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With a blend of reportage, historical data, and pop culture, Black Genius touches on timely issues of race, class, and creativity. Tre’s life and career put him in a unique position to become a cultural observer, diving into predominantly-Black cities, communities, and schools with an ever-watchful eye of what was happening around Black opportunity, mobility, politics, and institutions. In this collection Tre pinpoints four key aspects of Black American genius—innovation, family, celebration, and community as the recipe to coming out on top.

Told with a thrilling pace, New York Times bestselling author and historian Scott Ellsworth has written the most compelling new book about the Civil War in years. Focusing on the last, desperate months of the war, when the outcome was far from certain, Midnight on the Potomac is a story of titanic battles, political upheaval, and the long-forgotten Confederate terror war against the loyal citizens of the North.

In January 1959, Art Copleston was escorted out of his college accounting class by three police officers. In a motel room, blinds drawn, he sat in front of a state senator and the legal counsel for the Florida Legislative Investigation Committee, nicknamed the “Johns Committee.” His crime? Being a suspected homosexual. And the government of Florida would use any tactic at their disposal—legal or not—to get Copleston to admit it.

In Ta-Nehisi Coates's keenly anticipated new book, The Message, he explores the urgent question of how our stories – our reporting, imaginative narratives and mythmaking – both expose and distort our realities. Travelling to three resonant sites of conflict, he illuminates how the stories we tell – as well as the ones we don’t – work to shape us.

New York City entered 1986 as a city reborn. Over the next four years, a singular confluence of events – involving a cast of outsized, unforgettable characters – would widen those divisions into chasms. Ed Koch. Donald Trump. Al Sharpton. The Central Park Five. Larry Kramer. Spike Lee. Rudy Giuliani. Howard Beach. Tawana Brawley. The Preppy Murder. The Tompkins Square Riots. Jimmy Breslin. Ivan Boesky. Do the Right Thing, Wall Street, crack, the AIDS epidemic, Black Monday and, of course, ready to pour gasoline on every fire – the tabloids.

Since the inception of mainstream art history, Blackness has been distinctly ignored. In Reframing Blackness, art historian and founder of @ABlackHistoryOfArt, Alayo Akinkugbe challenges this void. Exploring the presentation of Black figures in Western art, Blackness in museums, Blackness in feminist art movements, as well as Blackness in the curriculum, Alayo unveils an overlooked but integral part of our collective art history.

In this widely praised history of an infamous institution, award-winning scholar Marcus Rediker shines a light into the darkest corners of the British and American slave ships of the eighteenth century. With meticulous detail, Rediker uncovers the harsh realities of the slave trade, shedding light on the inhumane treatment of captives and the power dynamics aboard the ships. From the economic motivations driving the trade to the efforts of abolitionists, this book reveals the birth of African American culture amidst a backdrop of horror and despair.

'Life, Liberty and the pursuit of Happiness' is the best-known phrase from the Declaration of Independence, one of the most important documents of the eighteenth century and the whole Enlightenment Age. Written by Thomas Jefferson, it is frequently evoked today as a shorthand for that idea we call the 'American Dream'. But this is a line with a surprising history. Rather than being uniquely American, the vision it encapsulates - of a free and happy world - owes a great deal to British thinkers too.

Distilled over many years from Henry Louis Gates, Jr.’s, legendary Harvard introductory course in African American studies, The Black Box: Writing the Race, is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W. E. B. Du Bois and Booker T. Washington to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison—these writers used words to create a livable world, a home, for Black people destined to live out their lives in a bitterly racist society.

In the three decades before the Civil War, some ten million foreign-born people settled in the United States, forever altering the nation’s demographics, culture, and—perhaps most significantly—voting patterns. America’s newest residents fueled the national economy, but they also wrought enormous changes in the political landscape and exposed an ugly, at times violent, vein of nativist bigotry. Abraham Lincoln’s rise ran parallel to this turmoil; even Lincoln himself did not always rise above it.

In his classic book Devil’s Bargain, Joshua Green chronicled how the forces of economic populism on the right, led by the likes of Steve Bannon, turned Donald Trump into their flawed but powerful vessel. In The Rebels, he gives an epic account of the long struggle that has played out in parallel on the left, told through an intimate reckoning with the careers of the three political figures who have led the charge most prominently.

When President Theodore Roosevelt welcomed the country’s most visible Black man, Booker T. Washington, into his circle of counselors in 1901, the two confronted a shocking and violent wave of racist outrage. In the previous decade, Jim Crow laws had legalized discrimination in the South, eroding social and economic gains for former slaves. Lynching was on the rise, and Black Americans faced new barriers to voting. Slavery had been abolished, but if newly freed citizens were condemned to lives as share croppers, how much improvement would their lives really see?

At a time when the very foundations of American democracy seem under threat, the lessons of the past offer a road map for navigating a moment of political crisis. In Democracy Awakening, acclaimed historian Heather Cox Richardson delves into the tumultuous journey of American democracy, tracing the roots of Donald Trump’s “authoritarian experiment” to the earliest days of the republic.

During those dark pre-antibiotic days, when tuberculosis killed one in seven people, white nurses at Sea View, New York’s largest municipal hospital, began quitting. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the strictures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed facility, dubbed “the pest house” where “no one left alive.”

For much of history, societies have violently oppressed ethnic, religious, and sexual minorities. It is no surprise that many who passionately believe in social justice came to believe that members of marginalized groups need to take pride in their identity to resist injustice.

As a proud son of a civil rights leader, Steven L. Reed grew up hearing stories about how his father integrated Montgomery lunch counters and took advice directly from Dr. Martin Luther King Jr. and Reverend Ralph Abernathy. However, it wasn’t until Reed was in the fourth grade and received a death threat against his father that he began to understand more fully the importance of the lessons his father was trying to impart. At this pivotal moment, his father explained, “My job is to prepare you to be a cross-bearer and not just a crown-wearer.

Alfred Hitchcock was fixated—not just on the dark, twisty stories that became his hallmark, but also by the blond actresses who starred in many of his iconic movies. The director of North by Northwest, Rear Window, and other classic films didn’t much care if they wore wigs, got their hair coloring out of a bottle, or were the rarest human specimen—a natural blonde—as long as they shone with a golden veneer on camera. The lengths he went to in order to showcase (and often manipulate) these women would become the stuff of movie legend.

In 1855, with the United States at odds over slavery, the lawyer Abraham Lincoln wrote a note to his best friend, the son of a Kentucky slaveowner. Lincoln rebuked his friend for failing to oppose slavery. But he added: “If for this you and I must differ, differ we must,” and said they would be friends forever. Throughout his life and political career, Lincoln often agreed to disagree.

Growing up, Rebecca Clarren only knew the major plot points of her tenacious immigrant family’s origins. Her great-great-grandparents, the Sinykins, and their six children fled antisemitism in Russia and arrived in the United States at the turn of the 20th century, ultimately settling on a 160-acre homestead in South Dakota. Over the next few decades, despite tough years on a merciless prairie and multiple setbacks, the Sinykins became an American immigrant success story.

There is nobody like Patrick Mahomes. In three seasons, he has won a Super Bowl and competed in another, earned the titles of First Team All-Pro, NFL Offensive Player of the Year, and league MVP, and turned the Kansas City Chiefs from famed playoff failures into the most successful team in the NFL. With his unique and groundbreaking playing style, and winning personality both on and off the field, Mahomes has become a truly transcendent quarterback in a journey that mirrors and accentuates the rebirth of the once swingin’ cow town of Kansas City, Missouri.