検索キーワード： 制作 "Audible studios" 女性学

It was the 1960s - a time of economic boom and social strife. Young women poured into the workplace, but the “Help Wanted” ads were segregated by gender and the “Mad Men” office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek, renowned for its cutting-edge coverage of civil rights and the “Swinging Sixties.” Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job - for a girl - at an exciting place. But it was a dead end.

What does it mean to grow up with pink bits between your legs? Writer Kat George takes you on a journey of self-discovery from the moment you're pushed out of a vagina, to the moment you realize you have one, and the ongoing struggle of figuring out what it all means. From her first period, to sex in a hostel cloakroom, to fully lucid cervical biopsies, Kat's charming, sometimes painful yet hilarious stories of feminine exploration will have you giggling, squirming, and hopefully feeling a little bit less alone when you're face-to-face with your own sexuality.

Women are standing up and #shoutingback. In a culture that's driven by social media, for the first time women are using this online space (@EverydaySexism www.everydaysexism.com) to come together, share their stories, and encourage a new generation to recognise the problems that women face. This book is a call to arms in a new wave of feminism and it proves sexism is endemic - socially, politically, and economically. But women won't stand for it.

We worry putting our family first means we'll be forced to abandon our careers. We're afraid if we pause our careers, we'll be forever off track. This thinking is outdated - forget what you've heard about how pauses are career limiting, about how those who pause lack ambition, or that if you do pause you won't be able to reenter the paid workforce. That's a flawed reality, one that doesn't reflect the truth of the careers of some of the most successful women in this country. Author Lisen Stromberg knows this success firsthand.

The bestselling classic that redefined our view of the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, however, writer and journalist Naomi Wolf is troubled by a different kind of social control, which, she argues, may prove just as restrictive as the traditional image of homemaker and wife.

In The Problem with Rich Women, Gloria Steinem explores how and why feminism failed to reach women in powerful families, and provides an urgent and persuasive argument for rebellion among upper-class women.

In the first six weeks after her son was born, Jamila Rizvi felt isolated, exhausted and frustrated - as if the world she knew had disappeared forever. Then her salvation came in the form of a letter. A dear friend - who had been there herself - wrote to tell her that she would get through this. That she was seen and supported. That she was not alone. Now Jamila wants to pay it forward to other new mothers.

An international TED Talk speaker, Tony Porter challenges manhood and male socialization, which he defines as the "man box". Tony Porter works closely with the NFL, the NBA, the MLB, the US military, colleges, universities, and numerous other organizations to prevent violence against women and girls by promoting healthy, respectful manhood.

Online sensation, fearless feminist heroine and scourge of trolls and misogynists everywhere, Clementine Ford is a beacon of hope and inspiration to thousands of Australian women and girls. Her incendiary debut, Fight Like a Girl, is an essential manifesto for feminists new, old and soon to be and exposes just how unequal the world continues to be for women.

Quando si tratta di discriminare la donna, le principali religioni monoteiste sono tutte d'accordo. Ogni donna sarà etichettata come figlia di Maria o figlia di Eva: la donna è l'origine del peccato, la tentatrice che seduce e porta alla perdizione. E allora la religione, alibi del patriarcato, serve per opprimere e sconfiggere, secolo dopo secolo, millennio dopo millennio; e allora serve un dio maschio, un figlio di dio maschio, un profeta maschio, sacerdoti maschi.

Per Papa Francesco, Eva è stata vittima di una fake news uscita dalla bocca del serpente. A quanto pare, da allora le bufale non hanno smesso di rovinare le donne, visto che ancora oggi se una ha subito molestie si scrive che ci ha fatto carriera, mentre se uno ammazza la moglie per i giornali ha agito in preda a una rabbia momentanea. Ma le vittime di questi abusi dell'informazione non sono solo i corpi delle donne: quando si parla di migranti la verità si inabissa in fondo al mare, come un cadavere affogato.

Le donne che lavorano sono senz'altro più numerose rispetto al passato, ma sono migliorate anche le loro condizioni? E perché stampa e televisione riportano sempre con enfasi le notizie che riguardano la presenza di donne ai vertici di aziende, a capo di un'équipe chirurgica, sul podio di un'orchestra, o alla guida di una missione spaziale?

Pauline Harmange hasst Männer - und zwar alle bis auf ihren Ehemann. In ihrem kurzen, pointierten Essay appelliert sie offenherzig, provokativ und nicht ohne Witz an alle Frauen, sich nicht mehr darum zu scheren, was sie in einer männerdominierten Umwelt vorfinden. Dabei ist ihr Buch keineswegs ein Aufruf zur Gewalt, sondern eine Aufforderung zum Umdenken: Frauen sollten das Recht haben, Männern misstrauisch zu begegnen.

Con un coraggioso viaggio introspettivo, l’autrice, un tempo anche lei vittima di violenza domestica, smaschera e affronta quello che lei stessa chiama...

Durante siglos, las sociedades han tratado la dominación masculina como lo "natural". ¿Y si viéramos, no obstante, la desigualdad de género como algo más frágil que ha tenido que ser constantemente reconstruido y reafirmado? En este libro audaz y radical, la reconocida periodista científica Angela Saini explora las raíces de lo que llamamos "patriarcado", descubriendo una historia compleja de cómo se incrustó por primera vez en las sociedades y se extendió por todo el mundo, desde la Prehistoria hasta el presente.

What kind of mother abandons her child? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who overcame both society’s condemnation and their own maternal guilt to leave their children—at will or due to economic or other circumstances. The Abandoners is sharp, at times slyly humorous, and always deeply empathetic.

Desde o garbo e a elegância nos primeiros anos da República até a atual banalização das cirurgias plásticas, História da beleza no Brasil trata das transformações ligadas aos padrões estéticos e aos cuidados com o corpo, mas também do martírio causado pela feiura e da tumultuada luta para driblar o envelhecimento, a solidão e o fracasso.

Funk e empoderamento feminino no mesmo audiolivro? Como assim, se o funk só objetifica a mulher? É para romper com esse senso comum, que Tamiris Coutinho decidiu enfrentar os estigmas e preconceitos que envolvem o gênero musical no lançamento da editora Claraboia. Inspirada no hit do funk carioca Cai de boca, a autora analisa e demonstra como um dos movimentos culturais mais importantes do Brasil também é um potencializador da liberdade, da autonomia e do empoderamento da mulher.

Ao seguir a tradição de suas antepassadas feministas interseccionais Kimberlé Crenshaw, Adrienne Rich e Audre Lorde, Zakaria refuta a indiferença política e racial do feminismo branco em uma crítica radical, na qual coloca o pensamento feminista negro e marrom na vanguarda.

In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bona fide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records.