検索キーワード： アフリカ系アメリカ人研究

Make It Ours is at once a remarkable biography of a singular creative force and a powerful meditation on fashion and race, taste and exclusivity, genius and luxury. With access to Abloh's family, friends, collaborators, and contemporaries, and featuring a cast of fascinating characters ranging from visionary Black designers like Ozwald Boateng to Abloh's mercurial but critical employer and mentor Kanye West, Givhan weaves a spellbinding tale of a young man's rise amid a cultural moment that would upend a century's worth of ideas about luxury and taste.

Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

This monumental biography by David Levering Lewis—eight years in the research and writing—treats the early and middle phases of a long and intense career: a crucial fifty-year period that demonstrates how W.E.B. Du Bois changed forever the way Americans think about themselves. William Edward Burghardt Du Bois—the premier architect of the civil rights movement in America—was a towering and controversial personality, a fiercely proud individual blessed with the language of the poet and the impatience of the agitator.

"Hold tight. The way to go mad without losing your mind is sometimes unruly." So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as "rage," and any drastic deviation from psychosocial norms.

A groundbreaking look at how Black visionaries—from Wall Street to Lagos and beyond—are reimagining capitalism to benefit the needs of Black people and, ultimately, everyone.

The spaces revealed through the practice of time manipulation in Black cultures lend themselves to storytelling, a time-hopping process that integrates memory and community. Drawing on disparate philosophies and science behind electronic beat-making, lyricism, dance, memory, myth, and cosmology in the African and African Disaporic traditions, this book seeks to demonstrate relationships between rhythm, space, and ways of being as an articulation of futures and alternate realities made present.

In How to Lose the Hounds Celeste Winston explores marronage—the practice of flight from and placemaking beyond slavery—as a guide to police abolition. She examines historically Black maroon communities in the Maryland suburbs of Washington, DC, that have been subjected to violent excesses of police power from slavery until the present day. Tracing the long and ongoing historical geography of Black freedom struggles in the face of anti-Black police violence in these communities, Winston shows how marronage provides critical lessons for reimagining public safety and community well-being.

This book begins by asking the listener if they can write a Black character. It then asks the listener questions about their knowledge and understanding of race and racism. Exploring the popular representation of law and order, healthcare and celebrity in the entertainment industry, and comparing this with the reality of these institutions throughout history and today, Lubimbi opens up the discussion and offers solutions to problems surrounding race, representation, and stereotyping.

Stefan M. Bradley was a young professor in Saint Louis University when Black teenager Michael Brown was shot and killed in Ferguson, Missouri, by a local white police officer. Bradley quickly became a key media activist during the protests that ensued, giving on-the-ground interviews to Chris Hayes, CNN, Al Jazeera, the BBC, and others.

Across the world, patriarchy has oppressed women and denied their contributions, but every nation has its own unique gendered hierarchy. Dr. Anna Malaika Tubbs applies her signature approachable yet rigorous analysis to define American patriarchy in this definitive and groundbreaking history. Humanity in the United States is determined by gender in a limited and flawed binary logic that is also always tied to whiteness. Tubbs shows how a fabricated hierarchy became so deeply ingrained in the country over time that it now goes unnoticed, along with everything it intentionally conceals.

Step into a world where your melanin becomes a source of power and enlightenment. Imagine embracing the Divine Feminine within you, connecting with ancient African practices, and reclaiming your true essence. In this captivating guide, you will embark on a transformative journey that celebrates the sacredness of being a Black Woman. Keep reading to discover your special bonus offer! Imagine you find yourself surrounded by the wisdom of the Yoruba religions, Ifá, Santería, and Vodun.

The Rainbow Ain’t Never Been Enuf fills a necessary gap in our understanding of how racism, transphobia, and antiblackness operate in liberal spaces. Black feminist and queer theorist Kaila Adia Story blends analysis, pop culture, and her lived experiences to explore the silencing practices of mainstream queer culture.

With impeccable research and original reporting, Mark Whitaker tells the story of Malcolm X’s far-reaching posthumous legacy. It stretches from founders of the Black Power Movement such as Stokely Carmichael and Huey Newton to hip-hop pioneers such as Public Enemy and Tupac Shakur. Leaders of the Black Arts and Free Jazz movements from Amiri Baraka to Maya Angelou, August Wilson, and John Coltrane credited their political awakening to Malcolm, as did some of the most influential athletes of our time, from Muhammad Ali to Kareem Abdul-Jabbar and beyond.

Acclaimed historian Peniel E. Joseph offers a kaleidoscopic narrative history of 1963, the pivotal moment in America’s long civil rights movement—the year of the March on Washington, Martin Luther King Jr.’s “Letter from Birmingham Jail,” and the assassinations of Medgar Evers and John F. Kennedy.

For generations, the Black church has been a cornerstone of resilience, community, and empowerment, serving as a sanctuary for African Americans facing systemic oppression. Rooted in liberation theology and social activism, it has played a crucial role in social movements and cultural identity. However, while the Black church continues to be a source of strength, it also mirrors the complexities and contradictions of the communities it serves.

After the Supreme Court ruled in 2023 that the use of race in college admissions was unconstitutional, many predicted that the black middle class was doomed. One byproduct of a half century of affirmative action is that it has given people the impression that blacks can’t advance without special treatment. In The Affirmative Action Myth, Jason L. Riley details the neglected history of black achievement without government intervention. Using empirical data, Riley shows how black families lifted themselves out of poverty prior to the racial preference policies of the 1960s and 1970s.

In Slow and Sudden Violence, Derek Hyra links police violence to an ongoing cycle of racial and spatial urban redevelopment repression. By delving into the real estate histories of St. Louis and Baltimore, he shows how housing and community development policies advance neighborhood inequality by segregating, gentrifying, and displacing Black communities.

The story of John B. King Jr.’s inspiring path to President Obama’s Cabinet begins the day that his mother died. He insisted on going to school that day, knowing he would find comfort in his classroom. As he navigated living alone with a father dying from undiagnosed Alzheimer’s, it was public school teachers who saved his life. King’s teachers believed in him and saw his potential. They made school a safe, supportive, and engaging place where King could be a kid despite the challenges at home.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light— the jazz, the blues, the field hollers, the spirituals— and creating something wholly new, wholly theirs, wholly ours.

From the late 1970s to the early 1990s Britain was in tumult: rocked by Margaret Thatcher’s radical economic policy, the rise of the National Front, widespread civil unrest. With anti-immigration policies in the political mainstream, Black lives were on the frontline of a racial reckoning. But it was also a time of unrivalled Black cultural creation, organising and resistance. This was the crucible in which modern Britain came into existence.