe, die sie kriegen kann.

When Eli Harpo was four, he underwent emergency open-heart surgery, flatlined on the operating table, and for a brief time, went to heaven and met Jesus. Or at least that's what his father, a loving but devout Baptist minister, has raised him to believe. Nine years later, Eli isn't so sure. His rounds with his father to evangelize at hospices and sell his father's self-published book, Heaven or Bust!, feel inauthentic and strange, especially now that he's started having sex dreams about Jesus.

In the genteel squares and stuccoed villas of late-Victorian Brighton, Ellen and Reynold Harper - twins, companions, colleagues, - ply their trade as portrait photographers. But at the golden hour, the girls arrive to pose for the lucrative - and dangerous - illicit photographs that really keep the Harpers' business afloat. This is the other, shadowy world of the city: a world of erotic tableaux, boundary-crossing music hall artistes, and the sinister figure of the local gangster, the Croc.

Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest.

Diego já sabe muito bem que seu irmão só liga para ele em duas situações: no Natal e quando precisa de um favor. Mas dessa vez, unindo o inútil ao desagradável, Diogo decide inovar e pede um favor natalino: que Diego seja o Papai Noel na festa da escola dos sobrinhos. O problema é que Diego odeia o Natal. E fazer favores. Fugindo de todas as comemorações e decidido a deixar o irmão se virar, Diego recebe a visita de três espíritos natalinos (tal qual Ebenezer Scrooge) que são a cara dos seus sobrinhos e trazem a mensagem de que o Natal quer fazer as pazes.

Diego espera tudo de ruim dos próprios parentes, mas tudo mesmo. Que o pai tenha uma segunda família. Que a mãe comande um esquema de tráfico humano. Que o irmão lave dinheiro. Por serem versados em todos os crimes do manual da família tóxica, Diego decidiu ser gay bem longe deles. E tudo vai muitíssimo bem, obrigado.

Kendall eventually had surgery against her grandmother's wishes and belief that all should happily accept what God gives one. She became a girl and went on to college, where she fell in love and married Margery, a bisexual woman. As if the drama in Kendall’s life wasn’t enough, Margery’s mother disagreed with her sexual status and relationship, while the father came out to reveal he is also bisexual.

The MacInnes family is grieving. The loss of Miranda has devastated her husband, John Andrew, her eldest daughter, Tammy, and her youngest child, Dawn. Not Donnie anymore but Dawn, like sunrise, who transitioned while her mother received cancer treatment—without the rest of the family knowing. Now, when Dawn leaves Halifax for rural Nova Scotia to attend her mother's funeral, she knows she'll be meeting her sister and father for the first time as herself.

Tall. Toned. Attractive. Women were drawn to her easy confidence and mystique. They wanted to be near her and would do anything for her. Sage Bristo enjoyed the attention and her reputation. But what she really needed was a woman of conviction and passion. The last thing Deanne Demore wants in her life is a modern day Don Juana. And she is not about to get caught up in a ruinous relationship. So why is she watching Sage Bristo? More importantly, why is her heart racing?

This novel follows the lives of a straight married couple: a workaholic husband, a strong-willed wife, and her younger, troubled gay brother. The hold these three characters have on each other takes on mythic proportions when one of them faces a serious illness. As their relationships take an unexpected turn—one that doesn't always make sense—the listener will come to understand how love, in all its forms, can be stretched, even beyond the grave.

In the late summer of 1913, George Sawle brings his Cambridge friend Cecil Valance, a charismatic young poet, to visit his family home. The weekend will be one of excitements and confusions for everyone, but it is on George’s sixteen-year-old sister Daphne that it will have the most lasting impact. As the decades pass, Daphne and those around her endure startling changes in fortune and circumstance, and as reputations rise and fall, the events of that long-ago summer become part of a legendary story.

It’s the final years of the Troubles in Northern Ireland, and Bríd and her sister, Ina, try to maintain a stable life in a divided country. Pushed by her mother’s fanaticism and a family tragedy, Bríd joins the IRA and makes a devastating choice. Frightened and guilt ridden, she flees, leaving behind Ireland and her family for America. Years later, her guilt and tragic history still buried, Bríd is an overprotective mother raising her sensitive daughter, Bernie, in Southern California.

Husbands Thomas and Matt are enjoying a second-chance marriage after coming out, leaving their wives, and finding happiness in a summer cottage on the southern coast of Maine. They’ve kept a tenuous peace with their exes. Thomas toils in the garden. There is an ease to their love. This is the way life should be. But it’s not long before their three children—each nearing adulthood and fleeing personal crises of their own—descend on their fathers’ bliss. The two-bedroom getaway has just enough space for Thomas and Matt’s future. Now they must make room for the past, and all its drama.

Families should grow, not shrink. It’s been on Jon’s mind since before he tied the knot with his millionaire lover, Cole. Now hoping to adopt, Jon and Cole search for a mother-to-be willing to let them love her baby. The interminable wait is already unbearable, and when Jon’s well-intentioned father invites Cole’s estranged mother to spend Christmas with them in Munich, the results are disastrous.