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Jim Provenzano's sixth novel, "Now I'm Here," is set in the small town of Serene, Ohio, in the 1970s and 80s. Two boys from different families Joshua, with his stable middle-class home in town, and David, raised by his alcoholic and abusive father on their isolated farm - discover, then lose, then find each other again. Thirty years later, as the town's history is slowly erased by fading memories and encroaching suburbia, their childhood friend, Eric Gottlund, tells the tale of their quiet heroism with poignancy and a sharp eye for detail.

After inexperienced seventeen-year-old Isaac loses his virginity through a dating app—a disappointing yet addictive experience—he spends his final months before university escaping into a dizzying new world of casual sex with forgettable men. This all changes when he meets twenty-eight-year-old Harrison at a party. Isaac is immediately infatuated by the handsome, charismatic artist, but while they grow closer, his sense of self becomes increasingly hazy

Walter Simmering is searching for love and purpose in a city he doesn’t realize is fading away—San Francisco in 1993, at the height of the AIDS epidemic and the dawn of the tech revolution. Out of college, out of the closet, and transplanted from the Midwest, Walter is irresistibly drawn from his shell when he meets Cary Menuhin and Sasha Stravinsky, a dynamic couple who live blithely beyond the boundaries of gender and sexuality.

Aquel verano vi mi primer muerto, morado, hinchado, guapo aún, con los rizos revueltos. Ahogado en la laguna, aunque quizás estaba ya muerto cuando se puso de pie. Muerto antes que ahogado, esto decían los del pueblo. Yo lo sigo viendo muchas noches, hermoso, amoratado y frío. Fosforescente. Por las algas, supongo. Con el pelo apelmazado por los coágulos de sangre ya medio seca. Tumbado boca arriba con los brazos extendidos. La boca semiabierta y los ojos cerrados. Rígido como los álamos en invierno.

Jessica Ann Stark, known as Jess, has lost the love of their life. A non-binary 20-something with a soft spot for girly girls, Jess has finally found the one: Emma Lee. The only problem is that she is dating their best bud, Rick. Watching Rick take Emma Lee from 19-year-old innocent high school dropout to a girl who needs to work "the program" takes its toll on Jess, who, when all is said and done, is left grieving and questioning everything.

Meet seventeen-year-old Noah York, the narrator of Bart Yates's astonishing debut novel. With a mouth like a truck driver and eyes that see through the lies of the world, Noah is heading into a life that's only getting more complicated by the day. His dead father is fading into a snapshot memory. His mother, the famous psycho-poet, has relocated them from Chicago to a rural New England town that looks like a bad advertisement for small-town America. And now, the very house he lives in is coming apart at the seams—literally—torn down bit by bit as he and his mother renovate the old Victorian.

Lizzy is your average teenager, not able to take a break from life's bad idea of a joke. Her life is hell, and her parents are the demons of her prison. One bad choice after another leads her to her ultimate demise: uncovering a secret that was hidden from her since birth.

August is a God-fearing track star who leaves Enugu City to attend university and escape his overbearing sisters. He carries the weight of their lofty expectations, the shame of facing himself, and the haunting memory of a mother he never knew. It's his first semester and pressures aside, August is making friends and doing well in his classes. He even almost has a girlfriend. There's only one problem: he can't stop thinking about Segun, an openly gay student who works at a local cybercafé.

City girl Luce May's first year out of high school has been the worst. When she escapes her turbulent life in Sydney to start over at a university in the middle of nowhere, the last thing she wants is anyone in her new life to know of her past. Especially that to escape her chaotic, alcoholic mother, Luce also had to abandon her teenage sister. As Luce slowly starts to find another version of herself in this place, she also finds a new family in her eclectic group of friends.

At a time when coming out of the closet is chic, it is certainly not that way for Brad Archer. After a traumatic sexual encounter in high school, Brad, now in college, is having trouble with romantic relationships. He has dates with girls that fail miserably and continues to have horrific nightmares about both his past and the fears for his future.

Set in the late 80s, early 90s, a time when feminism meant women could behave like men, and the gay community in London were coming out of the closet. A time of exciting change as Gen Xers were leading the way towards 3rd wave feminism, the ‘Women can have it all’ approach. That was the plan anyway. London was feeding the world the first inklings of ‘Cool Britannia’ Isabel is caught between the old static world of female conformity and the new world of female masturbation & gay porn. Under the wing of her big sister’s strident feminism, Isabel attempts to be a modern teen.

Growing up in the Black Country under Mrs Thatcher's iron grip, Jamie dreams of a life in a magical metropolis, rubbing shoulders with the mythical creatures from Smash Hits. Despite the quirky characters in his hometown and his mother's witty one-liners, Jamie's heart is set on something greater. Follow him through secondary school, teenage turmoil, and art school, where he falls in love with Billy and the allure of the big city.

Until twenty-four hours ago, Mickey Hayward was living the life she’d always dreamed of: Working as a full-time writer for a trendy media company (tick). In a committed, loving relationship (tick). Now she’s fired, tossed aside for a more ‘agreeable’ younger Black writer. Sick of always being overlooked and undervalued, she responds with an online letter detailing the racism she’s faced within the industry. But when it’s met with overwhelming silence, and her girlfriend suggests they go on a break, Mickey’s carefully crafted life starts to fall apart.

A bildungsroman set over three acts, Ponyboy is a quest for self-identity set among the art world of Paris and Berlin. In the first act, Ponyboy's eponymous narrator - a pill-popping, speed-snorting trans-masculine lightning bolt - unravels in his Paris apartment. Ponyboy is caught in a messy love triangle with Baby, a lesbian painter who can't see herself being with someone trans, and Toni, a childhood friend who can actually see Ponyboy for who he is. Strung out, Ponyboy follows Baby to Berlin in act two, where he sinks deeper into drugs and falls for a fellow writer.

Raised in a brothel at the edge of a dying empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs where the ‘wolves’ – prostitutes and slaves from every corner of the empire – conduct their business.

Eighteen-year-old Natalie has just arrived for her first year of university in Toronto, leaving her remote, forested hometown for an unfamiliar city. Everyone she encounters seems to know exactly who they are. Chatty, confident Clara from down the hall, who wants to be her friend; intense, determined Rachel from her poetry class, who is going to be a writer. Natalie doesn't know what she wants. She reads advice listicles and watches videos online and thinks about how to fit in, how to really become someone.

Shagun knows he will never be the kind of son his father demands. After the sudden deaths of his beloved twin sisters, Shagun flees his own guilt, his mother’s grief, and his father’s violent disapproval by enrolling at an all-boys boarding school. But he doesn’t find true belonging until he encounters a traveling theater troupe performing the Hindu myths of his childhood. Welcomed by the other storytellers, Shagun thrives, easily embodying mortals and gods, men and women, and living on the road, where his father can’t catch him.

Savannah "Sav" Henry is almost the person she wants to be, or at least she's getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.

Eighteen-year-old Natalie has just arrived at her first year of university in Toronto, leaving her remote, forested hometown for the big, impersonal city. Everyone she encounters seems to know exactly who they are. She reads advice listicles and watches videos online and thinks about how to fit in, how to really become someone, whoever that might be. And then she meets Nora, an older woman who takes an unexpected interest in her, and is drawn unstoppably into Nora’s orbit.

It's 1984 in The Valleys, South Wales, and Eluned Hughes is stuck. The miners' strikes are ravaging her family and community, and her boyfriend of six years, Lloyd, is starting to bring up marriage more than she would like. She spends her days selling shoes, listening to Madonna, and trying to hold it all together. Meanwhile, Eluned's clever and precocious little sister, Mabli, thinks she knows it all. Mabli takes her older, moneyed, Thatcherite, policeman boyfriend, Graham, as the ticket out of her working class reality.