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Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door.

It is 2015, weeks after the Supreme Court marriage equality ruling. A high school art history teacher, Sebastian Mote envies his queer students and their freedom to live openly the youth he lost to fear and shame. When he runs into his childhood friend Oscar Burnham at a wedding in Washington, DC, he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in more than a decade. But Oscar has no interest in their shared history, nor in the sense of belonging Sebastian craves. Instead, he’s outraged by what he sees as the death of gay culture.

1972. Ten years on from the events of The Miseducation of Evie Epworth and Evie is settled in London working for the BBC. She has everything she's ever dreamed of (a career, a leatherette briefcase, an Ossie Clark poncho) but, following an unfortunate incident involving Princess Anne and a Hornsea Pottery mug, she finds herself having to rethink her life and piece together work, love, grief and multiple pairs of cork-soled platform sandals.

A punto de cumplir 30 años, Simón se traslada a vivir a Nueva York con muchas ilusiones, algunos remilgos y poco dinero. Con su labor de periodista como arma para codearse con las altas esferas y su perfil en Grindr como llave para divertirse con las bajas, Simón conocerá también a sus amigos Carlos y Tomás, cómplices en las mieles del hedonismo y los sinsabores de la emigración. Un camino luminoso de placer y sensibilidad en una ciudad donde el costumbrismo es sinónimo de frenesí y la infinidad de estímulos se parece quizá demasiado a la soledad.

Una volante pattuglia le strade di Genova. Mentre un fiume di vestiti colorati, bandiere arcobaleno e cartelli sui diritti dell'amore scorre nel centro della città, Paolo Pastorino - quarantasei anni e la divisa da sempre - cerca con gli occhi sua figlia. Se lei lo vedesse lì, dall'altra parte della barricata, andrebbe su tutte le furie. Giada ha sedici anni e ha appena trovato il coraggio di dirgli che le piacciono le ragazze.

In 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers except for one secret: He sees a hallucinatory double, an imaginary friend who seems absolutely real, a shape-shifting familiar he calls Brother.

At age sixteen, Fahad hopes to spend the summer with his mother in London. His father, Rafik, has other plans: hauling his son to Abad, the family’s feudal estate in upcountry, Pakistan. Rafik wants to toughen up his sensitive boy, to teach him about power, duty, family—to make him a man. He enlists Ali, a local teenager, in this project, hoping his presence will prove instructive.

At age 16, Fahad hopes to spend the summer with his mother in London. His father, Rafik, has other plans: hauling his son to Abad, the family's feudal estate. Rafik wants to toughen up his sensitive boy, to teach him about power, duty, family—to make him a man. He enlists Ali, a local teenager, in this project, hoping his presence will prove instructive. Instead, over the course of one hot indolent season, attraction blooms between the two boys, and Fahad finds himself seduced by the wildness of the land and its inhabitants.

Thora, August and Hugo come from different worlds—one an art school dreamer, one a wealthy scion of the old elite and one an ordinary boy from out of town. But over the course of two sky-blue summers in Stockholm, they are drawn together magnetically. The novel opens years later, when Hugo, long estranged from Thora and August, is visited by their daughter—who has questions about her parents that she believes Hugo can answer—and the memories of those luminous days come flooding back.

Amar can’t wait to tell everyone his wonderful news: he’s found The One, and he’s getting married. But it turns out announcing his engagement on a group chat might not have been the best way to let his strict Muslim Bangladeshi family know that his happy-ever-after partner is a man—and a white man at that.

Introvert Gina Mulley is determined to become a tattoo artist, and to find somewhere she belongs in her conventional Long Island town. But this is 1985, when tattooing is still a gritty, male-dominated fringe culture, and Gina’s whimsical style is far from the norm. Luck is on her side: Gina’s older brother Dominic owns a tattoo shop, and he reluctantly grants her one year to prove herself.

Vasco Brondi dà voce all'opera prima di Pier Vittorio Tondelli, una raccolta di racconti, pubblicata nel 1980 che l'autore definiva come "romanzo a episodi". L'iniziazione alla vita, al sesso, ai sentimenti, alla droga e al viaggio di quella generazione che è stata la protagonista del movimento del Settantasette.

By the time Lou turns eighteen, modeling agents across Portland have scouted her for her striking androgynous look. Lou has no interest in fashion or being in the spotlight. She prefers to take photographs, especially of Ivy, her close friend and secret crush. But when a hike ends in a tragic accident, Lou finds herself lost and ridden with guilt. Determined to find a purpose, Lou moves to New York and steps into the dizzying world of international fashion shows, haute couture, and editorial shoots.

Cambridge, 1994. Professor Don Lamb is a revered art historian at the height of his powers, consumed by the book he is writing about the skies of the Venetian master Tiepolo. However, his academic brilliance belies a deep inexperience of life and love. When an explosive piece of contemporary art is installed on the lawn of his college, it sets in motion Don's abrupt departure from Cambridge to take up a role at a south London museum. There he befriends Ben, a young artist who draws him into the anarchic 1990s British art scene and the nightlife of Soho.

It is June and our ten-year-old heroine is sad. She knows she will not get to leave her neighbourhood that summer, and the beach is far, far away. And that clouds like the bottom of a donkey's belly will hover all summer over her town, high among the volcanoes of northern Tenerife. But she has a best friend, Isora. And she likes everything about Isora. The colour of her arms and her hair and her eyes. Her handwriting and the way she writes the letter g with a huge tail. The way she calls her Shit because poop is a beautiful thing like the mist round the pines.

Two young women attending college decide to have a summer adventure canoeing the rapids-strewn Thelon River that runs 450 miles through the uninhabited Barren Lands of subarctic Canada. Holly made the trip once before with a group of skilled paddlers she trained with at camp, and she wants to share that experience with her friend and lover, Lee, believing it will draw them closer. But a week in, Holly, the risk-taker, falls while taking a selfie near the edge of a cliff. She is left injured and comatose, and soon dies.

Maria Griffiths is almost thirty and works at a used bookstore in New York City while trying to stay true to her punk values. She’s in love with her bike but not with her girlfriend, Steph. She takes random pills and drinks, but doesn’t inject anything except, when she remembers, estrogen, because she’s trans. Everything is mostly fine until Maria and Steph break up, sending Maria onto a cross-country trek. She ends up in the backwater town of Star City, Nevada, where she meets James, who is probably but not certainly trans, and who reminds Maria of her younger self.

Morgan Flowers just wants to hide. Raised by their neurodivergent father, Morgan has grown up haunted by the absence of their mysterious mother, Zoe, especially now, as they navigate their gender identity and the turmoil of first love. Their father, Julian, has raised Morgan with care, but he can’t quite fill the gap left by the dazzling and destructive Zoe, who fled to Europe on Morgan’s first birthday. And when Zoe is dumped by her girlfriend Brigid, she suddenly comes crashing back into Morgan and Julian’s lives.

I corpi minori sono corpi celesti di dimensioni ridotte: asteroidi, meteore, comete, ma in questo romanzo "minori" sono tutti i corpi osservati sotto la lente del desiderio. Desiderio che fa gravitare i personaggi attorno ai sogni e alle ambizioni di una vita, o solo di una stagione. Come accade al protagonista, che all'inizio della storia ha vent'anni, più di un talento ma poca perseveranza. Di una cosa però è sicuro, vuole andarsene da Rozzano, percorrere in senso inverso i tre chilometri e mezzo di via dei Missaglia, lasciarsi alle spalle l'insignificanza e la marginalità.

Ein virtuoser Roman über einen Jungen, der in Russland bei einem homosexuellen Paar aufwächst. Mikita wird nach dem Tod seiner Mutter von ihrem Bruder adoptiert, er ist fünf Jahre alt. Mit Slawa und dessen Partner Lew genießt er eine fröhliche Kindheit. Aber mit der Einschulung beginnt das Versteckspiel, das Lügen. Wenn Besuch kommt, müssen Fotos weggeräumt, in Aufsätzen müssen Dinge verschwiegen oder erfunden werden, und Mikita schlagen Vorurteile entgegen. Er verliert seinen Frohsinn, wird wütend, aggressiv, depressiv.