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Growing up in the Black Country under Mrs Thatcher's iron grip, Jamie dreams of a life in a magical metropolis, rubbing shoulders with the mythical creatures from Smash Hits. Despite the quirky characters in his hometown and his mother's witty one-liners, Jamie's heart is set on something greater. Follow him through secondary school, teenage turmoil, and art school, where he falls in love with Billy and the allure of the big city.

Raised in a brothel at the edge of a dying empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs where the ‘wolves’ – prostitutes and slaves from every corner of the empire – conduct their business.

Eighteen-year-old Natalie has just arrived for her first year of university in Toronto, leaving her remote, forested hometown for an unfamiliar city. Everyone she encounters seems to know exactly who they are. Chatty, confident Clara from down the hall, who wants to be her friend; intense, determined Rachel from her poetry class, who is going to be a writer. Natalie doesn't know what she wants. She reads advice listicles and watches videos online and thinks about how to fit in, how to really become someone.

Eighteen-year-old Natalie has just arrived at her first year of university in Toronto, leaving her remote, forested hometown for the big, impersonal city. Everyone she encounters seems to know exactly who they are. She reads advice listicles and watches videos online and thinks about how to fit in, how to really become someone, whoever that might be. And then she meets Nora, an older woman who takes an unexpected interest in her, and is drawn unstoppably into Nora’s orbit.

It's 1984 in The Valleys, South Wales, and Eluned Hughes is stuck. The miners' strikes are ravaging her family and community, and her boyfriend of six years, Lloyd, is starting to bring up marriage more than she would like. She spends her days selling shoes, listening to Madonna, and trying to hold it all together. Meanwhile, Eluned's clever and precocious little sister, Mabli, thinks she knows it all. Mabli takes her older, moneyed, Thatcherite, policeman boyfriend, Graham, as the ticket out of her working class reality.

Tucker, with the help of his new assertive friend Kiara, must learn to balance his newfound freedom with school and a job, and if he meets a cute boy on the way, then that's just an added bonus. Paint is a story of self-discovery, of queerness outside the family-friendly safety net of a high school drama, and of drag queens when you need them the most.

After years of severed communication, Justin appears on his sister’s doorstep needing a place to stay. The home he's made for himself has collapsed, as has everything else in his life. When they were children, Willa played the role of her brother’s protector, but now, afraid of the chaos he might bring, she’s reluctant to let him in.

When 79-year-old Arthur gathers his family together to share some important news, no one is prepared for the bombshell he drops: he's gay, and after a lifetime in the closet, he's about to come out. Arthur's daughter, Elizabeth, storms out. She swears that she won't have anything to do with her father again—and she forbids her children from seeing him too. Arthur's 21-year-old grandson, Teddy, has a secret of his own: he's also gay, and developing serious feelings for his colleague Ben. But Teddy doesn't feel remotely ready to come out yet.

Elsie is out of options. She's exhausted from being pushed in and out of social housing, she's deflated by debt and she's disturbed by the dark reality of having bailiffs show up at her door. With nowhere to go, there's only one person left to turn to: her best friend, Juliet. She finds friendship and safety in Juliet's flat, but when Elsie loses her bar job and all creative inspiration for her poetry dries up, she hits rock bottom.

In 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers except for one secret: He sees a hallucinatory double, an imaginary friend who seems absolutely real, a shape-shifting familiar he calls Brother. 

Vasco Brondi dà voce all'opera prima di Pier Vittorio Tondelli, una raccolta di racconti, pubblicata nel 1980 che l'autore definiva come "romanzo a episodi". L'iniziazione alla vita, al sesso, ai sentimenti, alla droga e al viaggio di quella generazione che è stata la protagonista del movimento del Settantasette. 

Two young women attending college decide to have a summer adventure canoeing the rapids-strewn Thelon River that runs 450 miles through the uninhabited Barren Lands of subarctic Canada. Holly made the trip once before with a group of skilled paddlers she trained with at camp, and she wants to share that experience with her friend and lover, Lee, believing it will draw them closer. But a week in, Holly, the risk-taker, falls while taking a selfie near the edge of a cliff. She is left injured and comatose, and soon dies.

At age 16, Fahad hopes to spend the summer with his mother in London. His father, Rafik, has other plans: hauling his son to Abad, the family's feudal estate. Rafik wants to toughen up his sensitive boy, to teach him about power, duty, family—to make him a man. He enlists Ali, a local teenager, in this project, hoping his presence will prove instructive. Instead, over the course of one hot indolent season, attraction blooms between the two boys, and Fahad finds himself seduced by the wildness of the land and its inhabitants.

Cambridge, 1994. Professor Don Lamb is a revered art historian at the height of his powers, consumed by the book he is writing about the skies of the Venetian master Tiepolo. However, his academic brilliance belies a deep inexperience of life and love. When an explosive piece of contemporary art is installed on the lawn of his college, it sets in motion Don's abrupt departure from Cambridge to take up a role at a south London museum. There he befriends Ben, a young artist who draws him into the anarchic 1990s British art scene and the nightlife of Soho.

Thora, August and Hugo come from different worlds—one an art school dreamer, one a wealthy scion of the old elite and one an ordinary boy from out of town. But over the course of two sky-blue summers in Stockholm, they are drawn together magnetically. The novel opens years later, when Hugo, long estranged from Thora and August, is visited by their daughter—who has questions about her parents that she believes Hugo can answer—and the memories of those luminous days come flooding back.

It is June and our ten-year-old heroine is sad. She knows she will not get to leave her neighbourhood that summer, and the beach is far, far away. And that clouds like the bottom of a donkey's belly will hover all summer over her town, high among the volcanoes of northern Tenerife. But she has a best friend, Isora. And she likes everything about Isora. The colour of her arms and her hair and her eyes. Her handwriting and the way she writes the letter g with a huge tail. The way she calls her Shit because poop is a beautiful thing like the mist round the pines.

Amar can’t wait to tell everyone his wonderful news: he’s found The One, and he’s getting married. But it turns out announcing his engagement on a group chat might not have been the best way to let his strict Muslim Bangladeshi family know that his happy-ever-after partner is a man—and a white man at that. 

By the time Lou turns eighteen, modeling agents across Portland have scouted her for her striking androgynous look. Lou has no interest in fashion or being in the spotlight. She prefers to take photographs, especially of Ivy, her close friend and secret crush. But when a hike ends in a tragic accident, Lou finds herself lost and ridden with guilt. Determined to find a purpose, Lou moves to New York and steps into the dizzying world of international fashion shows, haute couture, and editorial shoots. 

Introvert Gina Mulley is determined to become a tattoo artist, and to find somewhere she belongs in her conventional Long Island town. But this is 1985, when tattooing is still a gritty, male-dominated fringe culture, and Gina’s whimsical style is far from the norm. Luck is on her side: Gina’s older brother Dominic owns a tattoo shop, and he reluctantly grants her one year to prove herself.

Maria Griffiths is almost thirty and works at a used bookstore in New York City while trying to stay true to her punk values. She’s in love with her bike but not with her girlfriend, Steph. She takes random pills and drinks, but doesn’t inject anything except, when she remembers, estrogen, because she’s trans. Everything is mostly fine until Maria and Steph break up, sending Maria onto a cross-country trek. She ends up in the backwater town of Star City, Nevada, where she meets James, who is probably but not certainly trans, and who reminds Maria of her younger self.