検索キーワード： 女性学

Desató un deseo dormido: hablar. Quien calla es un cómplice en el cuento, de ahí nace este libro. Las historias son para contarse y así cobrar vida propia. En este práctico y profundo libro, Ana Goffin nos enseña que, aunque la adversidad toca nuestras vidas, siempre es posible salir adelante. La violencia contra las mujeres en México y Latinoamérica es un problema aún severo, mismo que se agudiza en el panorama internacional de la crisis del COVID-19—entre enfermedad, dificul—tades económicas y miedo.

It is rare that we have all the training we need before we face a life-changing event in our lives. Each of the women whose stories are told in Over, Under, Around, and Through by Jill Tietjen and Ellie Greenberg, demonstrate the strength, creativity, persistence, and fortitude they used to figure out a way forward.

Del origen del patriarcado a la revolución feminista del siglo XIX.

We are part of a system that was founded on inequality and drastic power imbalance. Of course, many things are better than they were. But the age of social media has dramatically exposed truths previously hidden. In this collection of essays, covering subjects from porn to the patriarchy, Soma Sara draws a line between the different facets of our society that enable inequality to flourish. The scale of the problem is vast, and deeply entrenched in all of us.

A staunch feminist of mixed-race heritage, Hanna has succeeded in an industry not designed for people like her. Interweaving anecdotes from familial and personal experiences—episodes of messy sex, introspection, and that time actor Vincent D'Onofrio tweeted that Hanna Flint sounded 'like a secret agent'—she offers a critical eye on the screen's representation of women and ethnic minorities, their impact on her life, body image and ambitions, with the humour and eloquence that has made her a leading film critic of her generation.

On Friday 24 June 2022, women's rights suffered an extraordinary and unprecedented blow. Five US Supreme Court justices made a decision that will impact millions of lives for years to come. In this gripping blend of reportage and history, journalist Becca Andrews tells the story how we have arrived at this devastating turning point. No Choice introduces the origin of abortion and its practice in global cultures, before focusing its gaze on the battle that has been waged for the past century across America.

En este libro, Catalina Ruiz-Navarro, una de las voces más destacadas de este movimiento en Latinoamérica, recorre, a partir de un testimonio profundamente honesto y agudo, un camino que aborda el cuerpo, el poder, la violencia, el sexo, la lucha activista y el amor. A su vez, once heroínas, entre las que se cuentan María Cano, Flora Tristán, Hermila Galindo y Violeta Parra, bellamente retratadas por Luisa Castellanos, alzan la voz y evidencian que hablar de feminismos es necesario, es importante, es la resistencia.

Deborah Levy arranca estas memorias recordando la etapa de su vida en que rompía a llorar cuando subía unas escaleras mecánicas. Esemovimiento inocuo la llevaba a rincones de su memoria a los que no quería volver. Son esos recuerdos los que forman Cosas que no quiero saber, el inicio de su «autobiografía en construcción». Esta primera parte de lo que será un tríptico sobre la condición de ser mujer nace como respuesta al ensayo «Por qué escribo», de George Orwell. Sin embargo, Levy no viene a dar respuestas.

October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990.” It’s been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend.

When Camonghne Felix goes through a monumental breakup, culminating in a hospital stay, everything—from her early childhood trauma and mental health to her relationship with mathematics—shows up in the tapestry of her healing. In this exquisite and raw reflection, Felix repossesses herself through the exploration of history she’d left behind, using her childhood “dyscalculia”—a disorder that makes it difficult to learn math—as a metaphor for the consequences of her miscalculations in love.

This book is about a movement. A movement made up of women and men around the world who are no longer afraid to speak out about violence, abuse, harassment, sexism, abuse of power and patriarchy. A movement which started with the courage of a number of women in the media and advertising industries and has spread across countries, industries and social class. This movement has uncovered the global scale of gender discrimination, sexual abuse and exploitation which women and girls face. As the years have passed, the movement has grown.

In 2018, boundary-breaking visual and sonic artist Cosey Fanni Tutti received a commission to write the soundtrack to a film about Delia Derbyshire, the pioneering electronic composer who influenced the likes of Aphex Twin and The Chemical Brothers. While researching Derbyshire's life, Tutti became immersed in her story and uncovered fascinating parallels with her own life. At the same time, Tutti began reading about Margery Kempe, the fifteenth-century mystic visionary who wrote the first English-language autobiography. The connections between the three women soon shifted into focus.

"Respondona" trata sobre el significado de la conciencia feminista en la vida diaria, la recuperación personal, la superación de la supremacía blanca y masculina, las relaciones íntimas y, todo ello, explorando el punto donde lo público y lo privado se encuentran. Cuando era niña, bell hooks aprendió que dirigirse de igual a igual a una figura de autoridad y atreverse a estar en desacuerdo o a dar una opinión significaba ser "respondona". En esta colección de ensayos tan personales como teóricos, hooks reflexiona sobre sus temas clásicos.

The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the “Dark” Ages were anything but.

De la grossesse à la charge mentale, en passant par l'accouchement et la place du père dans le quotidien... Un livre drôle et cash pour libérer la parole des mères et aider les femmes à se poser les bonnes questions pour se réapproprier leur parcours de maternité. Votre gynéco est-il obligé de vous tâter le col à chaque visite de suivi de grossesse ? Pourquoi les mères se retrouvent-elles préposées au caca ? Si elles sont si fatiguées, est-ce parce qu'elles sont mal organisées ?

Meet the mystical women and nonbinary people from US history who found strength through the supernatural—and those who are still forging the way today. From the celebrity spirit mediums of the nineteenth century to contemporary activist witches hexing the patriarchy, women have long used magic and mysticism to seize the power they’re so often denied. Organized around different approaches women have taken to the occult over the decades, this book shines a light on underappreciated magical pioneers.

¿Quién dijo que convertirse en una mujer de mediana edad iba a ser una tarea fácil? Caitlin Moran, que arrasó con aquel tronchante y lúcido manifiesto de feminismo asilvestrado titulado Cómo ser mujer, regresa con una secuela que desmonta la teoría de que segundas partes nunca fueron buenas, dada la espectacularidad de esta. Si en la anterior entrega hablaba la joven Caitlin, aquí es la cuarentona la que vuelve a la carga. Ahora las experiencias vitales son otras y han cambiado algunas prioridades y puntos de vista, pero la pluma con la que escribe sigue afiladísima.

With chapters covering sexual and cultural identity, body hair, colourism and mental health, and a particular focus on the suffocating beauty standards South Asian women are expected to adhere to, Sharan Dhaliwal speaks openly about her journey toward loving herself, offering advice, support and comfort to people that are encountering the same issues.

Claudia Palacios entrevistó a 83 mujeres de todo tipo, desde estudiantes de colegio hasta la última sobreviviente de la lucha por el voto femenino en los años cincuenta, pasando por artistas, emprendedoras, militares, pioneras, políticas, religiosas, víctimas de violencia, para crear un auténtico coro de voces que da cuenta de lo que representa ser mujer en este momento en Colombia.

Drawing on examples from around the world—from Uganda, Nigeria and South Africa to Saudi Arabia, the Americas and Europe—Gqola traces the construction and machinations of the female fear factory by exposing its lies, myths and seductions. She shows how seemingly disparate effects like driving bans, higher education rape, sexual harassment and femicide are all premised on the construction of people, mostly women, as female, and thereafter the use of fear as a tool of patriarchal subjugation and punishment.