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Despite coming out years ago, twenty-six-year-old Sean Preston has never been one to shout his sexuality from the rooftops. When his relationship of three months comes to a humiliating end, he vows never to become emotionally attached again, falling into a cycle of hook-ups, booze and an unrelenting gym routine. The rest of Sean's life isn't panning out how he hoped either.

Ted Ainsworth has always worked at his family's ice cream business in the quiet Lancashire town of St Luke's-on-Sea. He doesn't even like ice cream, though he's never told his parents that. When Ted's husband suddenly leaves him, the bottom falls out of his world. But what if this could be an opportunity to put what he wants first? This could be the chance to finally follow his secret dream: something Ted has never told anyone.

When Paul enters university in early 1970s Pittsburgh, it’s with the hope of moving past the recent death of his father. Sensitive, insecure, and incomprehensible to his grieving family, Paul feels isolated and alone. When he meets the worldly Julian in his freshman ethics class, Paul is immediately drawn to his classmate’s effortless charm. Paul sees Julian as his sole intellectual equal — an ally against the conventional world he finds so suffocating.

The year is 1986, and Yurka Konev, 16, has been sent off for another summer at Pioneer Camp. Impulsive, forthright, and unfairly branded as a troublemaker, he anticipates the weeks ahead of him with boredom and dread. But when he’s pushed into working on the camp’s theater production, he meets serious, thoughtful troop leader Volodya. Yurka finds himself drawn to the slightly older boy, and, surprisingly, Volodya seems to like him, too. The two boys grow closer and closer, and though both fear the consequences of their illegal attraction, its gravity pulls them together.

Chase never had many friends, but at college, he meets and forms close ties with straight jock Tyler Davidson—a connection he fears he’ll lose if he tells Tyler he’s gay. Keeping his sexuality secret becomes harder for Chase as he joins Tyler and his family at their idyllic lake house for the summer. It grows more and more difficult for Chase to avoid Tyler’s attempts to set him up with girls, and he’s tired of making excuses. Chase is ready to embrace the man he is, but he’s afraid of what it will cost him.

Alison is mired in loneliness and grief. Freshly twenty-three and mourning the loss of her younger sister, who has drowned at sea, she’s moved out of her hometown and into a cramped apartment on New York’s Lower East Side. Now she’s living the cliché—barely making rent as a restaurant hostess, avoiding her roommates, and watching the bright, busy passersby from her bubble of grief. She doesn’t need originality; she just needs to be alive. So why does she feel she isn’t truly living? Until late one night, when she rounds the corner and sees a shape in the air—a ghost.

It’s the summer of ’96 and best friends (and secret girlfriends), Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.

It’s 2003, and artist Dawn Levit is stuck. A bookbinder who works in conservation at the Met, she spends her free time scouting the city’s street art, hoping something might spark inspiration. Instead, everything looks like a dead end. And art isn’t the only thing that feels wrong: wherever she turns, her gender identity clashes with the rest of her life. Her relationship, once anchored by shared queerness, is falling apart as her boyfriend Lukas increasingly seems to be attracted to Dawn only when she’s at her most masculine.

Benson and Mike are two young guys who live together in Houston. Mike is a Japanese-American chef at a Mexican restaurant and Benson's a Black day-care teacher, and they've been together for a few years - good years - but now they're not sure why they're still a couple. There's the sex, sure, and the meals Mike cooks for Benson, and, well, they love each other. But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives in Texas for a visit, Mike picks up and flies across the world to say good-bye.

Ray Shepard is a wealthy architect who has mystified his friends by marrying Evelyn, a woman who works at a nail salon. Evelyn, in turn, hides a secret past about her former life in the circus, her ex-husband's mysterious death, and the colorful tattoos she carefully conceals under her clothes. When Evelyn starts to cave under the pressure of living in Ray's rarified world, she suggests they take in Ingrid, a 16-year-old girl with blue hair, a pet iguana, and no place to stay for the summer.

In many ways, twelve-year-old Artem’s life in Chernihiv, Ukraine, is normal. He spends his days helping on his grandfather’s sunflower farm, drawing in his sketchbook—a treasured gift from his father, who works in America—and swimming in the river with his little brother, Yuri. In secret, Artem has begun wrestling with romantic feelings for his best friend, Viktor. In a country where love between two boys is unthinkable, Artem has begun to worry that growing up, his life will never be normal.

Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world.

Travesti este un studiu de caz despre un copil hermafrodit, dar şi o explorare a întunecatei sexualităţi adolescentine. Mai presus de orice, însă, acest mic roman, care m-a obsedat şi m-a chinuit mai mult decât orice altă carte a mea, e anabasis-ul meu, drumul meu ascuns şi întortochiat către centrul adânc îngropat al fiinţei mele. Travesti este şi portalul către Orbitor. Trilogia mea n-ar fi putut exista fără exerciţiul de sinceritate aproape sinucigaşă de aici. Nu e uşor să afli cine eşti, nici să te priveşti în ochi după ce ai aflat.

It is 1998; Lilith, Sash, and Abraxa are teenagers, and they are making Saga of the Sorceress, a game that will change everything, if only for the three of them. 18 years later, Saga of the Sorceress still exists only on the scattered drives of its creators.

Jim Provenzano's sixth novel, "Now I'm Here," is set in the small town of Serene, Ohio, in the 1970s and 80s. Two boys from different families Joshua, with his stable middle-class home in town, and David, raised by his alcoholic and abusive father on their isolated farm - discover, then lose, then find each other again. Thirty years later, as the town's history is slowly erased by fading memories and encroaching suburbia, their childhood friend, Eric Gottlund, tells the tale of their quiet heroism with poignancy and a sharp eye for detail.

After inexperienced seventeen-year-old Isaac loses his virginity through a dating app—a disappointing yet addictive experience—he spends his final months before university escaping into a dizzying new world of casual sex with forgettable men. This all changes when he meets twenty-eight-year-old Harrison at a party. Isaac is immediately infatuated by the handsome, charismatic artist, but while they grow closer, his sense of self becomes increasingly hazy

Walter Simmering is searching for love and purpose in a city he doesn’t realize is fading away—San Francisco in 1993, at the height of the AIDS epidemic and the dawn of the tech revolution. Out of college, out of the closet, and transplanted from the Midwest, Walter is irresistibly drawn from his shell when he meets Cary Menuhin and Sasha Stravinsky, a dynamic couple who live blithely beyond the boundaries of gender and sexuality.

Aquel verano vi mi primer muerto, morado, hinchado, guapo aún, con los rizos revueltos. Ahogado en la laguna, aunque quizás estaba ya muerto cuando se puso de pie. Muerto antes que ahogado, esto decían los del pueblo. Yo lo sigo viendo muchas noches, hermoso, amoratado y frío. Fosforescente. Por las algas, supongo. Con el pelo apelmazado por los coágulos de sangre ya medio seca. Tumbado boca arriba con los brazos extendidos. La boca semiabierta y los ojos cerrados. Rígido como los álamos en invierno.

It’s the new millennium and the anxiety of midlife is creeping up on Sam Singer, a thirty-seven-year-old art advisor. Fed up with his partner and his life in New York, Sam flies to Berlin to attend a gallery opening. There he finds a once-divided city facing an identity crisis of its own. In Berlin the past is everywhere: the graffiti-stained streets, the candlelit cafés and techno clubs, the astonishing mash-up of architecture, monuments, and memorials.

Written in a Yorkshire dialect that brings a place and its people magnificently to life, We Pretty Pieces of Flesh takes you by the hand and drags you through Doncaster’s schoolyards, alleyways and nightclubs, bringing back the intimate treachery of adolescence and how we betray ourselves when we don’t trust our friends. Like The Glorious Heresies and Shuggie Bain, it tracks hard-edged lives and makes them sing, turning one overlooked and forgotten place into the very centre of the world.