検索キーワード： 摂政時代

At the start of their London Season, Philippa Clavering discovers her friend Susan is being pursued by the wrong gentleman and decides to turn Susan’s head to a worthier suitor. Not one to shrink from what she views as her duty and gift, Philippa sets plans in motion to bring about the happy ending her friend deserves. What she does not expect is to have Susan’s older brother watching—and criticizing—her every move.

Widowed Arabella Northwick went from the home of a father who didn’t love her to the home of a husband who didn’t love her. It would seem at last she was on the cusp of forging a happier future for her baby and herself, were it not for her dead husband’s brother, who is determined to keep them captive.

Philip Townsend is too busy trying to render his estate profitable to worry about managing its rundown house or finding a woman suited to the role of his wife. His beautiful and competent neighbor Honoria would be the logical choice, were it not for the enmity between their fathers that makes such a thing impossible.

Selena Lockhart comes with neither dowry nor connections, and she knows better than to expect Society to give her a welcome—especially after her father gambled away his fortune, precipitating the family’s sudden fall from grace and Selena’s betrothed to break off their engagement. It therefore comes as no surprise that her new neighbor, Sir Lucius, treats her with disdain. Why should he look beyond appearances when her own promises so little?

When circumstances force them into a compromising situation, they have no choice but to face the necessity to wed. Even as they fight against their fate, the connection between them deepens until they find it difficult to ignore. Christine wonders if her hopes for a happy marriage are too presumptuous, particularly when he had been forced to offer for her in the first place. Alexander must grapple with his own insecurities as he strives to be the husband a woman as worthy as Christine deserves.

George Clavering is much too young to think about getting married. Yes, his older brother—and even his younger sister—have managed to tie the knot, but he has plenty more years of play and sporting events ahead of him before he need consider such a thing. Even matchmaking becomes a sport when gentlemen bet on the Season’s successes or failures in the club. He will not give them an opportunity to bet on him. Furthermore, why settle down when there are young women like Lady Alice who liven the sport of matchmaking with friendly wagers?

To Adele Wilson the answer is clear: of course not. She has seen her two sisters dragged through scandal and heartbreak (not to mention every ballroom in London) to find the husbands of their dreams. And that's why she said yes to the first amiable British lord who requested her hand. And why shouldn't she marry him? He is kind, honest, and not sentimental in the least.

1812. Gabrielle se enfrenta a una desgarradora realidad: necesita desesperadamente un trabajo para mantener a sus dos hermanos pequeños o los tres perecerán de hambre en las calles de Londres. Cuando se entera de que el vizconde de Pengwern, Timothy Clifford, busca para sus hijos una institutriz con o sin experiencia, no cabe en sí de gozo, aunque le extraña que un caballero tan reputado no haya contratado a las mejores.

1812. Conall Grenville no solo es un crápula irredimible y el tipo más atractivo, arrogante de la alta sociedad londinense, sino que está preso en la cárcel por deudas. Por eso, cuando le proponen liberarlo y recuperar su estatus a cambio de seducir y arruinar la reputación de lady Mathilda Seymour, la perla de la temporada y distante hija del poderoso duque de Ormonday, no lo duda: es pan comido. ¿Qué mujer se ha resistido alguna vez a su poderoso atractivo?

"Good men are scarce—but there are fools aplenty," Colonel Fitzwilliam declares during an impromptu stroll through Rosings Park. Elizabeth's recent experiences with Mr. Darcy have confirmed her belief that good men are very scarce indeed, so imagine her shock when she discovers that the colonel is speaking about Mr. Bingley.

Clara has come all the way to London to find respectability, but she has always craved excitement, and adventure has always sought her out. This time, excitement is a man unlike any she has ever met before, one who is stunning, brilliant, and definitely not what her mother had in mind. Clara's cautious younger sister Adele warns her to be wary and remember her past follies, but her spirited older sister Sophia urges her to risk it all for love. Clara knows the answer lies somewhere in between, but with her heart and her future on the line, the stakes will never be higher . . .

Lady Athena Thompson’s family is notorious, and definitely not in a good way. Some say there is magic in their bloodline, and only through witchcraft can they lure gentlemen of good breeding into marriage. Roman James, the Earl of Kendal, has returned home from war, injured, and determined to live his life as he pleases. He doesn’t need to be charmed, but he’s more than willing to be led astray. Especially when a woman as lovely as Athena is involved.

A beautiful young woman becomes intrigued with a charming, but severely shallow, young man at the theatre: Beauplaisir. Witnessing his treatment of some of the ladies there, she disguises herself as ‘Fantomina’, to determine whether his behaviour would change towards her. After a short fling, Beauplaisir tires of her and leaves, much to her outrage. Fantomina then takes on a series of alternative personas in a bid to re-capture his attention.

Abandoned as a child, Kate Mitchell learned young that to stay ahead of heartache, she must pretend to be someone other than herself. She survives by deceiving others. Due to one of her schemes, her adopted family is on the verge of losing their home. To make amends, she plans the ultimate deception. Assuming a different name, she attends a house party to swindle her abusive, perverse landlord. But someone is standing in her way, an intriguing Highland constable.

Helena Littledean has a secret, a most scandalous painting she bought in discretion and keeps hidden from prying eyes. She’s a young lady after all, and the Adam in her painting isn’t hiding a thing behind his fig leaf. When she finally meets the Earl of Norwalk, her heart catches in her throat. It’s her Adam—the embodiment of her closely held dreams standing before her… Adam Waterbury, the Earl of Norwalk, has been trying to find Adam in the Garden of Eden for over twelve years. The artist, his maternal uncle, promised he’d never sell it, not to Adam or to anyone else.

Graham Murray Raymond, the Seventh Duke of Warwick, has little care for his title and even less for society. Suspected of murder and known as the Black Duke, for his misdeeds and those of his father, he is intent on spending his lifetime alone, without a wife or children, to ensure he does not continue the family tradition of violence.

Harriet Hapgood has always delighted in arranging the lives of others, while generally doing as she pleased. And after having thwarted her cousin Caroline's engagement, what better way to pass a dull winter than in helping Caroline to a new husband? Her cousin sets her sights on the glittering Mr. St. John Rotherwood, so Hetty cheerfully puts her shoulder to the matchmaking wheel.

Miss Theodosia Ashbrooke does not believe there is anything greater than matching the perfect pair—and she's become rather expert in it. Never mind that she's never found the missing half to her own soul and body. Perhaps that's not her lot in life, even at the age of eight and twenty. Her own failure is Albemarle Howard, Earl of Lenskeyn. He's rude, he's arrogant, he's overly confident, and nothing Theodosia can do makes a difference. Albemarle has found his match though: and he is sure it is Theodosia.

England, 1814. Edith Hapgood only has eyes for art. As the darling pride of her family, she has been encouraged in her passion for painting, making it easy for her to overlook other objects of affection. But her distant cousin, one of her chief friends and companions from the age of eleven, has no intention of being forgotten as the creative world opens to her.

Plin de suspans, romantic, îmbibat de atmosfera de secol XIX, noul roman al britanicei Diane Setterfield, scris cu aceeași fervoare ca explozivul ei debut literar A treisprezecea poveste, combină superstiția cu descoperirea științifică, magia și legendele cu povești de iubire și ură, purtându-și cititorii în cel mai misterios loc de pe malurile Tamisei. Nominalizat pe lista scurtă la HWA Gold Crown Award 2019, bestseller în topurile din The Times și Sunday Times, una dintre "Cele mai bune cărți ale lunii decembrie 2018 de pe Amazon", romanul A fost odată un râu e tradus în peste 20 de țări.