検索キーワード： 民話・神話の研究

Captured centaurs and satyrs, incompetent seers, people who suddenly change sex, a woman who remembers too much, a man who cannot laugh—these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology—from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled.

Filipinos have very interesting creatures that lurk within their myths and legends. This great collection will dive into famous as well as lesser known tales. Enjoy!

A görög mitológia történeteinek folytatása sem kevésbé szórakoztató, mint az első rész. Megtudhatjuk többek között, hogy miért kellett Sziszüphosznak bűnhődnie, vagy hogy milyen átok sújtotta Midász királyt. A szerző a maga humoros módján rávilágít, a görög istenek olyanok, mint mi. Erősebbek és bölcsebbek ugyan, de közben ugyanolyan esendőek, és ballépéseikkel, felfokozott szerelmi életükkel, veszekedéseikkel bármikor képesek felforgatni az isteni és az emberi világot.

Wise women, apothecaries, witches, herbalists: whatever you like to call them, those who cultivate plants for their apparent mystical properties have existed for thousands of years. The Witch's Garden tells the story of our folkloric fascination with these magical specimens, documenting the beliefs and rituals surrounding the natural world. This book beautifully evokes the bewitching nature of mysterious plants.

Icelanders believe in elves. Why does that make you laugh?, asks Nancy Marie Brown, in this wonderfully quirky exploration of our interaction with nature. Looking for answers in history, science, religion, and art—from ancient times to today—Brown finds that each discipline defines what is real and unreal, natural and supernatural, demonstrated and theoretical, alive and inert. Each has its own way of perceiving and valuing the world around us. And each discipline defines what an Icelander might call an elf.

Streghe che cavalcano lupi e iene, cortei notturni di morti senza riposo, uomini trasformati in animali, formule magiche in grado di controllare spiriti e divinità: ogni popolo e ogni cultura del mondo, dall'alba dei tempi fino a oggi, ha creduto nell'esistenza di individui capaci di nuocere agli altri attraverso poteri magici; personaggi che incutono paura o provocano repulsione, dai quali è necessario difendersi, le cui caratteristiche vanno a formare la sfaccettata figura della strega.

Sevilla es una ciudad rica en leyendas, muchas de las cuales han pasado a la literatura, la música y la pintura universales. Así, la fundación de Sevilla por Hércules ha pasado a la literatura y mitología grecolatinas; la leyenda de los dos hijos de César forma parte de la romana; la tradición del pañuelo de la princesa visigoda está recogida en la literatura medieval francesa. Lo mismo sucede con las leyendas de la princesa árabe sevillana Intimad, las historias del rey Pedro el Cruel y las de Hernán Cortés en Sevilla.

Phones stop working. Smartwatches die. And arms start glowing with blue scars. This is what happens to Aman Chandra and ten other Souls of Samsara when they are kidnapped from modern-day India and transported to a hidden valley in the Himalayas. In this realm of magic, home to Hindu gods, immortal yogis and mythical beasts, the mission is clear for the Souls of Samsara: to learn the ancient art of yogic sorcery and prepare for a treacherous journey not many can survive. But why must they go on this journey? And how are the gods connected to it all?

Este libro analiza la metamorfosis del mito desde la leyenda del castillo de Transilvania hasta su reinterpretación animada en el cine. Los niños del pasado temían a los vampiros; los de hoy en día quieren ser uno. Y los adultos encuentran en su promesa de felicidad un refugio ante los empleos precarios, las relaciones tóxicas y las megacorporaciones que nos chupan la sangre a diario.

It’s not true that dead men tell no tales. You can hear their haunting stories on the fog-shrouded banks of Newfoundland, in the aging brick manses of Upper and Lower Canada, on the wind-beaten flatlands of the prairies and among the misty mountains of the far west. This entertaining collection features tales of ghosts and other unexplained phenomena that have found their way into Canadian folklore.

Wir werden um die Welt reisen, eine Reise durch Raum und Zeit, durch die verschiedenen Kulturen, Mythen, Legenden und Geschichten, die uns seit Tausenden von Jahren verzaubern.

Christopher Hadley takes us on a lyrical journey into this past, retracing and searching for an elusive Roman road that sprang from one of the busiest road hubs in Roman Britain. His passage is not always easy. Time and nature have erased many clues; bridges rotted and whole woods grew across the route. Carters found an easier ford downstream, and people broke up its milestones to mend new paths. Year after year the heavy clay swallowed whole lengths of it; the once mighty road became a bridleway, an overgrown hollow-way, a parched mark in the soil.

Mitologia dá vida aos principais mitos gregos, romanos e nórdicos, que são a pedra angular da cultura ocidental. Nesta obra clássica que encantou gerações, conhecemos as histórias de deuses e heróis que inspiram a criatividade humana desde a antiguidade até o presente.

Long before the sword-wielding heroes of legend readily cut down forests, slaughtered the old deities, and vanquished their enemies, there were playful gods, animal-headed kings, mischievous lovers, trickster harpists, and vegetal magicians with flowering wands. As eco-feminist scholar Sophie Strand discovered, these wilder, more magical modes of the masculine have always been hidden in plain sight.

This collection investigates the origins of our most intriguing old-fashioned superstitions, many of which we still find ourselves abiding by today. Hundreds of the beliefs passed down through the generations have their foundations in our ancestors' efforts to ward off evil, which they blamed for hardship, illness, and injustice in times when life was, as often as not, "nasty, brutish and short."

Ancient Mesopotamia history is defined by several key inventions that impacted the globe, including the concept of time, algebra, the wheel, sailboats, maps and writing. Another characteristic of Mesopotamia is the shifting succession of governing bodies from various regions and cities that seized power over a period of thousands of years.

In the last 50 years, folklorists have amassed an extraordinary corpus of contemporary legends including "the Choking Doberman," "the Eaten Ticket," and "the Vanishing Hitchhiker." But what about the urban legends of the past? These legends and tales have rarely been collected, and when they occasionally appear, they do so as ancestors or precursors of the urban legends of today, rather than as stories in their own right. In The Nail in the Skull and Other Victorian Urban Legends, Simon Young fills this gap for British folklore (and for the wider English-speaking world) of the 1800s.

In The Practice of Folklore: Essays Toward a Theory of Tradition, author Simon J. Bronner works with theories of cultural practice to explain the social and psychological need for tradition in everyday life. Bronner proposes a distinctive “praxic” perspective that will answer the pressing philosophical as well as psychological question of why people enjoy repeating themselves. The significance of the keyword practice, he asserts, is the embodiment of a tension between repetition and variation in human behavior.

Do you like stories about gods and spirits, giants and monsters, damsels in distress, and clever heroes? All of these can be found in African myth and folklore, which have a vast and varied tapestry of stories from hundreds of cultures, each with its own traditions and values. Sometimes the heroes of these stories are divine beings who come down from heaven to create the world we live in, but sometimes human beings and animals themselves are the ones who see to it that the sun, moon, and stars are put into their proper places

Zoologist Jo Wimpenny turns a critical eye to Aesop's fables to discover whether there is any scientific truth to their portrayal of the animal kingdom. She brings the tales into the twenty-first century, introducing the latest findings on the most fascinating branches of ethological research—the study of why animals do the things they do. In each chapter she interrogates a classic fable and a different topic—future planning, tool use, self-recognition, cooperation and deception—concluding with a verdict on the veracity of each fable's portrayal from a scientific perspective.