検索キーワード： 民話・神話の研究

La Lechuza, a prominent figure in Mexican folklore, is often depicted as a terrifying creature that embodies the duality of nature—both the familiar and the supernatural. Legend has it that La Lechuza is a shape shifting witch who can transform into a large owl, a manifestation that invokes fear and fascination. Many believe that she was once a woman who practiced witchcraft and, as punishment for her dark deeds, was cursed to roam the night as an owl. This transformation serves as a warning to those who might delve too deeply into the occult or engage in malevolent practices.

Quando os antigos eslavos ouviam o trovão, sabiam que era Perun falando com eles; quando andavam pelas montanhas, sabiam que tinham de fazê-lo com muito cuidado, pois estavam no reino das vily, as ninfas da floresta. Quando olhavam para o fogo, ali estava Svarog, a divindade desse elemento.

Christopher Hadley takes us on a lyrical journey into this past, retracing and searching for an elusive Roman road that sprang from one of the busiest road hubs in Roman Britain. His passage is not always easy. Time and nature have erased many clues; bridges rotted and whole woods grew across the route. Carters found an easier ford downstream, and people broke up its milestones to mend new paths. Year after year the heavy clay swallowed whole lengths of it; the once mighty road became a bridleway, an overgrown hollow-way, a parched mark in the soil.

Phones stop working. Smartwatches die. And arms start glowing with blue scars. This is what happens to Aman Chandra and ten other Souls of Samsara when they are kidnapped from modern-day India and transported to a hidden valley in the Himalayas. In this realm of magic, home to Hindu gods, immortal yogis and mythical beasts, the mission is clear for the Souls of Samsara: to learn the ancient art of yogic sorcery and prepare for a treacherous journey not many can survive. But why must they go on this journey? And how are the gods connected to it all?

Hidden in the margins of history books, classical literature, and thousands of years of stories, myths and legends, through to contemporary literature, TV and film, there is a diverse and other-worldly super community of queer heroes to discover, learn from, and celebrate. Queer Heroes of Myth & Legend brings to life characters who are romantic, brave, mysterious, and always fantastical. It is a magnificent celebration of queerness through the ages in all its legendary glory.

Es un audiolibro escrito por curiosos para curiosos. Una colección de mínimos textos sobre personajes diversos de la Mitología, la Biblia, los cuentos populares y la realidad. La mayoría de ellos con referencia a una encrucijada de sus vidas, a un momento crucial, a un aspecto notable de su historia. Hay reflexiones de ellos mismos y sobre ellos, curiosidades, anécdotas, fantasías y asuntos sorprendentes.

Human beings have always been myth makers. Karen Armstrong's concise yet compelling investigation into the history of myth takes us from the Palaeolithic period and the mythology of the hunters right up to the 'Great Western Transformation' of the last 500 years.

Este libro analiza la metamorfosis del mito desde la leyenda del castillo de Transilvania hasta su reinterpretación animada en el cine. Los niños del pasado temían a los vampiros; los de hoy en día quieren ser uno. Y los adultos encuentran en su promesa de felicidad un refugio ante los empleos precarios, las relaciones tóxicas y las megacorporaciones que nos chupan la sangre a diario.

It’s not true that dead men tell no tales. You can hear their haunting stories on the fog-shrouded banks of Newfoundland, in the aging brick manses of Upper and Lower Canada, on the wind-beaten flatlands of the prairies and among the misty mountains of the far west. This entertaining collection features tales of ghosts and other unexplained phenomena that have found their way into Canadian folklore.

Wir werden um die Welt reisen, eine Reise durch Raum und Zeit, durch die verschiedenen Kulturen, Mythen, Legenden und Geschichten, die uns seit Tausenden von Jahren verzaubern.

Mitologia dá vida aos principais mitos gregos, romanos e nórdicos, que são a pedra angular da cultura ocidental. Nesta obra clássica que encantou gerações, conhecemos as histórias de deuses e heróis que inspiram a criatividade humana desde a antiguidade até o presente.

Long before the sword-wielding heroes of legend readily cut down forests, slaughtered the old deities, and vanquished their enemies, there were playful gods, animal-headed kings, mischievous lovers, trickster harpists, and vegetal magicians with flowering wands. As eco-feminist scholar Sophie Strand discovered, these wilder, more magical modes of the masculine have always been hidden in plain sight.

This collection investigates the origins of our most intriguing old-fashioned superstitions, many of which we still find ourselves abiding by today. Hundreds of the beliefs passed down through the generations have their foundations in our ancestors' efforts to ward off evil, which they blamed for hardship, illness, and injustice in times when life was, as often as not, "nasty, brutish and short."

Ancient Mesopotamia history is defined by several key inventions that impacted the globe, including the concept of time, algebra, the wheel, sailboats, maps and writing. Another characteristic of Mesopotamia is the shifting succession of governing bodies from various regions and cities that seized power over a period of thousands of years.

In the last 50 years, folklorists have amassed an extraordinary corpus of contemporary legends including "the Choking Doberman," "the Eaten Ticket," and "the Vanishing Hitchhiker." But what about the urban legends of the past? These legends and tales have rarely been collected, and when they occasionally appear, they do so as ancestors or precursors of the urban legends of today, rather than as stories in their own right. In The Nail in the Skull and Other Victorian Urban Legends, Simon Young fills this gap for British folklore (and for the wider English-speaking world) of the 1800s.

In The Practice of Folklore: Essays Toward a Theory of Tradition, author Simon J. Bronner works with theories of cultural practice to explain the social and psychological need for tradition in everyday life. Bronner proposes a distinctive “praxic” perspective that will answer the pressing philosophical as well as psychological question of why people enjoy repeating themselves. The significance of the keyword practice, he asserts, is the embodiment of a tension between repetition and variation in human behavior.

Do you like stories about gods and spirits, giants and monsters, damsels in distress, and clever heroes? All of these can be found in African myth and folklore, which have a vast and varied tapestry of stories from hundreds of cultures, each with its own traditions and values. Sometimes the heroes of these stories are divine beings who come down from heaven to create the world we live in, but sometimes human beings and animals themselves are the ones who see to it that the sun, moon, and stars are put into their proper places

Zoologist Jo Wimpenny turns a critical eye to Aesop's fables to discover whether there is any scientific truth to their portrayal of the animal kingdom. She brings the tales into the twenty-first century, introducing the latest findings on the most fascinating branches of ethological research—the study of why animals do the things they do. In each chapter she interrogates a classic fable and a different topic—future planning, tool use, self-recognition, cooperation and deception—concluding with a verdict on the veracity of each fable's portrayal from a scientific perspective.

Broadcaster Richard Fidler and author Kári Gíslason are good friends. They share a deep attachment to the sagas of Iceland—the true stories of the first Viking families who settled on that remote island in the Middle Ages. These are tales of blood feuds, of dangerous women and people who are compelled to kill the ones they love the most. The sagas are among the greatest stories ever written, but the identity of their authors is largely unknown. Together, Fidler and Gíslason travel across Iceland, to the places where the sagas unfolded a thousand years ago.

Les symboles ont un usage bien plus quotidien qu'on ne l'imagine. Comme le disait Aristote, "le mot chien ne mord pas", il est le symbole par lequel nous pouvons désigner la réalité du chien. Le rôle du symbolisme consiste donc à exprimer n'importe quelle idée d'une façon qui soit accessible à tout le monde. Cet ouvrage se propose d'analyser les mutations des signes depuis leur apparition jusqu'à leur lointaine métamorphose, notamment dans le domaine des mythes, et d'étudier ce qui se dresse entre la chose et l'idée : le symbole.