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As we find ourselves in a time of democratic decay all over the world, with relentless attempts to undermine truth and facts and unprecedented technological tools to spread disinformation and incite violence, brave journalism is needed more than ever. In The New Censorship esteemed academic, former journalist and activist Ayala Panievsky focuses on the unfortunate and unexpected mechanisms through which today's media has inadvertently amplified the anti-democratic movement that looms over our societies.

We’re often told that disinformation is everywhere and that it’s endangering our democracy. But what if the war on disinformation itself is really just a weapon to squash any and all legitimate dissent? This program is read by the author. The Information State is an incisive examination of...

New York Times Bestseller "Authoritarian governments abroad have long used legal threats and lawsuits against journalists to cover up their disinformation, corruption, and violence. Now, as master investigative journalist David Enrich reveals, those tactics have arrived in America.” — Ruth...

Free speech is indispensable on college campuses: allowing varied views and frank exchanges of opinion is a core component of the educational enterprise. But free speech does not mean a free-for-all. The First Amendment prohibits "abridging the freedom of speech," yet laws against perjury or bribery, for example, are still constitutional. In the same way, valuing freedom of speech does not stop a university from regulating speech when doing so is necessary for its educational mission. So where is the dividing line? How can we distinguish reasonable restrictions from impermissible infringement? 

لا شك أن الكتابة في هذا الموضوع أمر شائك معقَّد؛ فثمَّة أشياء عديدة تطل برأسها في طريق الادعاءات والاحتجاجات وشواهد الحكايات والفرضيات والمؤامرات والنظريات،...

Owned is the story of the underreported and growing collusion between new wealth and new journalism. In recent years, right-wing billionaires like Elon Musk, Peter Thiel, Marc Andreessen, and David Sacks have turned to media as their next investment and source of influence. Their cronies are Glenn Greenwald and Matt Taibbi—once known as idealistic and left-leaning voices, now beneficiaries of Silicon Valley largesse. Together, this new alliance aims to exploit the failings of traditional journalism and undermine the very idea of an independent and fact-based fourth estate.

In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the dooror had it shut in their faces.