検索キーワード： 制作 "Audible Studios" 中央アメリカ

In his novels and short stories, Gabriel García Márquez has transformed the particulars of his own life and the lives of his fellow Colombians into wondrous fiction. While telling the story of the sloppily dressed, skinny young man who rose from obscurity as a provincial journalist to international fame as the progenitor of a new literature, Gerald Martin also considers the tensions in García Márquez's life between celebrity and the personal quest for literary quality, between politics and writing, and between the seductions of power, solitude, and love.

Este audiolibro parte desde la historia de sus padres, la duda sobre la fecha de su nacimiento, su adolescencia, sus viajes, su lucha en Cuba, su trabajo diplomático y su aciago final en la sierra de Bolivia.

Honduras no es Irak, pero cada año mueren asesinadas 85 personas por cada 100.000 habitantes, una cifra que supera a la de Irak. Honduras vive una de las guerras no declaradas menos contadas del mundo. Una guerra laberíntica de todos contra todos: el narco, que transporta a través del país el 90% de la cocaína colombiana y venezolana que llega a Estados Unidos; los pandilleros convertidos en soldados del narco y en extorsionadores; una policía sin medios que, en vez de detener criminales, prefiere ejecutarlos....

Honduras no es Irak, pero en algún momento, Alberto Arce - único corresponsal extranjero en Tegucigalpa de 2012 a 2014 - lo vivió así. Honduras no es Irak, pero cada año mueren asesinadas 85 personas por cada 100.000 habitantes, una cifra que supera a la de Irak. Honduras vive una de las guerras no declaradas menos contadas del mundo. Una guerra laberíntica de todos contra todos.

He aquí el fascinante testimonio de una mujer fuera de lo común: nicaragüense, revolucionaria, poeta, madre de cuatro hijos y esposa de tres maridos. Inquieta por naturaleza, Gioconda Belli revela en estas memorias su rechazo a los convencionalismos y su incansable lucha con la dictadura somocista.  

When three colleagues die violently during a single wartime election day in Central America, two female journalists, best friends, are hurled into a torrent of change in their personal and professional lives and in their relationship with each other. The author, bedeviled by stress and feelings of abandonment, hangs on by her fingernails to reporting while her dear friend "just can't take another picture of a dead body" and throws herself into teaching photography to children who live in a garbage dump.

The place is El Salvador in 1982, at the ghastly height of its civil war. The writer is Joan Didion, who delivers an anatomy of that country's particular brand of terror - its mechanisms, rationales, and intimate relation to United States foreign policy. As ash travels from battlefields to body dumps, interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear," Didion gives us a book that is germane to any country in which bloodshed has become a standard tool of politics.

On a hot and dusty December day in 1980, the bodies of four American women - three of them Catholic nuns - were pulled from a hastily dug grave in a field outside San Salvador. They had been murdered two nights before by the US-trained El Salvadoran military. News of the killing shocked the American public and set off a decade of debate over Cold War policy in Latin America. The women themselves became symbols and martyrs, shorn of context and background.

Bishop Juan Gerardi, Guatemala's leading human rights activist, was bludgeoned to death in his garage on a Sunday night in 1998, two days after the presentation of a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some 200,000 civilians.